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Nice Quotes

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Nice Quotes

“My father died when I was two years old. But my mother was quite capable. She raised three children with his war pension which was peanuts. Yet we did not want for anything. We grew up with a certain parsimony, which is a nice thing. Then if life gives you more good, otherwise you get used to. I'm still thrifty.”

“The confidence and security of a people can be measured by their attitude toward laxatives. At the high noon of the British sun, soldiers in far-flung outposts of the Empire doctored themselves with "a spoonful o' gunpowder in a cuppa 'ot tea." Purveyors and users of harsh laxatives were not afraid of being thought mean and unfriendly just because their laxatives were. But in America, the need to be nice is so consuming that nobody would dare take a laxative that makes you run up the stairs two at a time, pushing others aside and yelling, "Get out of the way!”

“Next-door a baker's apprentice with his wife, an employee in a printing-shop, she has inflammation of the ovaries. Wonder what those two get out of life? Well, first of all, they get each other, then last Sunday a vaudeville and a film, then this or that club meeting and a visit to his parents. Nothing else? Well now, don't drop dead, sir. Add to that nice weather, bad weather, country picnics, standing in front of the stove, eating breakfast and so on. And what more do you get, you, captain, general, jockey, whoever you are? Don't fool yourself.”

“My wife and I have purchased two hybrids. We bought a 3 kw photovoltaic unit. We recycle and offset our carbon emissions on the Internet. We turn things off. But we also spend two nice salaries every year, and here's the dirty little secret - our environmental footprint is HUGE, I'm sure. We've all got to do what we can in our individual lives, but we've also got to drive the systemic changes that will make the big differences.”

“I've always thought it would be fun to update "Hansel and Gretel." I'd have these white parents in the suburbs with an income of fifty or sixty thousand dollars. Daddy loses his job, and the wicked stepmother says, "We could get along, we could keep our Mastercharge, if you'd just get rid of those shitty kids." Finally the father hires a limo and tells the driver, "Drop 'em off on Lenox Avenue in Harlem at two in the morning." These two little white kids land there. They're menaced. And this supposedly nice black lady says, "Would you like some candy?"”

“There are two types of wine essentially, and everybody knows this. There's the one where you drink it and go, "Mmmm, well that's ok, can we get 8 of those please, give us 8 of those." There's the other one, you know, where you go "Ga... bt... Jesus, WHAT is that?" Very, very occasionally I concede you will hit a subtle one. You know, where you go "Ga... ba... ah, actually that's not that bad, that is. It's quite nice."”

“The thing I like so much about short stories is that there isn't as much of an investment of time so I'm free to experiment more. If it doesn't work out, I've only lost a week or two of work. If I screw up a novel I've lost at least a year's worth of work. But the nice thing is that those experiments with short stories can be carried over to novels when the experiments do work.”

“I don't recall a show I've ever been on that had the same director do two episodes in a row, but in England, they do it all the time. In England, they'll just have one director for eight episodes. That was the British system that Jane Tranter and Julie Gardner wanted to bring to the States. I think there was a nice merger of the two systems. They might have gone with one director, but John had obligations on The Village, and he had to leave and come back, so it seemed like a natural place to break it up.”

“I like to shoot beautiful things. My two previous movies were one in the '60s, the other one in the '50s, and this one is in the '20s. This is a period that's very cinegenic. The cars, the props, the suits, the haircuts, the dresses, everything, and it gives you pleasure to compose frames with that material. The music, I really love jazz, so for me, when you have good materials and nice things, it's very pleasant.”

“And so getting to meet Aubrey Plaza and Mae Whitman and getting to know two awesome girls who are just kick-ass. It's been nice that way where we probably wouldn't have worked together on any other crazy project. And just like you know Chris Evans teaching us all the high-five because he's dealing with like non-jocks (laughter) and we're like yeah!”

“In San Francisco, most of the older activists, especially at Berkeley, were very hostile towards punks. The music, certainly, wasn't nice and mellow for them, and neither was our look or our attitude. While in Vancouver, the two most important early punk bands, D.O.A. and the Subhumans, were both managed by former yippie activists, who saw this as a logical extension of what they were already doing.”

“The story we hear over and over again is: Boy in science class, very nice to the girl, says, "Please come to our party on Saturday night." She, of course, shows up. He hands her two, three, four, five drinks. She becomes so inebriated he says, "You can sleep it off in my room. It'll be safe." Or, "I'll walk you home." It's all premeditated with the intention of having sex with that woman without her consent when she's passed out. It's a huge issue.”

“The nice thing about live performance is that I've never, ever been let down. Partly I'm lucky that my audience self-selects itself. Generally they know what they're in for, and generally we all just like each other and get along. But I always find one or two or a dozen really interesting people in the audience who make the show different. And that's one of the things I really like about performing.”