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Laughing Quotes

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Laughing Quotes

“Once you realize you can make people laugh, it's a superpower. When you're really young, you don't know how to use that power, so I would just say the meanest things I could to get a laugh. I was so awful. I would make fun of kids who didn't deserve to get made fun of. I was just mean, when I was really young. You don't realize that you don't have to be mean to be funny. But, it was something that I was just able to grow into.”

“What does it mean to be a used white wife, a mother, a tragic girl writing poems? Sandra Simonds gets into these messy words and then tears them apart. Sometimes with the words of others. And sometimes with poems made from scratch. They aren't all bad, these words. But they aren't all good either. And that is where Mother was a Tragic Girl gets its power. You will at moments be laughing but then you will also at moments just as much be crying. If Antigone was alive and decided to write some poems about the nuclear family, she would write them like Sandra Simonds. These are tough.”

“Live more than your neighbor. Unleash yourself upon the world and go places. Go now. Giggle, no, laugh. And bark at the moon like the wild dog that you are. Understand that this in not a dress rehearsal. This is it. Your life. Face your fears and live your dreams. Take it all in. Yes, every chance you get. Come close. And by all means, whatever you do, get it on film.”

“I have become a giant fan of the testing process, especially with a comedy. I mean, they tell you what's funny. It's almost tailor-made for people who shoot the way we shoot, trying a million different options and versions of things. Because the audience doesn't laugh at a joke, we put in another joke. If they don't laugh at the next joke, we put in another joke. You just keep doing them and you can get the movie to the point where every joke is funny, if you have enough options in the can.”

“I learned all those jokes in second grade. Second grade is really where they tell you those horrific jokes, racist jokes and misogynistic jokes that you have no idea what they mean, and you just memorize them because they have a very strong effect, they make people laugh in this kind of nervous, horrible way, and it's only later that you realize that you've got a head full of crap.”

“Guilt is imposed by others on you. It is a strategy of the priests to exploit. It is a conspiracy between the priest and the politician to keep humanity in deep slavery forever. They create guilt in you, they create great fear of sin. They condemn you, they make you afraid, they poison your very roots with the idea of guilt. They destroy all possibilities of laughter, joy, celebration. Their condemnation is such that to laugh seems to be a sin, to be joyous means you are worldly.”

“I have had a lot of your countrymen as co-stars, that's true. I quite like them both. It depends on the person. I don't think English makes the man nor does American, but I like this guy right here [Clive]. He's nice and tall, which means I never have a double chin - there's lots of shots of me looking up, and I'm a swan. Well, we all laugh but it's so true.”

“Happiness, sadness, being mean and being nice. They're all very close to one another. My goal in my career is to do movies that are both... I hate when people say is it a comedy or a drama? My favorite movies are kind of both. Just like life, one day you're not crying all day, one day you're not laughing all day. I like to play characters that have that kind of balance, too.”

“I seldom get self-righteous, and even when I am being impolite (almost always on purpose - there's an art to insulting people, too), I tend to try to not be too serious about it. And most of the time it means that I can take criticism constructively, and sometimes just change my opinion on the fly and laugh at myself over having turned on a dime.”

“I hate to say it, but all that stuff they try to tell you about women being empowered and how it's fine for a woman to ask a man out, well, it's crap.' I look down at my watch. 'Seven fifty-three p.m.' 'What does that mean?' 'Official time of death of feminism,' I reply, and mom laughs.”

“I've seen a lot of people getting into Jazzmasters because of me, and, well, people don't know what they're in for. I mean if you're looking for endless sustain, you're going to have to get it out of your hands (laughs). Because a saxophonist gets it out of his breath. You've got to work for it on the guitar - it means you have to pull it out of yourself, otherwise, what are you doing? You end up playing a lot of noise or scale exercises.”

“You know, you grow up with the image of John Travolta being super cool - 'Saturday Night Fever,' Brian De Palma, handsome young god... he, in reality, is a very silly man. And I mean that in a good way. He'll walk around the set talking in little weird voices, making people laugh.”

“I think just about everyone is doing something that's completely different from what you've seen them do before or a stretch in some way. Like Brandon Routh is so funny, he's awesome. And Chris Evans is hilarious. I mean, he's always funny but just in this character, it's like, I mean I could barely stop laughing on a single take, it was unbelievable. So I think everybody's going to be really, really happy with all the [exes?].”