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Hard Quotes

“I don't think I made a conscious decision as a career choice. From my school days I had decided, persuaded by my parents, to prepare myself for the law. Then the Japanese occupation came and we went through three and a half years of what I would call the university of life, it was hard, it was harsh.”

“I think the hard thing about this job [stand-up] I mean, I think this part is great but that the traveling is y'know, 'cause 'cause I'm gone a lot from home and this time I'm out for three-and-a-half weeks without going home, and that's hard, to be gone three-and-a-half weeks 'cause then I have to ask my friends, "Would you mind going to the house and watering the plants, and turn some lights on and make it look like somebody's home, and make sure that the mobile over the crib isn't tangled or the baby's gonna get bored.”

“God pity us indeed, for we are human, And do not always see, The vision when it comes, the shining change, Or, if we see it, do not follow it, Because it is too hard, too strange, too new, Too unbelievable, too difficult, Warring too much with common, easy ways, And now I know this, standing in this light, Who have been half alive these many years, Brooding on my own sorrow, my own pain, Saying "I am a barren bough. Expect, Nor fruit nor blossom from a barren bough."”

“On the show, I do a very serious thing. And a lot of people have a hard time reconciling that with what I'm going to do after the show. They can't get it into their heads: "How can he be talking to Madeleine Albright one minute and then somebody half his age...." They're just jealous. But I never made any bones about it. I am a player. Always have been.”

“Twisting through the thorn-thick underbrush, scratched and exhausted, one turns suddenly to find an unexpected waterfall, not half a mile from the nearest road, a spot so hard to reach that no one comes a hiding place, a shrine for dragonflies and nesting jays, a sign that there is still one piece of property that won't be owned.”

“[Vathek] has, in parts, been called, but to some judgments, never is, dull: it is certainly in parts, grotesque, extravagant and even nasty. But Beckford could plead sufficient "local colour" for it, and a contrast, again almost Shakespearean, between the flickering farce atrocities of the beginning and the sombre magnificence of the end. Beckford's claims, in fact, rest on the half-score or even half-dozen pages towards the end: but these pages are hard to parallel in the later literature of prose fiction.”

“It's hard to go. It's scary and lonely...and half the time you'll be wondering why the hell you're in Cincinnati or Austin or North Dakota or Mongolia or wherever your melodious little finger-plucking heinie takes you. There will be boondoggles and discombobulated days, freaked-out nights and metaphorical flat tires. But it will be soul-smashingly beautiful... It will open up your life.”