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Growing Up Quotes

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Growing Up Quotes

“So many of my friends have always been women growing up... I always feel slightly more comfortable around women because with guys in general there's always more of a danger zone... it's very aggressive sometimes the way guys act with each other, putting each other down and calling each other names, so I was always too sensitive for that and used to hang out with the girls. And they were always really funny to me.”

“I was also a science fiction and fantasy fan, growing up, in games and books and movies. I love Tolkien and I love Dungeons & Dragons, so the opportunity to have a fantasy-based RTS, or real time strategy game, at that time, seemed cool. I started playing it, and the early games were simple, but fun and they had these great heroes.”

“But Stacie Orrico was my childhood hero. I was about 12 when I found her music. She is a contemporary Christian artist, and I can honestly tell you that I don't think I'd have a soulful voice if I didn't listen to Stacie. I wanted to sound just like her growing up, and to this day I STILL think I sound a little bit like her. But she is AMAZING!”

“My parents both renounced their material lives and were living as monks at an ashram in L.A. when they met each other. So we were always raised in this environment and when we moved to the ashram in Florida it was just like, "Oh, wow, now all of a sudden there's more people like us," because we were growing up in the middle of Texas with our parents, always being the weirdos.”

“One day, a pretty, fresh-faced young lady - intelligent and sincerely concerned - asked me if abortion wasn't preferable to making a young, unmarried girl have a baby she didn't want and which would, therefore, grow up unloved and probably turn out to be a criminal. I gave an answer which apparently she hadn't considered. I told her there were literally millions of people in this country who wanted but could not have children and who waited eagerly, sometimes for years, to adopt the baby she had described.”

“I'm definitely a perfectionist. I started entertaining so young. I think naturally my personality is that of a perfectionist, and then on top of that, growing up in the industry I became very objective and analytical of myself early on and I find myself doing that in everything. It works good in my work, but sometimes it can be annoying, I imagine, to people in my life.”

“Sometimes I'll say, "I wrote that book," and the person will look at you as if you're really strange. One time that happened to my daughter on a plane. She was sitting next to a girl who was reading one of my books and my daughter said, "My mother wrote that book." And the girl started to quiz my daughter, asking her all sorts of questions, like what are the names of Judy's children and where did she grow up. My daughter thought it was so funny.”

“I think the worst atmosphere for a six-year-old is one in which there are no expectations whatsoever. That is, it's worse for the child to grow up in a vacuum where "whatever you do is alright, I'm sure you'll succeed." That is a statement of disinterest. It says, "I really have no fantasies for you at all."”

“We were in front of a live audience and I would be acting with the man who was playing my lover, and we used those words, and the audience would titter and laugh, and make me uncomfortable doing the scenes. ... I wanted to sort of stop and yell at them, "What's so funny? What's the matter with you people? Grow up!" It made me very self-conscious at times.”

“I think growing up it was never an issue for me to think about working out or having a healthy lifestyle because I danced so much. Then when I stopped dancing and I got into regular life mode, I didn't realize how much diet and nutrition and being active was so important. Not only for my physical state, but for my mental state, too. I think that's just as important as working out for your physical state.”

“Beauty is a complex theme, for sure. We all have a different concept and opinion regarding it, but we all like to look at things that are aesthetically pleasing. I had the typical high school experience, where you question what is beauty, and you're comparing yourself to others, it was just part of growing up.”

“I grew up feeling that to be gay was a tragedy. I didn't grow up thinking that it was morally wrong, but I grew up thinking that it would make me marginal, prevent me from having children, and quite possibly prevent me from having a meaningful long relationship. It seemed that this condition would leave me with a vastly reduced life.”

“Growing up in the South, it was very patriarchal. When I applied to Stanford, I was told by a [male] college counselor, "You're never gonna get in, don't bother. They don't want you." I said, "I'm going to try." And I got in! But I wouldn't be the woman I am if I hadn't had that conflict to overcome. It has given me an underdog feeling all my life.”

“My parents aren't artists or anything, but growing up in Wales, especially in a Welsh language school and community, they have this thing called the Eisteddfod where people compete in singing and acting and dancing and oratory all sorts of things. From a very young age, it's been a part of my upbringing.”

“That's always been like a fascination to me - watching my family, three sisters and a brother and all growing up basically in the same situation and each one being so totally different and going on to completely different areas and directions. But for me to go into psychoanalysis really steadily, would be putting too much energy into trying to figure out why I am the way I am... Basically this is how I am and it's alright and I don't want to know why I'm this way.”

“When I was growing up skateboarding, a bunch of friends and I went to this thrift store and as we were leaving I jumped up and passed gas in my friend's face. I turned around and it wasn't my friend, it was this nice old lady who was just walking out of the store. That was probably one of the more awkward apologies I've had to make in my life.”

“India went through a dramatic revolution after the '90s when our economy started opening up for the first time and Indians were now experiencing the Western life, if you will. Drugs and sex and a lot of those influences came in as the economy stabilized, and we were growing up and experiencing that. The Indian writing market was very small at that time. Our literature was very attuned to what Western audiences were interested in, so everybody was writing about the slums in India and magic realism or stories about Hindus and Muslims and partition.”

“The reality that we were growing up in was very young and vibrant, and nobody was capturing that part of India. I started to backpack after getting out of college. I hiked and did a lot of things nobody was capturing in art at all in India, so I wrote my first novel. It was a very, trippy, experience-filled novel, and it ended up doing very well in India because nobody was writing about that at that point.”

“That's always attractive to me, to work with music whose form is a big question mark. Even many of my favorite bands growing up, when I was just a kid learning to play drums and guitar and everything, were bands like Pink Floyd, where the arrangement, the number of bars in each section is unconventional and often lopsided, and there will be small little instrumental interludes and that sort of thing. So those odd forms, as well as dark content, are the things that I think are continuous through all the type of projects that I've been attracted to.”

“Think about all of the families where the father is a doctor and the son is a doctor or generations of coal miners. Why did they go into that line of work? Because that's what they were taught. Or was it in their genes? It's not an either/or question. It's both. I was inclined in that way. I was sensitive to music and poetry, and it was around me growing up.”