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Reflection Quotes

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Reflection Quotes

“Stendhal knows the source of his greatest happiness and his worst misery: the reflexivity of his spiritual life. When he loves, enjoys beauty, feels free and unconstrained, he realizes not only the bliss of these feelings but, at the same time, the happiness of being aware of this happiness. But now that he ought to be completely absorbed by his happiness and feel redeemed from all his limitations and inadequacies, he is still full of problems and doubts: Is that the whole story?—he asks himself. Is that what they call love? Is it possible to love, to feel, to be delighted and yet to observe oneself so coolly and so calmly? Stendhal’s answer is by no means the usual one, which assumes the existence of an insurmountable gulf between feeling and reason, passion and reflexion, love and ambition, but is based on the assumption that modern man simply feels differently, is enraptured and enthusiastic differently from a contemporary of Racine or Rousseau. For them, spontaneity and reflexivity of the emotions were incompatible, for Stendhal and his heroes they are quite inseparable; none of their passions is so strong as the desire to be constantly calling themselves to account for what is going on inside them. Compared with the older literature, this self consciousness implies just as profound a change as Stendhal’s realism, and the overcoming of classical-romantic psychology is just as strictly one of the preconditions of his art as the abolition of the alternative between the romantic escape from the world and the anti-romantic belief in the world.”

“I remember saying to some of my fellow students, 'Does anyone want a coffee?' They all shook their heads and asked me to rephrase my question to reflect my real feelings. So I had to feel and think and then I came up with, 'I want coffee and I want you to come with me.' Having tried it, I found I really liked this process of turning a ritualized question into a statement, and I still try to do this when I remember.”

“After John’s arrest, Stillness seemed impossible. My mind never stopped, and I kept ramming through the ever-growing to-dos as fast as I could. To be honest, I was afraid to stop. I was afraid to stop working, to stop making money, to stop moving long enough to let what was happening sink in. My whole life, I’ve been a doer. Now, I worried that if I stopped doing and started being, all of this would be real. I worried I’d sink into a dark hole of despair and never come out. But maybe if I kept checking off to-dos and focused on keeping all the balls in the air, I could fix it. That was, after all, what I was good at.”

“Then he had looked on his spirit as his I; now, it was his healthy strong animal I that he looked upon as himself. And all this terrible change has come about because he had ceased to believe himself and had taken to believing others. This he had done because it was too difficult to live believing one's self: believing one's self, one had to decide every question, not in favour of one's animal I, which was always seeking for easy gratification, but in almost every case against it. Believing others, there was nothing to decide; everything had been decided already, and always in favor of the animal I and against the spiritual. Nor was this all. Believing in his own self, he was always exposing himself to the censure of those around him; believing others, he had their approval.”

“We humans are prone to err, and to err systematically, outrageously, and with utter confidence. We are also prone to hold our mistaken notions dear, protecting and nourishing them like our own children. We defend them at great cost. We surround ourselves with safe people, people who will appreciate our cherished views. We avoid those who suggest that our exalted ideas, our little emperors, have no clothes.”

“When an incidental color or a random fragrance takes possession of our imagination, we can unexpectedly blossom into a new entity as it gives us wings and enlightens our horizon, just like canary birds that feel stimulated and start singing as soon as they sense the radiance of the sun through the reflection of the skylight. (‘"Côté cour…Côté jardin" )”

