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“I love writing in longhand. Writing in longhand, I think, is a marvelous thing to do for a writer these days. If you have a notebook and a nice pen you can go off somewhere, you can write that's solar powered. You can drop it or get it wet and pretty much all of your work will continue to be there. If you suddenly decide to look up a word or check a reference you will not look up four hours later, blinking, finding yourself somehow in the middle of an Ebay auction you never had any plans to be part of.”

“I mean, Robert Pattinson. No, I’m kidding, I shouldn’t say that. He’s actually really nice. My neighbour works with him and said he was a great guy. I don’t know to be honest, I don’t really model myself after anybody. You’re always just trying to create opportunities and be ready when those opportunities present themselves. I can’t look at anybody and think ‘I want to be Damian Lewis’ – I’d be setting myself up for failure.”

“I believe that adulterers should be stoned to death. I believe that we should cut the hands off of thieves. I believe the Sharia should be implemented in Denmark. Maybe we should change the Christiansborg Palace [the Danish Parliament building] to Muslimsborg to have the flag of Islam flying over the parliament in Denmark. I think this would be very nice.”

“I think all races are represented in America much more than in many other places, but it's also nice to remind people about that ethnic mix. I would like to see more black models and women from different ethnic backgrounds, but I also think that when you are casting, you just choose the most beautiful girl you can find.”

“In the stock market (as in much of life), the beginning of wisdom is admitting your ignorance. One of the many things you cannot know about stocks is exactly when they will up or go down. Over the long term, stocks generally rise at a nice pace. History shows they double in value every seven years or so. But in the short term, stocks are just plain wild. Over periods of days, weeks and months, no one has any idea what they will do. Still, nearly all investors think they are smart enough to divine such short-term movements. This hubris frequently gets them into trouble.”

“If Christ be a fraud, he was among the most peculiar yet brilliant of frauds in saying that only he was the way, the truth, and the life. This is the importance of grace - some people think that simply being nice and not harming others is morality; others think that following rules and tithing are morality. But without Christ, all moral beliefs ultimately boil down to the one sin which perpetually rails against the concept of grace: man's lawful, religious, and futile attempt at establishing his own righteousness.”

“I have nothing against Canada. I think that Canadians might know the secret to all existence, but to us it just comes off as timid and kind and too nice, and it strikes us as lacking edge. Unless you are hijacking someone and going on a reality show with your eight kids and wearing a velour pink pantsuit, then you have no edge to us.”

“In Bergman's world I represented a sort of intellectual, skeptical, ironic person, rather cold and frustrated. When I went abroad and made films in Italy and other places, I was used in different ways. I was rather often cast as crazy people, maniacs. It was very good for me and it was fun because it is nice to play crazy people if you are not in reality. And I think perhaps that changed how Ingmar saw me. Suddenly I was on the more magical side of his world, playing the people with fantasies, variety, the artists.”

“To be honest, when you're younger and cooler, you say those sort of things don't mean anything, but then on the day when they pat you on the back and they say, "Look, mate, we're noticing what you're doing-thanks very much;' you think of the people who spent a life in the cinema and didn't receive that kind of accolade, and it's sort of a humbling experience. And it's very nice and all that. But it doesn't change the way I do things.”

“If you look at a photograph, and you think, 'My isn't that a beautiful photograph,' and you go on to the next one, or 'Isn't that nice light?' so what? I mean what does it do to you or what's the real value in the long run? What do you walk away from it with? I mean, I'd much rather show you a photograph that makes demands on you, that you might become involved in on your own terms or be perplexed by.”