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Imagination Quotes

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Imagination Quotes

“The general ideas which are expressed in sketches, correspond very well to the art often used in poetry... every reader making out the detail according to his own particular imagination... but a painter, when he represents Eve on canvas, is obliged to give a determined form, and his own idea of beauty distinctly expressed.”

GivingWellsArtIdeasFormUsedImaginationParticularReaderDetailsDeterminedPainterCanvasObliged
Book:The Works of Sir Joshua Reynolds: Containing His Discourses, Idlers, A Journey to Flanders and Holland, and His Commentary on Du Fresnoy's Art of Painting; to which is Prefixed an Account of the Life and Writings of the Author by Edward Malone
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“We can roam the bloated stacks of the Library of Alexandria, where all imagination and knowledge are assembled; we can recognize in its destruction the warning that all we gather will be lost, but also that much of it can be collected again; we can learn from its splendid ambition that what was one man's experience can become, through the alchemy of words, the experience of all, and how that experience, distilled once again into words, can serve each singular reader for some secret, singular purpose.”

MenPurposeLostImaginationSecretReaderAmbitionDestructionLibraryOne ManWarningSplendidAlchemyAlexandria
Book:The Library at Night
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“The appeal of the spectrally macabre is generally narrow because it demands from the reader a certain degree of imagination and a capacity for detachment from every-day life. Relatively few are free enough from the spell of the daily routine to respond to rappings from outside, and tales of ordinary feelings and events, or of common sentimental distortions of such feelings and events, will always take first place in the taste of the majority; rightly, perhaps, since of course these ordinary matters make up the greater part of human experience.”

FirstsHumansMatterEnoughFeelingsCertainCoursesImaginationCommonGreaterEventsReaderTasteDemandDegreesOrdinaryCapacityMajorityRapTalesAppealsRoutineSpellsSentimentalHuman ExperienceDetachmentDistortionDay LifeDaily RoutinesMacabre
Book:H.P. Lovecraft: The Ultimate Collection (160 Works Including Early Writings, Fiction, Collaborations, Poetry, Essays & Bonus Audiobook Links)
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“Works of imagination excel by their allurement and delight; by their power of attracting and detaining the attention. That book is good in vain which the reader throws away. He only is the master who keeps the mind in pleasing captivity; whose pages are perused with eagerness, and in hope of new pleasure are perused again; and whose conclusion is perceived with an eye of sorrow, such as the traveller casts upon departing day.”

WritingMindBookEyeImaginationPleasureAttentionMastersReaderSorrowPagesCastsDelightConclusionVainTravellerEagernessCaptivityDepartingDetaining
Book:Lives of the Most Eminent English Poets: With Critical Observations on Their Works
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“The reader may ask himself if this is not cruelty and injustice of a kind so terrible that it beggars the imagination, and whether these poor people would not fare far better if they were entrusted to the devils in Hell than they do at the hands of the devils of the New World who masquerade as Christians.”

PeopleIfsWorldKindMayHandsChristianAsksImaginationPoorHellAtheismReaderTerribleDevilInjusticePositive AtheismCrueltyNew WorldPoor PeopleBeggarMasquerade
Author:Bartolome de las Casas
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“Among the English authors, Shakespeare has incomparably excelled all others. That noble extravagance of fancy, which he had in so great perfection, thoroughly qualified him to touch the weak, superstitious part of his readers' imagination, and made him capable of succeeding where he had nothing to support him besides the strength of his own genius.”

MadeImaginationSupportReaderGeniusSucceedCapablePerfectionWeakNobleFancyQualifiedSuperstitiousExtravagance
Book:Essays in Criticism and Literary Theory
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“A good story is alive, ever changing and growing as it meets each listener or reader in a spirited and unique encounter, while the moralistic tale is not only dead on arrival, it's already been embalmed. It's safer that way. When a lively story goes dancing out to meet the imagination of a child, the teller loses control over meaning. The child gets to decide what the story means.”

WayMeanChildrenStoriesLiteratureLosesImaginationAliveGrowingReaderUniqueDancingTalesEncountersListenersGood StoryLivelyArrivalsSpiritedChildren's Literature
Author:Katherine Paterson
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“Some of my youthful readers are developing wonderful imaginations. This pleases me. When I was young I longed to write a great novel that should win me fame. Now that I am getting old my first book is written to amuse children. For aside from my evident inability to do anything "great," I have learned to regard fame as a will-o-the-wisp which, when caught, is not worth the possession; but to please a child is a sweet and lovely thing that warms one's heart and brings its own reward.”

ShouldWritingFirstsHeartChildrenBookYoungWinningImaginationNovelWonderfulWrittenSweetReaderPleaseFameRegardRewardsCaughtPossessionLovelyDevelopingI Have LearnedEvidentInabilityGetting OldPlease MeLovely ThingsWispsGreat Novels
Author:L. Frank Baum
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“The poet presents the imagination with images from life and human characters and situations, sets them all in motion and leaves itto the beholder to let these images take his thoughts as far as his mental powers will permit. This is why he is able to engage men of the most differing capabilities, indeed fools and sages together. The philosopher, on the other hand, presents not life itself but the finished thoughts which he has abstracted from it and then demands that the reader should think precisely as, and precisely as far as, he himself thinks. That is why his public is so small.”

ThinkingMenShouldHumansCharacterHandsAbleTogetherPoetryImaginationSituationPoetFoolReaderDemandPhilosophicalPhilosopherFinishedPermitCapabilitySageBeholderMental Power
Author:Arthur Schopenhauer
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“In literary representation, the distinction between the genuinely erotic and the licentious is a distinction not of subject-matter, but of perspective. The genuinely erotic work is one which invites the reader to re-create in imagination the first-person point of view of someone party to an erotic encounter. The pornographic work retains as a rule the third-person perspective of the voyeuristic observer.”

FirstsPersonsMatterImaginationViewsPartySubjectsPerspectiveReaderThirdsPoint Of ViewEncountersDistinctionInvitesRepresentationObserversPornographyEroticSubject MatterFirst PersonThird Person
Book:Sexual Desire: A Philosophical Investigation
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“Novels are routinely denigrated when characters are not found to be likable. Is Raskolnikov likable? Is King Lear? The plethora of such naive readers testifies to a failure of imagination - the capacity to see into unfamiliar lives, motives, feelings - and this failure must, at least in part, be the failure of the teaching of literature in the schools.”

CharacterFeelingsSchoolFoundLiteratureImaginationNovelTeachingReaderKingsCapacityMotiveNaiveUnfamiliarLearRaskolnikov
Author:Cynthia Ozick
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“I would not want to forget the first time I read The Lord of the Rings. I would never want to forget that! That was so magical to me, and that was a real eye-opening experience. I was probably 11 when I read that and already a reader, but I think that book really showed me how you can be transported and how your imagination can take you to a whole other place.”

ThinkingWantFirstsBookRealWholeEyeImaginationForgetLordReaderFirst TimeRingsOpeningEye OpeningReal Eyes
Author:Sharon Cameron
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