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Minutes Quotes

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Minutes Quotes

“Working with Jean-Claude is a lot of fun. Because he's a great actor who also happens to be a fighter. That combination doesn't usually come together anymore. Usually, you have to fight the stunt double and then act against the actor. In his case, you are fighting with a real guy. It takes a minute to get used to that. Because it doesn't happen any more.”

“Certainly, for a newspaper director, to have within arm's reach a Travaglio, about whom every starring actor, supporting cast and extra of Italian political life he is ready upon cold request to provide an inquiry brief refined in the most minute details is a nice comfort. But also a bit unsettling. The day I asked him if in that archive, into which no one is allowed to stick their nose, there were a brief with my name on it, Marco changed the subject.”

“For the first 10 minutes after you meet them, they have the wattage and charisma of movie stars. Then you have a coffee with them and you realize we're all the same, we're all just people. All of the actors in The Avengers are so nice. Marvel has these code names for projects and the code name for The Avengers was Group Hug. It felt very much like a group hug on set.”

“It started off for me as just wanting to be an actor and sort of resenting in a weird way being expected to write as well as be a comedian and an improviser. And then you think about it for a minute, and I smartened up and realized that the only way to sustain a career is to generate your own material. Or to be in control of your career as best you can. And in allowing yourself to do that it opens up a whole new world of possibilities. And then you're like "Oh, producing is a thing."”

“I find it rather tedious working with some actors who have to go into a corner and bounce up and down, shake their hands and arms, saying to the director, "Just a second - I'll be ready in a few minutes, " while all the other actors are waiting around to get in. Then they say, "OK! I'm ready now." And then they come on and do it exactly the same way they've done it in rehearsal.”

“I like to think in camera, but at the last minute the most important thing is that there is something happening between the actors. But good actors can have a lot of scenes going around them but sometimes it sort of helps the performance because it takes their mind off of who they are supposed to be.”

“One of the many things I love about working with Ryan Murphy is that you're always thin-sliced in this business. You walk into a room and people want you to be how you look or how you're perceived or whatever it is in that 10 minutes that hey meet you. I think Ryan [Murphy] has an intuition that looks a little bit deeper and sees things that other people might not see in you - sometimes you might not even see in yourself - but that he knows are there and that he might want to get to grow and stretch with as an actor.”

“When I was about 17, I didn't speak. English was like a foreign language. I'd just grunt. The only time I talked was when I said my lines on set. I didn't speak to any of the actors or anything. Then one day Alison from the Corrie press office started talking to me in the green room and I just decided to talk back. She ran upstairs to tell everyone that she'd just had a 10-minute conversation with me like it was the most unbelievable thing in the world. I just woke up one day and thought, 'I'm going to talk today'. I've really made up for lost time since.”

“Nothing can be left until the last minute, so that everyone knows exactly where they are. Everyone is comfortable and everyone feels safe because we want people to be able to keep coming into this show and taking those risks. There are a lot of risks in this show, not just nudity, but emotional risks. We want the best actors to feel comfortable about coming in and exploring this subject matter with us.”

“When you're the guy behind the camera, you're aware of the reasons for the compromises or the changes that get made. As an actor, you go and do your thing, and someone else down the line then does all the math and goes, "We can't include that thing where he's pretending to be dumb and needling those people, because it takes a minute and a half, and it ruins the next scene. It doesn't make sense." If you're directing, you're the one doing that.”