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“One of the most powerful concepts, one which is a sure cure for lack of confidence, is the thought that God is with you and helping you. This is one of the simplest teachings in religion, namely, that Almighty God will be your companion, will stand by you, help you, and see you through. No other idea is so powerful in developing self-confidence as this simple belief when practiced. To practice it simply affirm "God is with me; God is helping me; God is guiding me." Spend several minutes each day visualizing his presence. Then practice believing that affirmation.”

“Everything is possible for the writer. There isn’t anything anyone can tell you that you can’t do, and there is no such thing as "getting away with" anything. There’s no one to tell you what you can or can’t do. You’re only limited by the fences you allow yourself to build around yourself, for whatever reason, including fidelity to some idea about literature someone else imposed upon you some time long ago or five minutes ago.”

“Destruction is always an attractive idea. My brother and I used to spend weeks making models of cities so that we could destroy them in 15 minutes. There's a fantastic joy in destroying something that you've meticulously built. Then you're free to build a new thing. Destruction and creation they're inseparable.”

“The idea that we are "stewards of the earth" is another symptom of human arrogance. Imagine yourself with the task of overseeing your body's physical processes. Do you understand the way it works well enough to keep all its systems in operation? Can you make your kidneys function? Can you control the removal of waste? Are you conscious of the blood flow through your arteries, or the fact that you are losing a hundred thousand skin cells a minute?”

“I don't feel one could even remotely touch the idea of intimidating others, but because I've understood the other side of the experience, I will occasionally, if I smell that could even be in the air for a few minutes, say to the director, "Please, you must tell me anything you want. Please say all the things you think might be terribly hurtful like, 'That was boring.'"”

“There's a lot of craft in songwriting. The divine inspiration is when the idea comes. It may be a riff. It may be a word. It may be a phrase. It may be a title. Sometimes, in the best of both worlds, that divine inspiration extends through the whole song. I've literally sat down and written a song from beginning to end, almost complete lyrics and everything without ever stopping...in two minutes. The chorus of 'She's Gone' was like that.”

“You're always moving and thinking about a whole bunch of things. But those traits work well for me in studios and in meetings about creative ideas. If you listen to the songs I write, they are the most ADHD songs ever. They have five hooks in one and it all happens in three minutes. I figured out a way of working with it.”

“In this modern world of ours many people seem to think that science has somehow made such religious ideas as immortality untimely or old fashioned. I think science has a real surprise for the skeptics. Science, for instance, tells us that nothing in nature, not even the tiniest particle, can disappear without a trace. Nature does not know extinction. All it knows is transformation. If God applies this fundamental principle to the most minute and insignificant parts of His universe, doesn't it make sense to assume that He applies it to the masterpiece of His creation, the human soul?”

“Four. That's what I want you to remember. If you don't get your idea across in the first four minutes, you won't do it. Four sentences to a paragraph. Four letters to a word. The most important words in the English language all have four letters. Home. Love. Food. Land. Peace. . .I know peace has five letters, but any damn fool knows it should have four.”

“What is eternity? You're on the checkout line at a supermarket. There are seven people in front of you. They are all old. They all have two carts and coupons for every item. They are all paying by check. None of them have ID. It's the checkout girl's first day on the job. She doesn't speak any English. Take away fifteen minutes from that, and you begin to get an idea of what eternity is.”

“Generally, the imagery and the text go hand in hand. It's much easier when the text comes first, but sometimes I need visual stimulation in order to find the words. I get an idea of what I want when I begin to shoot, and the text is usually the last thing to be resolved. I tend to leave the text open, and I refine the words up to the last minute. As for the image, I can resolve that and get that done fairly quickly.”

“There's some ambient music that doesn't do anything. I wouldn't say that that's narrative. It is narrative in that it creates a sort of world where nothing happens, where really nothing happens, so you become a different person after hearing eight minutes of exactly the same thing. Yes, I hear music all the time in which one idea is strung together to another idea, and I feel that such music is non-narrative.”

“Meditation has become a big part of my life these days. It's more about taking some moments for yourself to deep-breathe and focus your attention inward. This has really helped me because, as a perfectionist, I used to think that if I couldn't meditate in my idea of the perfect way, then it wouldn't work. I now meditate even if it is for three minutes while I'm sitting in the car. Every little bit helps to slow the system.”

“As a kid you learn that there are thinkers and there are philosophers and there are theologian, and I'd hear little bits of the ideas that these people pursued or developed or created and I'd be really excited. Then I'll start to read it and I think, "Wait a minute, this is a rabbit hole. This isn't a gateway or a ticket to anything except itself."”

“And religious music and the sort of symbolism of it and everything. But I had this idea. Actually, I sort of dreamt it. I woke up - just before waking up one morning, I sort of dreamt this song or the idea of it and the first little bit of it. And I jumped out of bed and I thought, well, you're still asleep. You're going to forget this in a minute - you know, like you do when you've had a dream.”

“One of the things the police officers told us in the first minutes of being with them is that the way that they cope with their job is by using a lot of inappropriate humour. It's really a lovely opportunity to try to challenge our ideas of what it is to deal with complex issues, and that they're not always dower. Having that kind of humour along with the pathos for what people are going through is a really nice challenge.”

“Godzilla also represents the fear of nuclear annihilation, which was something that was big in my mind at the time. It was something that the people of this forthcoming generation haven't had to live with, but people around my age grew up with the idea that we could all be blown up at any minute. That's also what got me into hardcore music.”

“We're trying, despite having done research and having obviously preconceived ideas, we try our best to be as open-hearted as possible, and try to create context. So that's always going to be the challenge, making a program like 'Gaycation', and we are always thinking about it, reflecting on it, and doing our best to show the whole picture as much as possible in a 45-minute span. Hopefully that comes across.”

“Justice [Sonia]Sotomayor said, "Let's talk - you want to talk about the tax power."And I got like a 10-minute run on the tax power. And, boy, was I glad I did because I was able to get across this idea that, yes, this is a narrower ground on which you can affirm it. And I think everybody agrees. I think even the dissenting justices ultimately in the case agreed that, if Congress had expressly called it a tax, it would be indisputably constitutional.”

“I was tied down in that chair for 10 minutes and experienced what it was like to be completely powerless while someone else has complete dominance. It's sadistic, even though I find Richard to be a really lovely human being. That's what the whole film "Tickled" is about. It's not a film about tickling, but I think tickling offers a really good visual metaphor for the much bigger ideas that we were trying to get at about power and control - by people who have a lot of money - over people without money and who have no power in the relationship.”