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Hollywood Quotes

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Hollywood Quotes

“I'm not a big Hollywood star. I'm an actor. I'm called a star. That's not what I am. First of all I'm a human being; my profession is acting. People give you titles. They say you're an up and coming star, then they say you're a star, then they say you're a washed-up star. So I don't get caught up in what I'm called. My job, my profession, is acting.”

“As I say, there's something that scares the hell out of me but it really makes me work hard in losing myself. I'm not really interested in me as an actor or being a personality player, or a Hollywood star. What's given to me is to become different people and to find the truth of that. That is really what I do.”

“The great exception to that, of course, is Johnny Depp, who is absolutely the ultimate character actor. Johnny Depp is the future of the character actor and thanks to his success maybe we will see the return of an era when my sort of actor is back in vogue. It's not in vogue for me to be in Hollywood movies as lots of different people.”

“Hollywood is designed to check the box office on Monday morning and see: "How'd we do? How much?" It's another facet of this whole culture of accumulation and consumption. Black people are caught up in it, white people are caught up in it, white actors, black actors, female actresses - everybody's caught up in it.”

“I was born in the same town as Richard Burton, the actor, and I saw him, he used to come - he and his wife drove by in the car in my father's shop and Burton would come home from Hollywood and ask him for his autograph, and I thought, I want to be like him. And that's all I said to myself, I want to be like that. I want to get out of this environment of my own empty mind.”

“Even Hollywood millionaires are now clamoring for legal protections for their illegal-alien nannies and gardeners, though such elites would hardly countenance a similar legal laxity that would allow foreign film technicians, screenwriters, and actors to flood southern California to work in their industry for a fourth of their own pay.”

“In the late 1930s, both the British and American movie industries made a succession of films celebrating the decency of the British Empire in order to challenge the threatening tide of Nazism and fascism and also to provide employment for actors from Los Angeles's British colony. The best two were Hollywood's Gunga Din and Britain's The Four Feathers...”

“What I've learned, more than anything, as a young actor who has been in the business for 10 years, is just to be around guys and girls, like Ron Perlman, Bill Lucking, Kim Coates, Tommy Flanagan, Katey Sagal, who have been in this business for a very long time, and to learn what to do and what not to do from them, every day, and to see how they navigate through their Hollywood life.”

“The populist zeal to seek revenge on those who make a lot of money is targeted almost exclusively at corporations. I haven't heard outcries about Hollywood actors who make millions per film, even when those movies are a bust at the box office and the talent at issue has none. There's no outrage over athletes like New York Yankees third baseman Alex Rodriguez's $33 million salary or Celtic power forward Kevin Garnett's $25 million. Nor should there be. These are exceptionally talented individuals whose teams' owners think they're worth every penny.”

“I have friends who are leading men, and they're only ever allowed to play leading men of a certain type. But as a character actor, there's a wider variety of projects available. On the big Hollywood films, all they care about is having their lead in place, so it's actually easier for someone like me to slip in. And I'm happy to do so.”

“Argo might well be studied as a bait-and-switch masterwork: In showing the capture of the American Embassy in Tehran, Ben Affleck first made a fetish of authenticity, then served up a shamelessly Hollywood, and wholly fictional climax, then capped the whole thing off with a coda that was essentially a tribute to his movie's authenticity, complete with side-by-side photos of the actors and their near-identical real-life counterparts. Well done, sir!”

“I had a very dear friend of mine, ton of potential, and he fell ill with bipolar disorder. And he was put in the penal system. And that was just adding fuel to the fire. He got worse. He came out and he's never been the same since. He can't seem to get his life back. And this is a man who could have had Hollywood in the palm of his hand. A lot of my inspiration and aspirations for wanting to be an actor, I owe to him. Between the disorder and him being put in jail, it just snuffed all of that away from him.”

“Playing what Hollywood determines is a hero, it immediately sets actors up to feel like they just can't explore the dark parts of themselves - the character has to be likeable, has to be fuckable, has to be redemptive on all fronts. When you're playing a character that's just inherently destructive or messed up, you're given this beautiful permission to try things. There's a license to fail.”