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Guy Quotes

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“Neil Young is my hero, and such a great example. You know what that guy has been doing for the past 40 years? Making music. That's what that guy does. Sometimes you pay attention, sometimes you don't. Sometimes he hands it to you, sometimes he keeps it to himself. He's a good man with a beautiful family and wonderful life.”

“Guys don't understand great art. They don't care that sometimes the camera has power beyond the photographer to record emotion that only the heart can see. They're threatened when the camera jumps ahead of me. Todd Kovich was pissed when I brought my Nikon to the prom, but I'd missed too many transcendent shots over the years to ever take a chance of missing one again. A prom, I told him, had a boundless supply of photogenic bozos who could be counted on to do something base.”

“Back before 'Brick,' I wrote a short film that I never ended up shooting: hit men in the present who work for a mob in the future who send their victims back in time. A guy is sent his future self, he lets him run, and the whole short was them chasing each other across the city. That sat in a drawer for 10 years until after I made 'Brothers Bloom.”

“My dad was a lovely guy. I had great parents. But he was a conservative shopkeeper, and he said, "Look, I don't know how to help you as an actor, but if you want to be an actor, give it a go for a year. Get a job. And if you don't get a job, then we're going to reevaluate and you're going to go back to school." And I thought that was a fair thing.”

“I managed the Dodgers for 20 years. It's hard to believe that there are only four guys in the history of baseball who managed the same team for 20 years or more. One was owner of the team, Connie Mack. Another was part owner of the team, John McGraw. Then there was my predecessor, Walter Alston, and me. It's amazing. In the 20 years I managed the Dodgers, 210 managers were fired.”

“In theater, there's a lot of discipline involved in doing eight shows a week for a year and a half. It's nice to be able to bring some of that bag of tools with you over to the film world, where you don't have the rehearsal, you don't have an audience. You don't have a month of rehearsal to examine these words, and you meet the guy who's going to play your brother the morning that you shoot the scene. So you need a bag of tools.”

“This guy, when I met him he was 47 years old, he'd just come out of a divorce and he was, you know, very desirable. He had every Cosmo cover girl and undercover girl. They were just coming out of his ears. Baking cakes on his doorstep, one in the back door, one on the roof, one waiting in the basement, another in the elevator. So I know I have to keep an eye on him.”

“Jack [Kirby] and Joe [Simon] wrote and drew the stories themselves in the beginning and I was just, like, the office boy. But after a while they had more writing than they could handle and I was the only guy around, so they said, "Hey Stan, you think you can write this?" When you're seventeen years old, what do you know? I said, "Sure, I can do it!" And that was it.”

“One of the reasons I'm lucky is to be around an owner like Jerry Jones. I'm not just saying it. The reality of it is the guy wants to win. As a quarterback, you need ownership and people in the front office and organization to help you win. If you don't get that help, you're always going to be fighting an uphill battle. You feel that, being a part of this organization with Jerry, that he's going to bring in people and sign people and want to improve this football team every year. It allows you to feel like, hey, we have a chance and I have a chance to do some special things around here.”