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Musician Quotes

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Musician Quotes

“We have to focus on his early work, and just one or two of his movies, and elements of his TV shows, to keep his memory pure. People now know that Elvis could play a mean rhythm guitar himself, and needed no other musicians to perform a great song. But Elvis was not just a rock star, he was an all-round entertainer.”

“So, I mean, there's still vast swaths of the city that are suffering from a lack of jobs and poor housing and poor public schools, but they are building momentum - you know, techies, foodies, artists, musicians, all coming to Detroit. So there is this vibrancy. You see it in the newspapers every day - some story about the new Detroit.”

“I've heard of people stopping their cars, having car wrecks, all kinds of things. But most of the banjo players I know had that moment when they heard Earl Scruggs. So, for me, it transcends the technique. It's the musician in him and his personality, his musical personality, such great taste, such great technique, very, very creative.”

“When I worked with General Electric, again this was soon after the Second World War, you know, I was keeping up with new developments and they showed me a milling machine and this thing worked by punch cards - that's where computers were at that time, and everybody was sort of sheepish about how well this thing worked because in those days machinists were treated as though they were great musicians because they were virtuosos on these machines.”

“I think that it's fear. The musicians themselves don't seem to know enough about why they're in the positions they're in, so they're afraid to lose those positions. If you're 22 years old and you can't believe you're even in the position to have a career making music, the first thing you're going to think is: Maintain. Don't lose it. And that's precisely what causes you to lose everything.”

“I certainly know guys in comedy, I know some actors, and I definitely know some musicians, who have survived to a certain age and make a good living doing what they do, but nobody knows who they are. They wake up every day and they have the ability to get paid practicing their art, but underneath it all, if you scratched the surface, you still get, "If I only had my own show . . .," or "If I only had my own band . . ." It's what people always do when they want to be their own star.”

“I know this might sound a little cliche but, I feel like everybody is searching for the same thing, and that is truth. I think that's sort of the journey to define that which is most inspirational. Even in acting, when I watch an actor who I find to be so truthful in their craft, or a musician who gets up there and sings so truthfully - I like that.”

“I think all musicians and producers, they know the real goal is to come up with a record that is entertaining and not boring, that's the goal. I think if everyone agrees that that's the goal then it doesn't matter who's the band and it doesn't matter who's the producer. It just means that that you try to realise the ambition no matter what the situation is or who the people are.”

“The cliché of that sort of wasted, renegade, drugged-out musician of the '70s is kind of dead and gone now. And I suppose that a lot of people still keep relying on that, or some kind of image to perpetuate something that they think they're supposed to sound like. But that kind of takes you away from real inspiration and, you know, real artistic discovery of the individual.”

“If you can create a reality that is entirely fictitious, it doesn't owe anything to this stuff out here, but you interact with it on your own terms. I mean, if you took it to the point where finally you get, say, tactile feedback, so you were wired in in terms of the whole nervous system. The sensorium. You would have the ultimate art form. I mean, any painter would want it, any filmmaker would want access to it you know, any musician would want access to it. It would eliminate the need for the divisions between what we describe as the arts, converting the whole thing to experience.”

“Music is a universal language insofar as you don't need to know anything else about a musician that you are playing with other than that they can play music. It doesn't matter what their music is, you can find something that you can play together, with what their culture is. The dialect part of it comes into play, but nothing like the differentiation that language sets up, for example.”

“Since I started as a comic person then became a musician to me it was interesting because I have this really great, interesting fanbase that's really smart and energetic and uh how could I steer them towards a medium that shaped who I was? You know, steer them toward comics. That was really the goal, to bring a lot of readers cuz they were reading a lot of comics but most of them hadn't been reading American comics, they'd be reading manga sitting on the floor of a Barnes and Noble.”

“For artists like me, I think the times that just say the 80's alone, you didn't have to worry about getting twenty-five thousand Facebook followers. You didn't have to worry about every club, every venue you play, where the venues say well you know can you put up this video, put up that Facebook, put up... Nowadays it's really like you just can't be a musician alone.”

“Doin' music, musicians and artists, we have the advantage of doin' something that is our passion. At the same time it's fun, and it's like a dream to other people, and live off it, feed yourself off of it. 'Cause it's hard, you know what I"m sayin'? You really gotta grind and you really gotta love and enjoy what you do, if you're gonna make it. 'Cause if you don't believe in yourself, if you don't got people believin' in you, people aren't gonna buy it.”

“If you make a suggestion and [musicians] don't know what you mean, you have to be able to do it yourself. I often sit down on drums and show 'em just exactly what I want. And I do it and then say, "How do you do that?" It's because I know how it looks, I know what I want to hear, and I don't drop or rush any tempo. It ain't in my body, it ain't in my nephew's body.”

“My attitude towards my time as a musician, is that I really wanted to completely reinvent myself and not be one of these people who, twenty, thirty years later, is trying to recreate something that happened. I'm glad that Neil Young still makes records, but I don't know that everybody needs to be frozen in time forever. I think it's good that pop music is ephemeral.”