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Laughing Quotes

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Laughing Quotes

“Listen. Look. Desire is a house. Desire needs closed space. Desire runs out of doors or windows, or slats or pinpricks, it can’t fit under the sky, too large. Close the doors. Close the windows. As soon as you laugh from nerves or make a joke or say something just to say something or get all involved with the bushes, then you blow open a window in your house of desire and it can’t heat up as well. Cold draft comes in.”

“Most of the time when something goes bad—a marriage, a war, a run of good luck—you don’t know it. It’s like in the cartoons, only less funny. You run off the cliff and just keep going—talking, listening to music, making plans, for years sometimes—except no announcer interrupts to say ‘Excuse me, collect call for Mr. Coyote’ to make you notice and make us laugh. You just wake up and fall.”

“Sometimes there are more tears than laughter, and sometimes there is more laughter than tears, and sometimes you feel so choked you can neither weep nor laugh. For tears and laughter there will always be so long as there is human life. When our tear wells have run dry and the voice of laughter is silenced, the world will be truly dead.”

“Every heat engineer knows he can design his heat engine reliably and accurately on the foundation of the second law [of thermodynamics]. Run alongside one of the molecules, however, and ask it what it thinks of the second law. It will laugh at us. It never heard of the second law. It does what it wants. All the same, a collection of billions upon billions of such molecules obeys the second law with all the accuracy one could want”

“You, sleeping on your bed of nails. Weeping an ocean beyond the pale. Strange, sorrow is your greatest skill. You're suffering from overkill... Choose whether to laugh or to cry. Menace and promise mingle in your eye. Wait, it's only a matter of time. You know everything will be fine... Rain falls down and the seas run high. When you're by my side we can rise above it. Let me dry all the tears inside. On your way you cannot hide from the howling wind and the roaring tide. You might get hurt but your fears will subside when you at last escape from the tears inside.”

“For war to man, like childbirth to women, is simplifying in its emotions and activities. All the real problems of life can be put aside while the one thing is done and little thought is needed to do it. ... His hatreds can be expressed without censure, he can let his emotions run free, he can behave as dramatically, as heroically as he likes, and no one laughs at him. It is almost impossible for a man to behave heroically in the cool and ordinary times of peace. But in war anything is allowed him, he is praised and applauded and made much of, as women are excused and allowed for in pregnancy.”

“The great enemy of creativity is fear. When we're fearful, we freeze up - like a nine-year-old who won't draw pictures, for fear everybody will laugh. Creativity has a lot to do with a willingness to take risks. Think about how children play. They run around the playground, they trip, they fall, they get up and run some more. They believe everything will be all right. They feel capable; they let go. Good businesspeople behave in a similar way: they lose $15 million, gain $20 million, lose $30 million and earn it back. If that isn't playing, I don't know what is!”

“Maybe honeymoons are God's anesthesia. Like the "laughing gas" used by dentists, perhaps honeymoons are designed to protect us from a bit of the pain and fear involved in doing something that, while scary and uncomfortable, is for our own good in the long run.”

“I have a great deal of respect for the craft, I don't know how much respect it has for me. But it's a precision process. Doing it on stage would be, I think, terrifying. Doing it on film has its own difficulties, because film is not conducive to spontaneity. You might have a run through and get a few chuckles at eight o'clock in the morning, but you don't keep laughing at the same thing all day long.”

“What is the story with the airport sinks, that they will not give us a twist-on twist-off human faucet. "Is it that too risky for the human population? We have to do the one-handed pain-in-the-ass Alcatraz-style faucets. "What is it they think we will do? Turn 'em all on full, run out into the parking lot, laughing, pushing each other into the bushes?”

“To sing is to praise God and the daffodils, and to praise God is to thank Him, in every note within my small range, and every color in the tones of my voice, with every look into the eyes of my audience, to thank Him. Thank you, God, for letting me be born, for giving me eyes to see the daffodils lean in the wind, all my brothers, all my sisters, for giving me ears to hear crying, legs to come running, hands to smooth damp hair, a voice to laugh with and to sing with...to sing to you and the daffodils.”

“Alan Rickman was such a terrific actor, and that was such a terrific character that he played. And it was a joy to be with him. We used to laugh together because we ran out of reaction shots. They were always - when everything had been done and the children were finished, they would turn the camera around and we'd have to do various reaction shots of amazement or sadness and things. We used to say we'd got to about number 200-and-something and we'd run out of knowing what to do when the camera came around on us. But he was a joy.”