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Ghosts Quotes

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Ghosts Quotes

“Ed io scorgevo sempre quella tempesta che ti porti dentro, nei tuoi occhi, nelle tue mani che si nascondono tra i capelli annodati, nei vestiti che abbandoni sul pavimento aspettando che qualcuno li riordini e in quelle costellazioni di lentiggini che ti ritrovi in volto. Mi sono accorto che mi bastava questo, che vivevo solo di questo, che eri la mia tempesta, il sole che segue il temporale, che eri un disastro, che mi rendevi vivo.”

“How do you feel when you read stuff written by dead authors? A visit by a ghost?”

“We tell stories of the dead as a way of making a sense of the living. More than just simple urban legends and campfire tales, ghost stories reveal the contours of our anxieties, the nature of our collective fears and desires, the things we can’t talk about in any other way. The past we’re most afraid to speak aloud of in the bright light of day is the same past that tends to linger in the ghost stories we whisper in the dark.”

“Many people, after spending a long weekend being stealthily seduced by this grand dame of the South, mistakenly think that they have gotten to know her: they believe (in error) that after a long stroll amongst the rustling palmettoes and gas lamps, a couple of sumptuous meals, and a tour or two, that they have discovered everything there is to know about this seemingly genteel, elegant city. But like any great seductress, Charleston presents a careful veneer of half-truths and outright fabrications, and it lets you, the intended conquest, fill in many of the blanks. Seduction, after all, is not true love, nor is it a gentle act. She whispers stories spun from sugar about pirates and patriots and rebels, about plantations and traditions and manners and yes, even ghosts; but the entire time she is guarded about the real story. Few tourists ever hear the truth, because at the dark heart of Charleston is a winding tale of violence, tragedy and, most of all, sin.”

“Ghosts! […] I almost think we are all of us ghosts. It is not only what we have inherited from our father and mother that ‘walks’ in us. It is all sorts of dead ideas, and lifeless old beliefs, and so forth. They have no vitality, but they cling to us all the same, and we cannot shake them off. Whenever I take up a newspaper, I seem to see ghosts gliding between the lines. There must be ghosts all the country over, as thick as the sands of the sea. And then we are, one and all, so pitifully afraid of the light.”

“Don't tell me you believe in ghosts, Finn.' 'Ghosts, not exactly. Traces, yeah. Sort of.' 'Traces?' 'Here's my theory. Everything is energy. We all leave something behind. Now, there's folk who'll swear on their granny's last breath that they've seen a ghost. And I reckon some of them have. Or rather, they've seen traces of a past energy.' ... Finn was talking with his hands now, trying to make some sense. 'We think that time moves forward, in a linear fashion. Yeah? But sometimes you get deja vu, or there's some mad coincidence that you can't explain. I think time doesn't move in a linear fashion, but in a spiral, and sometimes there's echoes from the past. And a ghost is just an echo of someone.”

“So,” Lauren said. “You help ghosts with unfulfilled wishes cross over to the astral plane for judgment.” “Yes.” “And you hunt demons.” “Yes.” “And you’re married to an angel.” “Yes.” She paused. “…so basically, you’re Dean Winchester.” I made an exasperated sound. “I am NOT.” She smirked. “Yeah, sure.”

“Ghost Wail Square by Stewart Stafford There's a place that canines shun, In The Witching Hour stark, Dogs wandering misty avenues, Flee from Pandora's Park. Nicknamed Ghost Wail Square, Once whispered as Harlot's Row, Twilight cobblestones flooded with blood, Extinguished collusion's glow. Blue bloodlust inflamed there, In scented carriages and filthy lanes, Carnivores at the butcher's block, As they scattered ill-gotten gains. At Devil's Hour, the horror peaks, Death rattle knocks on doors, As screams for mercy fill the air, No rescue missions for whores. A killer sheltered 'neath potent wings, A skittish stranger to the noose, Then sewn mouths shall speak, As festering skeletons slip loose. © Stewart Stafford, 2023. All rights reserved.”

“So, Jessamine,” said Lucie. “Can ghosts lie?” “Certainly not!” Jessamine looked shifty. “Ghosts are completely honest. I keep telling you, it was mice who knocked your silver mirror behind the desk and broke it.” “It appears clear that if ghosts are liars, they are terrible liars,” said James. Matthew sighed. “It is very strange to see you conversing with the invisible.” “Humph,” said Jessamine. She wobbled a bit and firmed up, her outlines clearing as she drifted down toward the floor. Shadowhunters, having the Sight, could generally see ghosts who wanted to be seen, but Lucie knew it was an effort for Jessamine to make herself visible to all eyes. “Oh!” said Cordelia. “It’s very nice to meet you, Jessamine. Lucie speaks of you often.” Jessamine beamed. “You are a very attractive ghost,” said Matthew, tapping his ringed fingers against his chest. “I do hope Lucie and James have mentioned as much.” “They have not,” Jessamine noted. “Very remiss,” said Matthew, his eyes sparkling. “You are not at all like Henry,” said Jessamine, eyeing Matthew speculatively. “He was forever setting things on fire, and not a compliment to be heard.” “Jessamine,” Lucie said. “This is important! Do tell us, can ghosts lie? Not you, of course, my dear.” “Ghosts can lie,” Jessamine conceded.”

“In the great cities we see so little of the world, we drift into our minority. In the little towns and villages there are no minorities; people are not numerous enough. You must see the world there, perforce. Every man is himself a class; every hour carries its new challenge. When you pass the inn at the end of the village you leave your favourite whimsy behind you; for you will meet no one who can share it. We listen to eloquent speaking, read books and write them, settle all the affairs of the universe. The dumb village multitudes pass on unchanging; the feel of the spade in the hand is no different for all our talk: good seasons and bad follow each other as of old. The dumb multitudes are no more concerned with us than is the old horse peering through the rusty gate of the village pound. The ancient map-makers wrote across unexplored regions, 'Here are lions.' Across the villages of fishermen and turners of the earth, so different are these from us, we can write but one line that is certain, 'Here are ghosts.' ("Village Ghosts")”