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“I ask to become a faery because I love a faery queen, and because she deserves to have someone who loves her for who she is, not what she is. She needs me. There are people-good people-I love and I'm a liability to them because I'm a mortal. I'm fragile. I'm fine. I am in this world. People I care about, the woman I love, friends in all three of the courts This is where I belong. I just need you to give me what it takes to stay with them and be strong enough not to fail them.”

“The city (regardless which one it is) does provide a certain degree of sophistication and intellectualism. It offers the challenge of professional matters. It throws new and interesting people in one's path. There is a dynamic and an energy in cities which is diametric to the life-forces of the forest. Still the cabin is the wellspring, the source, the hub of my existence. It gives me tranquility, a closeness of nature and wildlife, good health and fitness, a sense of security, the opportunity for resourcefulness, reflection and creative thinking.”

“There was a time in my acting career, where I was trying to figure out if acting was the thing to do. You know? I was always on this journey of trying to learn more about humanity and people - using the characters and situations as guideposts. I could switch up and do another job as long as I'm continuing that same search and that same journey of revealing my connection to humanity and the universe. And directing gives me the opportunity to explore ALL these different lives and their connection to their environments and the people. And I get to connect to the wires of the universe.”

“I believe no satirist could breathe this air. If another Juvenal or Swift could rise up among us tomorrow, he would be hunted down. If you have any knowledge of our literature, and can give me the name of any man, American born and bred, who has anatomised our follies as a people, and not as this or that party; and who has escaped the foulest and most brutal slander, the most inveterate hatred and intolerant pursuit; it will be a strange name in my ears, believe me.”

“It passes in the world for greatness of mind, to be perpetually giving and loading people with bounties; but it is one thing to know how to give and another thing not to know how to keep. Give me a heart that is easy and open, but I will have no holes in it; let it be bountiful with judgment, but I will have nothing run out of it I know not how.”

“For most people, love is a response to need fulfillment. Everyone has needs. You need this, another needs that. You both see in each other a chance for need fulfillment. So you agree-tacitly-to a trade. I'll trade you what I've got if you'll give me what you've got. It's a transaction. But you don't tell the truth about it. You don't say, "I trade you very much." You say, "I love you very much," and then the disappointment begins.”

“I'm getting less good at faking it. People in my family are noticing and asking what's wrong. My friends give me invitations to talk, to cry. I love them for their caring, but I want to run from it. I have lost their language, their facility with words that convey feelings. I am in new territory and feel like a foreigner in theirs.”

“What surprises me is-even though discrimination against women and racial discrimination still exist, they have improved a lot, especially among artists. And just when I felt I could finally take a break, I encounter the age discrimination. I turned 72 and started noticing a drastic difference in people's attitudes. I started with racism and sexism in the beginning and fought them so hard and was finally ready to relax. Then, here comes ageism, and I feel like, "Give me a break!"”

“I think the greatest gift actually acting is that I have a true fascination and love for people, and the way they are, and all the choices they made in life and all the different paths they took. I feel like acting gives me an opportunity to dig a little bit into that. That's great because it's eye-opening and it makes you an open person.”

“I had achieved so much success in my career and then had this spectacular fall from grace that left me unemployed and living in a town, Los Angeles, that is built on envy. Once you fall, people don't really root for you to come back again. I'd go to restaurants where I always had the best table and half the time they wouldn't even let me pay. And then when I stopped making movies, the same places wouldn't even give me a lousy table, never mind the best one!”

“There's two kinds of evil that horror fiction always deals with. One kind is the sort of evil that comes from inside people, like in Dr. Jekyll and Mr. Hyde. The other kind of evil is predestined evil. It falls on you like a stroke of lightning. That's the scary stuff, but, in a way, it's the stuff you don't have to worry about. I gotta worry whether or not I'm getting cavities. I gotta worry about whether cigarettes are giving me cancer. Those are things I can change. Don't give me lightning out of a clear sky. If that hits me I just say, "That's probably the way God meant it to be."”

“I used to get letters from guys in prison. Anymore now I don't even open them. They'd ask me to please sign a couple of cards for their children. Then I see them on eBay two weeks later. Or the people that write and say, "You is one of my favorite cartoonists. I would like a drawing, please." I guess they encourage inmates to write letters to celebrities. It's like a way to make money by selling autographs or something. Give me a break.”

“It took me three, four years, to get from my first film to my second film, banging on doors, trying to get people to give me a chance. Writing, struggling, with no money in the bank, working as an editor on the side. Working as a cameraman on the side. Getting little jobs, eking out a living. Trying to stay alive, and pushing a script that nobody wanted.”

“If I walk on the street, if I go to a restaurant, people come to me and say: "Can we take a photo together? Can you give me your autograph?" They would bring their expensive Armani or Prada wallet to sign. Other people who are desperate show me a photo of their dead daughter and ask: Can you support me? I tell them: How can I? Morally, of course, I sympathize with you. But I cannot support you and you cannot support me. This is the condition of this society. We are separated.”

“The British Fashion Awards are also very important because it's my hometown. But it's really a recognition of my team, and those awards give me an opportunity to thank them in a formal way. You and I have worked together enough to know that it really isn't about two people. It's a whole team. And so it's great to acknowledge that you never do anything alone.”

“There are people who, when they encounter inability to understand, do not ask the Lord. But one must immediately say, "Lord, I am a sinful man and I don't understand as I should. But give me understanding, merciful One, as to how I must proceed." And the merciful Lord then inspires them as to what to do and what not to do.”

“Oh that God would give me the thing which I long for! That before I go hence and am no more seen, I may see a people wholly devoted to God, crucified to the world, and the world crucified to them. A people truly given up to God in body, soul and substance! How cheerfully would I then say, 'Now lettest thou thy servant depart in peace.'”

“Language allows us to talk about the past and plan the future. We can teach children about things that are not present. And above all, we can bring people with different backgrounds and different knowledge together to discuss our problems. This actually gives me hope. I still think we are smart enough to not destroy planet Earth, our only home.”

“Every single job I do. It sounds goofy but I did a music video for Fergie. I was in full on tattoos, ponytail, but it's like even things like that they help other people to see you in a different light. They give me opportunities. I try and change the image with every job that I can, it's just hard when you work on a TV show and you work so many months and trying to get away from that.”

“Oh yes. It's open all right, but not many people come in here to look at me now so there's no point in selling tickets. No one is interested in a man who professes to be a monster. They'll give me notice very soon. I started out being a great attraction, but people soon understood that what fascinated them about me was no more than the reflection of their own deformities. All I do is how them what is inside themselves,' He added mournfully.”