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“Nine Years Under is a sparkling debut--- brimming with love and bursting with life. Booker's Baltimore is equal parts The Wire and The Cosby show. She doesn't shrink from the realities of life in an inner city funeral home, but she is also a loving witness, documenting the big hearted community that takes care of its own. Told with compassion, wit, and good old fashioned story telling, Sheri Booker gives us unforgettable characters who will make you laugh right up until they break your heart.”

“When I'm following what a character does in a book I don't have to think about my own life. Where I am. Why I'm here. My moms and my brother and my old man. I can just think about the character's life and try and figure out what's gonna happen. Plus when you're in a group home you pretty much can't go anywhere, right? But when you read books you almost feel like you're out there in the world. Like you're going on this adventure right with the main character. At least, that's the way I do it. It's actually not that bad. Even if it is mad nerdy.”

“But what must be the character of that policy, which aims at national prosperity through the impoverishment of a large proportion of the home producers, with a view to supply foreigners at a cheaper rate, and give them all the benifet of the national privation and self denial?”

“You travel life has the aspect of a dream. It is something outside the normal, yet you are in it. It is peopled with characters you have never seen before and in all probability will never see again. It brings occasional homesickness, and loneliness, and pangs of longing ... But you are like the Vikings who have gone into a world of adventure, and home is not home until you return.”

“I’m a better person in a relationship, and I’m a happier person. I need to come home at the end of the day and have it not be about me and my freaking hair and makeup and character motivations anymore. And I think my work is more inspired when home is safe and sound and solid, because what I do for a living is so bananas and so insecure.”

“It's one thing to be sitting at a drawing board, alone in your home and coming up with a fantasy character, and drawing her whichever way you feel like drawing, then dealing with a real performer. All of a sudden, things change. It's amazing, in working with actors, how much I learn from them and how many new lines will come to mind because of their personality or their strengths.”

“Most of actor's work is done at home, in your hotel room, in the wee hours of the morning thinking and reading and feeling, walking around and listening to music. It really just because an internal exercise, whatever skills. It's great if you have to learn something new for a gig and designing a character physically is always fun but it does become an internal exercise in separating the wheat from the chaff.”

“Whatever strengthens our local attachments is favorable both to individual and national character, our home, our birthplace, our native land. Think for a while what the virtues are which arise out of the feelings connected with these words, and if you have any intellectual eyes, you will then perceive the connection between topography and patriotism.”

“As the places where Americans dwell become evermore depressing and impossible, Disneyworld is where they escape to worship the nation in the abstract, a cartoon capital of a cartoon republic enshrining the falsehoods, half-truths, and delusions that prop up the squishy thing the national character has become--for instance, that we are a nation of families; that we care about our fellow citizens; that history matters; that there is a place called home.”

“A true home is one of the most sacred of places. It is a sanctuary into which men flee from the world's perils and alarms. It is a resting-place to which at close of day the weary retire to gather new strength for the battle and toils of tomorrow. It is the place where love learns its lessons, where life is schooled into discipline and strength, where character is molded.”

“The father's life is surrounded by mysterious prestige: the hours he spends in the home, the room where he works, the objects around him, his occupations, his habits, have a sacred character. It is he who feeds the family, is the one in charge and the head. Usually he works outside the home, and it is through him that the household communicates with the rest of the world: he is the embodiment of this adventurous, immense, difficult, and marvelous world; he is transcendence, he is God.”

“Avoid connecting yourself with characters whose good and bad sides are unmixed and have not fermented together; they resemble vials of vinegar and oil; or palletts set with colors; they are either excellent at home and insufferable abroad, or intolerable within doors and excellent in public; they are unfit for friendship, merely because their stamina, their ingredients of character are too single, too much apart; let them be finely ground up with each other, and they are incomparable.”

“I was powerless over my childhood but the coping strategies that I developed, to survive, all of which were creative and brilliant and got me through, as an adult those became my defects of character. Those became my shortcomings, control and all that kind of stuff... and that's my responsibility. I was a blameless child in what happened in the home; I take responsibility for my behaviors as an adult.”