Quotessence
Home / Topics / Instruments Quotes

Instruments Quotes

Browse 2493 quotes about Instruments.

Related topics

Instruments Quotes

“It is not a dreamlike state, but the somehow insulated state, that a great musician achieves in a great performance. He's aware of where he is and what he's doing, but his mind is on the playing of his instrument with an internal sense of rightness - it is not merely mechanical, it is not only spiritual; it is something of both, on a different plane and a more remote one.”

“Roger Bacon, a disciple of the Arabs, also insisted on the primary necessity of Mathematics, without which no other science can be known; yet by Mathematics it is clear that he meant something very different from what we mean, including under that head even dancing, singing, gesticulation, and performance on musical instruments.”

“There are only so many letters in the alphabet. When I talk to young musicians or authors and they ask for advice, I say, You gotta learn all the letters of your own personal alphabet. With music, you need to know all the different kinds of music and everything in and around your given instrument.”

“There are at the present time two great nations in the world--the Russians and the Americans. The American relies upon his personal interest to accomplish his ends and gives free scope to the unguided exertions and common sense of the people. The Russian centers all his authority of society in a single arm. The principal instrument of the former is freedom; of the latter, servitude. Their starting point is different and their courses are not the same; yet each of them seems marked by the will of Heaven to sway the destinies of half the globe.”

“I want to see all the countries in the world and learn all the languages. I want to have thousands of friends and I want all my friends to be different. I want to play six instruments. I want to be the best in the world at two things. I want to be a great athlete and I want to be a great surgeon. I need to practice very hard every day. I need to sleep as little as possible. I need to read at least one major book every week. And I need to remember that my seventy years are going to go by too quickly.”

“If some things aren't going well, do something; never wait for the things to be ok by themselves! Do something; change the direction, change the parameters, change the criteria, change anything you wish to change! To change is to create a new destiny! Remember, you have thousands of different destinies; change is your instrument to switch from one destiny to another! Remember, you have thousands of different destinies!”

“I started playing drums at a pretty early age because my parents were musicians. My dad was an amazing multi-instrumentalist and I can play a lot of instruments, but my dad actually played all the instruments I could play and then added another twenty five or thirty five different categories on there ...he was incredible! He got an act actually in Vegas, my parents Bobby and Phyllis Sherwood.”

“My father was able to play a number of musical instruments and I fell in love with classical music in my teens and I allowed it to influence me. I like to think I took and still do from classical music and various techniques, I have made classical albums and recorded seven different pieces of Bach on different albums and its all music too me.”

“The ways of God are entirely different from our ways. To us it seems necessary to employ powerful means in order to produce great effects. This is not God's method; quite the contrary. He likes to choose the weakest instruments that He may confound the strong: "God chose what is weak in the world to shame the strong - Infirma mundi elegit ut confundat fortia".”

“We have two different ways of working. One is completely unstructured where somebody just starts playing and somebody joins in and then the other person joins in, and something starts to happen. That's occasionally what happens. What more often happens is that we settle on some sort of - a few sort of structural ideas, like, "Okay, when I put my finger up, we're all going to move to the extremes of our instruments. So, that means you can only play either very high or very low or both. And we're going to stay there until I take my finger down.”

“When I'm in the studio, I write the music, I play the different instruments, I produce it, I arrange it, and it's a self-indulgent exercise. It's the way I make my music. And when I'm acting, I get to leave myself behind, which is a relief. I get to collaborate with a director; I respect the director's medium and all the actors and actresses. So at the end of the day, it's about a character and it's about a director's vision. It's a really good balance for being so intense and alone in my personal process of making music.”

“I think of myself as a jazz player, and my music as a natural extension of the jazz tradition. What I'm doing is completely free improvisation ('composing in real time') with nothing predetermined. I've had a lot of experience playing many different kinds of music and several different instruments, and since I tend not to waste anything, it all shows up somewhere in the music I'm playing now.”

“There's a popular misconception that property boundaries are based on coordinates that surveyors can simply "walk to" with our instruments. The reality is that, while physical coordination of monuments is easier than it's ever been, property boundaries often need to be determined based on evidence and plans that are old, decrepit, and done with different technology and expectations than we have today.”

“I've always wanted to be a communicator of ideas through music. Today, I wanna be the most effective musical communicator of social change I could be, so I try to find different ways to do it and I'm always challenging myself to find new things, learn new instruments. But I always try to find in my heart, what it is I really want to say with words.”

“I've had it for about 13 years, and I don't see any reason to change, I find that the violin just keeps responding really well. It changes itself every year; it ages, it goes through all these different environmental changes, and of course, the travelling...It develops on its own, just as any performer does. It's a very stable instrument, so I can rely on it, but at the same time it always shows me a different side of things than I expect.”

“Well sometimes I do not listen to music. But when I do it could range from Frank Sinatra to Copeland. I spend a great deal of time playing the piano because it really is my salvation at times. But I am perfectly happy just going on a long bike ride that takes many days to complete and staying away from music for a bit. It always feels so fresh when you return to the instrument with a different observation of things than when you were last there.”

“I definitely enjoy working within different contexts, with different collaborators, and in different locations. I need to keep feeding myself as an artist by working with different people. I see continuing with that. I've also enjoyed getting to explore different kinds of music and instruments in the last couple of years.”

“My identity is mostly as a songwriter and lyricist and singer. I also have a lot of production ideas but I have my own limitations in terms of what instruments I'm actually proficient at and what I can do myself, so I really love working with people on the production end; just really going for it with orchestration and instrumentation and production. That's where I see myself going: maintaining my integrity and abilities as a songwriter, but applying it to different contexts, to where I can put on a huge feathered costume and roll around in the ocean.”

“If I look at my own recordings, I think generally there is a focal point within the song and often it's the instrumental bridge or a guitar solo where we try to do something unexpected, something beautiful or weird, or beautiful because it is weird. And of course I fail half the time, but yes that is the goal, to create even a few seconds of bliss, or sadness. The electric guitar is a great instrument for doing this because it is capable of surprising you. There are so many different sounds available.”

“The vote is the most powerful instrument ever devised by man for breaking down injustice and destroying the terrible walls which imprison men because they are different from other men.”

“The three of us [me, Mike Dean, Woody Weatherman] all learned how to play our instruments together. We had a common interest in bands like Black Sabbath, Deep Purple. Bands who had different time signatures etc and for whatever reason, we morphed into Corrosion of Conformity. It's been about thirty years now.”

“We can reorient science - for example, a kind of medicine much more directed toward the enormous number of women's health problems which are neglected now. But the original givens of this science are the same for men and for women. Women simply have to steal the instrument; they don't have to break it, or try, a priori, to make of it something totally different. Steal it and use it for their own good.”

“There was a band very early on in our class, and I played in that band and as a teenager, I continued. It was more from my own relationship with the instruments at this time, figuring out the instrument and then having to learn different pieces that I really got into music. I really discovered the almost transcending power of music. And I think that is why I am so into it.”