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Poetry Quotes

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Poetry Quotes

“Poetry deserves the honor it obtains as the eldest offspring of literature, and the fairest. It is the fruitfulness of many plants growing into one flower and sowing itself over the world in shapes of beauty and color, which differ with the soil that receives and the sun that ripens the seed. In Persia, it comes up the rose of Hafiz; in England, the many-blossomed tree of Shakespeare.”

“Literature is a form of language that breaks with the whole definition of genres as forms adapted to an order of representations, and becomes merely a manifestation of a language which has no other law than that of affirming in opposition to all other forms of discourse its own precipitous existence.”

“A work of (whatever) art can be either 'received' or 'used'. ...'Using' is inferior to 'reception' because art, if used rather than received, merely facilitates, brightens, relieves or palliates our life, and does not add to it ... When the art in question is literature a complication arises, for to 'receive' significant words is always, in one sense, to 'use' them, to go through and beyond them to an imagined something which is not itself verbal.”

“It is the unspecified 'you' of modern love poems that I am mostly concerned with here. At least, the addressee is commonly a lover, and the very fact that the name is withheld is offered as a guarantee of the closeness and significance of the relationship.”

“The immediate success of the war poem anthologies ... proved that the war had aroused in a new public an ear for contemporary verse ... There has never before, in the world's history, been an epoch which has tolerated and even welcomed such a flood of verse as has been poured forth over Great Britain during the last three years.”

“I've learned that my readings of others' work often has little connection to their intentions. This doesn't mean that my response is wrong, and it doesn't make the author's views less right. Poets, like their poems, are "hopeful monsters".”

“The spirit of poetry, like all other living powers, must of necessity circumscribe itself by rules, were it only to unite power with beauty.”

“When a philosopher, scientist, or psychologist discusses the discrepancy between the actual and the ideal, he or she attempts to convince us with the tools of discursive thought ... An artist does it differently ... their primary approach is different, even though both groups, if you will, are investigating the actual, the ideal, and the discrepancy in between.”

“In pursuing certain virtues - colorful local effects, personae and personality, juxtaposition, close calls with nonsense, uncertainty, critiques of ordinary language - the current crop of American poets necessarily give up on others.”

“Poetry and code - and mathematics - make us read differently from other forms of writing. Written poetry makes the silent reader read three kinds of pattern at once; code moves the reader from a static to an active, interactive and looped domain; while algebraic topology allows us to read qualitative forms and their transformations.”

“It is the role of the artistic coder to question the coding languages, both through self-reflection and by using them for unintended purposes. These coders introduce multiplicity where none existed and challenge definitions of intent for the entire environment of programming language, machine and system.”

“This capacity for oversignifying, for reading in, is precisely what poets tap into, both in their own practice and in the poem the give to the reader; and in doing so they turn language against its own project of conceptual division, and use it to heal itself - and in the process - paradoxically - to articulate new concepts that it can't yet accommodate.”

“Lakoff's idea is that most of our thought is guided by underlying conceptual mappings between two domains that share some content, that overlap in the sets of their attributes. ... Contrary to the assertions of Lakoff and some of the cognitive metaphor theorists, people can read through to an underlying mapping, but only when the surface metaphor is new to them.”