“A Mind's Minotaur - A Soliloquy by Stewart Stafford In a labyrinth’s mental corridors, prisoner of consciousness, Fleeing a Minotaur I fear is me. Achilles' heel, masked by strength hath shown, An arrow cometh from Time's swift flight, For those with bountiful time enow, Find themselves slain in a heroic light. When thou dost gaze upon the world below, And scorn its depths, thou canst not comprehend The truths that pool o'er its shadow, glow. No tears stain that meadow of solace, A phantom limb, tickling in memory's store, Galley slaves in hurricane's heart so lashed. Transient madness and renown, conjoin on pomp’s bridge, Champions of the joust wave paramour's kerchief, Revered statues limp from a pedestal's ridge. The signs of pride and brittle ardour, The hubristic bite of isolation's cur. The death warrant quill must ne'er be stilled, For authority doth stifle beauty's song, Staged chaos through the written word is willed. Phantasy's balm to verity's scourging, A cleansing soak of battle-scarred minds, And in the dark, imagination reigns. He who hath fear of the dark hath vision keen, Whilst those who see but naught are dull and plain. Thus, let us not be swayed by others' lore, But splay in error, heal to prosper once more. Idolatrous moth to lechery's candlelight, In lover's tongues, passion's seared delight. © 2024, Stewart Stafford. All rights reserved.”

“It reminds me of sitting window seat on a plane. I look out and onto the ground and I see everyone’s little houses. They’ve got their own perfect square of land, with a roof of their own, with a tree of their own, their own fence. There’s something so artificial to it when you zoom out. Our own tree in the front yard may be large, but they aren’t rooted in a true forest. Their house could be painted gold, but the street isn’t. Everything we have is just enough for our eyes to see. I feel like we’re meant for more. More than decorations. Sometimes, even though I know it’s not possible, I feel like everyone deserves their own forest.”

“A passionate tumultuous age will overthrow everything, pull everything down; but a revolutionary age, that is at the same time reflective and passionless, transforms that expression of strength into a feat of dialectics: it leaves everything standing but cunningly empties it of significance. Instead of culminating in a rebellion it reduces the inward reality of all relationships to a reflective tension which leaves everything standing but makes the whole of life ambiguous: so that everything continues to exist factually whilst by a dialectical deceit, privatissime, it supplies a secret interpretation- that it does not exist.”

“You can read the word of God, but without mediation and prayer, we become spiritually weak and unfilled.”

“Looking back, I have come to realize that the gang lifestyle back then—the fame, the respect, and the recognition—was stronger and powerful than any drug. We were serious with what we were dealing with. It was like a do or die situation. Shelton ‘Apples’ Burrows reform gang leader”

“There comes a moment when the image of our life parts company with the life itself, stands free, and, little by little, begins to rule us. Already in The Joke: “I came to realize that there was no power capable of changing the image of my person lodged somewhere in the supreme court of human destinies; that this image (even though it bore no resemblance to me) was much more real than my actual self; that I was its shadow and not it mine; that I had no right to accuse it of bearing no resemblance to me, but rather that it was I who was guilty of the nonresemblance; and that the nonresemblance was my cross, which I could not unload on anyone else, which was mine alone to bear.” And in The Book of Laughter and Forgetting: “Destiny has no intention of lifting a finger for Mirek (for his happiness, his security, his good spirits, his health), whereas Mirek is ready to do everything for his destiny (for its grandeur, its clarity, its beauty, its style, its intelligible meaning). He felt responsible for his destiny, but his destiny did not feel responsible for him.”

“His mattress was his bathroom was his dinner plate And he fights for food against roaches and rats And the all-purpose pavement gets colder as the year gets late, So the roaches get bigger and the vermin turn to bats. We never have enough money to hand to cardboard holders, But always enough for extra açaí, bacon, or premium. And we bet they're scamming us, those damn freeloaders, But that's just it: a bet-- and premium is just premium. We guarantee the next has it covered, that car behind us, Ignoring how they like premium the same way we do. First judgements have always been our widespread virus, But truth is the property of man and that we can't lose.”

“His sensitive nature was still smarting under the lashes of an undivided and squalid way of life. His soul was still disquieted and cast down by the dull phenomenon of Dublin. He had emerged from a two years' spell of revery to find himself in the midst of a new scene, every event and figure of which affected him intimately, disheartened him or allured and, whether alluring or disheartening, filled him always with unrest and bitter thoughts. All the leisure which his school life left him was passed in the company of subversive writers whose jibes and violence of speech set up a ferment in his brain before they passed out of it into his crude writings.”