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Other Guys Quotes

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“I met the pianist Barry Harris when I was about fifteen. He would show me changes, which I had no idea existed. I knew about scales, but I didn't think about chords. I was fortunate in that he lived right around the corner so I'd be at his house almost every day and he showed me about playing melodies over chords. After about three years, I could play some gigs. I worked with drummer Roy Brooks and other guys my age at that time, like trumpeter Lonnie Hillyer. Some of the older guys were Paul Chambers, Doug Watkins and Louis Hayes”

“This is a terrible year [2015] in a lot of ways. You have Paris. You have San Bernardino. But there was, if you remember the summer, there was that attempted terror attack on the train in France. There were two U.S. Marines, there`s one other guy. They were three guys who got up and who stopped that attack. Nobody died. They are heroes and they are my people of the year, three of them.”

“I'd go to conference after conference and it would essentially be the talking points. Either pro or con. It's amazing how polarized the tech conversation is. There's also this neurological fixation, the incessant wondering what the Internet's doing to our brain: "Does it make us stupid, does it make us distracted?" And then the other guys say, "No, it's making us smarter than ever, and better than ever, and more connected." And it's like, where is the economic and social context? Why is that rarely considered?”

“You have to be intelligent. You have to know what other guys are doing because you're in the back end and you see everything, so you have to alert others what to be ready for, and that makes it easier on everyone. It's just like playing offense, but now you're the quarterback of the defense, and you need to be vocal and take on that leadership responsibility. If you do, everything else becomes easier.”

“I think hopefully as you're getting older you're getting parts that require more preparation, and by that I just mean - I don't know, usually the older you get you get characters with more responsibility. Each one is different, there are certain movies that when the guy starts you pretty much come with that character on page one and then you see their growth, whereas other guys a lot has happened before that movie starts and you have to come in with something.”

“Read your work out loud. Don't give me that look. Read your work aloud. Don't argue. Don't fight. It will help. I promise. I promise. I guarantee it. If you find it didn't help you, lemme know. I will let you Taser me in the face. And by "me," I mean, some other guy who will be my stand-in. Probably some real estate agent or tollbooth attendant.”

“Our third partner [with Neal Dodson] was this other guy called Corey [Moosa], and he came in with good ideas and also some access to money, and so we joined forces and drew up a business plan and got financing for the beginnings of the company. We had no idea what we were doing really. We just started looking through material and started producing our own stuff.”

“We don't have a great clash of civilizations, a clash of ideologies, a clash of alternative models, where governments thought to themselves, if we go too far, if we sort of trample unreasonably on rights, we'll give birth to a political movement which will cost us our credibility, and will possibly cost us our offices, because people will vote for the other team, the other guys.”

“Look at all the stuff the Existentialists did. You can start with [Pablo] Picasso, you know, and then Francis Bacon and other guys like that. What they were doing is depicting suffering. And that's exactly what a demon is, he's pretending that he isn't. So he can get more people down there. You know, misery loves company, that's the whole thing. So that's basically the pitch that I'm working on.”

“If there are 1,500 people in a theater and they're all there to see you, there are no other guys. You're the guy. So it is a monastic life, it is very lonely, if I was prone to loneliness. It's a lot like wrestling, no one can throw a block for you, no one can give you a pass. Nobody can hand the ball off to you, it's you only for an hour and a half every night.”

“I think it's because if I have the time I take the time to sign every autograph I can after a show. I'll go out of my way when a lot of other guys wouldn't do this. Things like that create so much longevity in your career because that guy or girl you met that night will go home and talk about how cool Jeff Hardy was that night and then that makes their friends want to come out to the show next time you're in town.”

“The Conservatives hold rural places because they keep bombarding rural Canada with, "Liberals are a bunch of urban, metropolitan snobs who don't care about you and want to leave you dead by the roadside." We've simply got to go out and say, "they're lying to you about us. We actually care about you more than the other guys, and we're not going to pander to your prejudices - we're going to give hope to your kids."”

“I think a good quarterback or a good linebacker, a good safety, even though you have a lot of bodies moving out there, it slows down for them and they can really see it. Then there are other guys that it's a lot of guys moving and they don't see anything. It's like being at a busy intersection, just cars going everywhere. The guys that can really sort it out, they see the game at a slower pace and can really sort out and decipher all that movement, which is hard. But experience certainly helps that, yes.”