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Nice Quotes

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“I take editing seriously. It's a joy to edit. I always hand a manuscript to several editors and can't wait to get back their notes and see what they've said. I don't criticize myself for making blunders here and there, because it's just natural. You write in chunks, and you may not remember that that sentence you wrote yesterday had the same word repeated three times. I do enjoy that. I love the feeling of repairing. Repairing is really nice.”

“The beautiful thing about podcasting is it's just talking. It can be funny, or it can be terrifying. It can be sweet. It can be obnoxious. It almost has no definitive form. In that sense it's one of the best ways to explore an idea, and certainly much less limiting than trying to express the same idea in stand up comedy. For some ideas stand up is best, but it's really, really nice to have podcasts as well.”

“I never ever would have thought initially it would have been someone like Pierce playing Charles. I think he has an innate likeability to him, as soon as you meet him he's very, very charismatic. Charles, on the page, was someone who's very domineering and quite a negative character, and Pierce just by being Pierce can change the whole dynamic of it, which made for a much for interesting relationship. He's a really nice guy.”

“Prada makes really nice bags and then somebody in China makes knockoffs. This is the knockoff version of the mutant world. You have Weapon X. you have government spending millions of dollars to make it, and then you have these guys who are making thugs out of people that they pull off the street, or who are damaged, or who have found themselves in terrible positions for some reason.”

“Well, you can do whatever you want, but just don’t call it inequality. Put the word poverty there. Because we have many rich people on our board, and when they see the word poverty that makes them feel good, because [it means] they’re really nice people who care about the poor. When they see the word inequality it makes them upset, because [it means] you want to take money from them.”

“When I started out playing guitar and singing, I was about twelve, going on thirteen. The role models for me back then were the folk singers. They all had these high, really nice voices and ranges, like Judy Collins and Joan Baez, and then later, of course, Joni Mitchell and Linda Ronstadt. I decided early on that I was going to learn how to write songs really, really well, because I didn't want to have to compete as a singer. I didn't feel that it was my strong point.”

“I have this thing. I've always been uncomfortable going to any party where people don't understand why I'm there. One of the best things about partaking in a show like this is, when I show up to events and parties now, they know me. I don't have to hear, 'Oh, you're an actor? Have I seen you in anything?' anymore. I used to have to start listing things off of my resume'. It's really nice not to have to do that anymore.”

“I sometimes have to think about that because if I think about these five things and think of them all, I'll drop the balls, so I really have to prioritize and use every free second I have and maximize it. I wake up early, try to get sleep, but try to write for at least three hours every day. A really nice day for me is writing ten hours. I love that. Hasn't been a lot of that recently, but every free second I have I'm doing that.”

“It felt really nice to not have anybody talking about numbers, and no one is talking about ratings. From my experience, it felt like there was one person running the ship and it felt like there was space for Jenji to be at the helm. That's not what I've experienced in television before. It felt more akin to an interesting movie, where there were producers who were really excited by the work and wanted to make space for the director's vision to be sort of shared with an audience. It felt more cohesive.”

“Supernatural hasn't spent a lot of time on relationship stories, and this is a really nice mechanism to do that without imposing that on the forward momentum of these other stories that we're telling. In the writers' room we tend to say, "We're never going to be able to give a hell or Purgatory as good as people's imaginations," so the instinct is normally not to go there. But, we went the other way this year and said, "We are going to go there," because there's a really, really strong character thing going on down there.”