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“Every singer has three or four or five techniques, and you can force them together in different combinations. Some of the techniques you discard along the way, and pick up others. But you do need them. It's just like anything. You have to know certain things about what you're doing that other people don't know. Singing has to do with techniques and how many you use at the same time. One alone doesn't work. There's no point to going over three. But you might interchange them whenever you feel like it. It's a bit like alchemy.”

“All my cuts are always about three hours, at the start, mainly because any scene in the movie that's 90 seconds, I probably shot a five-minute version of. If you just extrapolate that through the whole movie, I have a very long version of every scene, usually because, if there's one funny joke, I'll shoot five because I don't know if the one I like is going to work. I'll get back-ups because my biggest fear is to be in previews, testing the movie, and a joke doesn't work, but I have no way to fix it because I have no other line.”

“I never met my theater fans. I'm out the stage door five minutes after the curtain goes up. So that's it. I don't even know who comes, but thank God they do come. I can't tell. I keep my head down. I don't meet them. The fans from "Harry Potter" are kids who stop me in the street. I love that. That's terrific. I was amazed how many do.”

“The key to good worldbuilding is leaving out most of what you create. You, as the author, had damn well better know the where all that dragon food comes from, but that doesn't mean that I, as a reader, want to read a five thousand word essay about you explaining it to me. I don't need to see the math, but I can tell by the details you provide whether or not you've thought these things through to their logical conclusions.”

“When I first went on [Facebook], I found there were five or six Creed Bratton sites. It was all over the place. I had to compete with other people saying they were me. It was nuts, so this is nice that people know that if they're gonna send something to me, I'm gonna be with my weird little mind looking at what they have to say. And what they're seeing is actually me.”

“When you take a picture you haven't a clue that it is going to be what it is. Maybe you have a clue but you don't really know. There are too many possibilities. Part of the game is how many balls you can juggle. It is to me. When you are 12 you can juggle two. Maybe when you are 50 you can juggle five. That is an interesting concept to me: how much I can put in and still make it pull together?”

“I'm a - I'm a, um, a godmother which is just, that's fun to be a godmother, she is so precious, she's the light of my life, she's two... or five or something, and she's, uh... I don't know, I've never seen her - the pictures are precious, she just seems so, y'know... She lives clear across town, I don't have that kind of time, but, um... Well, I send money and stuff, it's not like I don't have a connection...”

“3D needs a trained eye. It can't be done by everybody. People who just do 3D just for the sake of commercializing their movie another five or six percent and they don't know really how to do it, they should care how to do it better by bringing other directors and collaborators into their lives to help teach and instruct how you really make a 3D movie because it's not just like putting a new lens on a camera and forgetting it. It takes a lot of very careful consideration. It will change your approach to where you put the cameras. So, 3D isn't for everybody.”

“Many people I know - writers, poets - they have all been sentenced not once but sometimes three times after they come out. They serve five or six years, come out another time, and then nine years. Come out again, 12 years. Only because they have a different opinion. They are innocent people, they have beautiful minds, beautiful hearts.”

“Well first of all I was nine weeks pregnant at the time and no one knew it. So it was - it had a whole other meaning for me not just because I had to let the dress out, you know, every few days before the actual day. But, you know, because that was the, you know, more important than anything else that was going on in my life. But in terms of actually winning I think I had been nominated four or five times before then. And every one of my co-stars had won up until that point.”

“The gender prism is just descending upon us. For instance, when we're girls of nine or 10 we may be climbing trees and saying, "I know what I want. I know what I think." And then suddenly at 11 or 12, the gender role takes hold, and adults tell us, "How clever of you to know what time it is." It happens to boys, too and even sooner - between five and eight. Before that, boys cry and express uncertainty.”

“You know we receive an education in the schools from books. All those books that people became educated from twenty-five years ago, are wrong now, and those that are good now, will be wrong again twenty-five years from now. So if they are wrong then, they are also wrong now, and the one who is educated from the wrong books is not educated, he is misled. All books that are written are wrong, the one who is not educated cannot write a book and the one who is educated, is really not educated but he is misled and the one who is misled cannot write a book which is correct.”

“Americans are wonderfully courteous to strangers, yet indiscriminately shoot kids in schools. They believe they are masters of the world, yet know nothing about what goes on outside their shores. They are people who believe the world stretches from California to Boston and everything outside is the bit they have to bomb to keep the price of oil down. Only one in five Americans hold a passport and the only foreign stories that make their news are floods, famine, and wars, because it makes them feel good to be an American. Feeling good to be American is what they live for.”

“Better known as the Secret of the Golden Flower, this is a famous neidan text that the Western world came to know through Richard Wilhelm's 1929 translation. The Chinese text used by Wilhelm was edited by Zhanran Huizhen zi in 1921. Besides this, at least five more versions are available, all of which date to the late Qing dynasty (1644-1911) and are ascribed to Lu Dongbin, who revealed them through spirit writing.”

“When people watch me on TV they see part of my life. I wanted to let them know the real me behind the scenes. The child who was a concert violinist from the age of six. The young woman who took on the challenge to compete in the Miss America pageant. The television journalist for twenty-five years. The mother of two who, just like most women, struggles to balance work and family.”

“Plato said that poets should be excluded from the ideal republic because they are such liars. I am a poet, and I affirm that this is true. About no subject are poets tempted to lie so much as about their own lives; I know one of them who has floated at least five versions of his autobiography, none of them true. I of course - being also a novelist - am a much more truthful person than that. But since poets lie, how can you believe me?”

“Four. That's what I want you to remember. If you don't get your idea across in the first four minutes, you won't do it. Four sentences to a paragraph. Four letters to a word. The most important words in the English language all have four letters. Home. Love. Food. Land. Peace. . .I know peace has five letters, but any damn fool knows it should have four.”

“I don't know if any of you feel this way, but it's like eventually, you see a woman come on screen and you go, "Oh, thank God!" You just sort of need a break from all this testosterone, which happened, I think, in one of my films, The Hurt Locker. I was in it for like five minutes, and people were like, "You were in that movie!" And I was like, "Well, kind of." And they were like, "No, you were!" 'Cause they needed a woman!”

“It's funny what [producer Richard Zanuck said about even though you can't quite place when the book or the story came into your life, and I do vaguely remember roughly five years old reading versions of Alice in Wonderland, but the thing is the characters. You always know the characters. Everyone knows the characters and they're very well-defined characters, which I always thought was fascinating. Most people who haven't read the book definitely know the characters and reference them.”