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Modeling Quotes

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Modeling Quotes

“I worry about that terribly because the public eye can bring all sorts of unwanted intrusions and problems. But he's treading his own path. I think the modeling is something that Rafferty Law sees as a pastime and something to maybe give him a bit of pocket money. He's a musician mostly. He's in college studying music, which he takes very seriously and I think that is something that he will concentrate on in the future.”

“I started modeling when I was - not older, but not 12. I have a mom who's a feminist, she's an English professor, an intellectual. She really gave me the equipment to understand that you can celebrate yourself without putting yourself down or needing to apologize for the way you look. I think that attitude is really crucial for a model.”

“I married him [Chris Sarandon] my senior year, and after I graduated, he went to the Long Wharf Theatre in New Haven, and I tagged along and was doing some local modeling and commercials and things like that. A woman named Jane Oliver, who handled Sylvester Stallone, saw Chris at the theater and asked him to come in and audition. We went in and auditioned - he needed someone to read with him. I read with him, and she said, "Well, why don't both of you come back in the fall."”

“I think modeling is interesting, it's obviously nice to take on a character and go through the process. I'm very lucky that I've been able to do that but I think the challenges that come with the responsibility of art directing something is something that appeals to me. I've done it before in collaboration with other people but it's the first time someone's literally handed it over and been like, "What do you want?" It was really fun to kind of dream up a concept and then execute it with all my friends.”

“I actually found out about Ugg on a trip to Australia, which I guess is where they were born themselves. Everyone was wearing them there, kind of slightly ahead of when they caught on globally. This was in 2002 or so. Just after I left sixth form I was modeling and my best mate was Australian so I went over there to visit her. That was my introduction to the brand.”

“That's a very privileged attitude and I think the ignorance is so strong there. When people say, "Oh please, I don't want to hear that conversation," it's because it makes them uncomfortable." But that's because they think it's all okay. If it was racist, I would move onto someone whose mind I could change, but it's mostly ignorance. So when someone says, "Oh, it doesn't matter," I not only make designers responsible but casting directors and modeling agencies for not pushing those other girls on to the designers.”

“Sometimes when the spouse is really the culprit, it is hard to admit what you consider your little failures, but if you are going to have a better relationship, you admitting your part in the dynamics is a step in the road to healing. Because if they see you modeling apology, for example, and they see you modeling love, they may well get the idea that maybe they need to apologize.”

“I'm a big fan of Lady Gaga. I think she's kinda what modeling is about in a way: Unique-ness, different-ness, edginess, quirkiness is actually special and I think her message is - I wouldn't say it's exactly like my message - but there are similarities in embracing your uniqueness. When she talks about being born this way, I really think she's absolutely fabulous.”

“Those first memories of my modeling career are not my favorite. At the beginning, it was tough. I was very lucky, my career took off very quickly, but still. All the memories I have about first casting in general - they're not nice. Just because there's so many girls, so much competition. I don't blame those casting directors, they see so many girls and they can't be nice to everybody. But you don't feel like a person, you feel like a number.”

“What I think has been wonderful about my life is that it has been diverse, and that I've been able to do so many different things. I was able to evolve from modeling into acting. And then when acting opportunities became limited because of my age, I was able to become a writer and director and author. So, I am grateful to myself that I didn't just sit around and become nostalgic about the past that has been and can't come back, but that I instead decided to move on.”

“What modeling taught me at a young age was how to say "no," which is something girls - we're not always good at saying "no." We want to be nice, and then we forget to look out for ourselves. There have been moments when I was on a modeling job, and it was the most fantastic thing in the world. And there have been moments where I've realized, "Okay, I'm ten years old, and I've spent the past six hours outside in the rain." It taught me how to be specific about what kinds of projects I wanted to do, and what kind of work I wanted to do.”

“I walked into my agency and I said, "You know what? I can't do this. You're telling me I need to go on a diet? My diet is already zucchini only. What do you want me to do?" And basically, they gave me two options: either stay the way I was and do commercial work, or do plus size modeling. I remember having the usual salad but I added walnuts and salmon and olive oil and I thought, "The world didn't blow up!"I felt fantastic. I wanted to keep that feeling so I made a decision that day that I didn't care. There was more money to be made being healthy.”

“The reason I stopped modeling was because I wasn't pleased with trying to portray something that is impossible to reach. Even when I do photo shoots now for films, I'm just not interested in trying to look my best all the time anymore. That pursuit of an impossible perfection seems ridiculous to me now. I'd rather show my vulnerabilities or my doubts than try to be something that no one is.”

“Realization that i couldn't be a ballet dancer was a blessing in disguise because that was the first time I felt like I stepped into adulthood. I realized, Okay, this is not going to work out. It was frustrating for about a year because I didn't know what to do with the creativity and the discipline that dancing had instilled in me from a very young age. But then I moved to Paris to model, and that was my cultural awakening. Now, I think dancing has been the biggest thing in my life, much more so than modeling, and it still helps me enormously in my work.”

“One of the biggest changes in my lifetime, is the phenomenon of men wearing shorts. Men never wore shorts when I was young. This is one of the worst changes, by far. It's disgusting. To have to sit next to grown men on the subway in the summer, and they're wearing shorts? They look ridiculous, like children, and I can't take them seriously. My fashion advice, particularly to men wearing shorts: Ask yourself, 'Could I make a living modeling these shorts?' If the answer is no, then change your clothes. Put on a pair of pants.”

“In the beggining of I was getting all this feedback from people saying, "What are you doing? What is this?" But I thought to myself, "This is a great opportunity. This is a perfect bridge to help me achieve my dream and my vision of polo becoming a bigger, more visible sport." So I used the money that I was getting from modeling to buy better horses and to become a better player. So I really believed that if I could elevate my game and show that I was serious about it, then the work I was doing with Ralph Lauren would become that bridge that I was looking for to take the sport further.”