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“As awesome as it is to be with a big act and get three catered meals a day and get a dressing room with an actual shower in it, it's hard sometimes as a new artist to come across in 25 minutes. You get 25 minutes to hopefully impress these people. I think the longer set is more suitable for us and gives us an opportunity to connect better.”

“You have to stand every day three or four hours of visitors. Nine-tenths of them want something they ought not to have. If you keep dead-still they will run down in three or four minutes. If you even cough or smile they will start up all over again.”

“Typing is an essential skill, but it can be painful. Some children just don't know where the letters are. Typing a three-page story, when they have to spend minutes hunting for every letter, can take forever. Yet we tend to assume that children can type, partly because quite a lot of us know where quite a lot of the letters are, so we assume that children do, too.”

“Pearl Harbor is a two-hour movie squeezed into three hours, about how on December 7, 1941, the Japanese staged a surprise attack on an American love triangle. Its centerpiece is 40 minutes of redundant special effects, surrounded by a love story of stunning banality. The film has been directed without grace, vision, or originality, and although you may walk out quoting lines of dialog, it will not be because you admire them.”

“My first job was with the Burns Detective Agency. They sent me over to the East River to guard coal barges during these god-awful hours like three to six in the morning. It wasn't a very difficult job -- all I had to do was make a round every fifteen minutes -- but it turned out to be a great environment for writing. I was completely alone in a little outhouse with an electric heater and a little desk.”

“You don't look for jobs. You don't phone up 10 clubs and say, Here I am. You are offered the job. I was in Benfica many years ago. I was leaving the training ground and I had a car after me. It went on for 10 minutes. Anyhow, he stopped and I stopped and he said, I'm from the Italian embassy. Ah yes, and what do you want? I want your phone number because Roma wants you as a manager next season. Three months later I was sitting on the bench in Roma. I don't think the rest of working society works like football.”

“Press junkets are incredibly annoying. You sit in a chair for three to six hours and have different journalists shuttle in for three minutes at a time, asking cheesy movie questions to get a quick sound bite - and that's their only objective. You can't really move or eat. You're just stuck there. It's pressure, constant pressure.”

“You are taken sick; you send for a physician; he comes in, stays ten minutes, prescribes for you a healing medicine, and charges you three or four dollars. You call this 'extortionate' - forgetting the medical books he must have waded through, the revolting dissections he must have witnessed and participated in, and the medical lectures he must have digested, to have enabled him to pronounce on your case so summarily and satisfactorily.”

“Ten cooks' shops! ...and all within three minutes' driving! one would think that all the cooks in the world ...had said - Come, let us all go live at Paris: the French love good eating - they are all gourmands - we shall rank high.”

“Everything is moderation, really. I don't really deprive myself of anything. But I try to balance it with healthy food choices. I am not real fond of exercise, so I try to get away with as little as possible which is about thirty minutes three times a week and I do a little weight training and cardio.”

“Experiencing this pain in my muscles and aching and going on and on is my challenge. The last three or four reps is what makes the muscles grow. This area of pain divides a champion from someone who is not a champion. That's what most people lack, having the guts to go on and just say they'll go through the pain no matter what happens. I have no fear of fainting. I do squats until I fall over and pass out. So what? It's not going to kill me. I wake up five minutes later and I'm OK. A lot of other athletes are afraid of this. So they don't pass out. They don't go on.”

“Never invite to dinner: those who won't decide until the last minute; those who come more than half an hour late; those who want to bring along two or three friends; drunks; monologists; those who stay until three o'clock in the morning; those who think that conversation means having an argument; those who take a high moral tone; those who are stupid, ugly, or dull. Enforcement of these rules will enable one to eat alone every night in comfort.”

“Theatre is organic, film is not. Theatre you come every day and you work with a group of people and you're are all up for it and you all get to do the whole thing every night, be it two hours or three hours. In film you work in two or three minute bits and it's never in chronological order and then someone takes that away and makes it look like it all happened, or that you gave that performance.”

“All my cuts are always about three hours, at the start, mainly because any scene in the movie that's 90 seconds, I probably shot a five-minute version of. If you just extrapolate that through the whole movie, I have a very long version of every scene, usually because, if there's one funny joke, I'll shoot five because I don't know if the one I like is going to work. I'll get back-ups because my biggest fear is to be in previews, testing the movie, and a joke doesn't work, but I have no way to fix it because I have no other line.”

“I see young people being dismissed for supposedly wanting only "stupid" and "easy" material, or that they don't have an attention span longer than three minutes. I disagree with all those statements; I just think they aren't true. I'm saying that our generation wants stuff that is substantial and challenging, as well as thoughtful and endearing. Well, I don't know if I'm doing that, but I'm trying.”