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Reflection Quotes

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Reflection Quotes

“I believe that Manila can be a reflection of your state of mind. Being a city of extreme contrasts it's easy to see how it can become an intense personal experience. Manila can be chaotic and spiritual, dirty and divine, gritty and gorgeous all at once. If you don't find beauty and poetry here, you will never find it anywhere.”

“By three methods we may learn wisdom: First, by reflection, which is noblest; Second, by imitation, which is easiest; and third by experience, which is the bitterest.”

“I decided to lock myself in. A forced segregation. Sabbatical. A retreat into myself. My selves. Play hide and go seek in the looking-glass. The mirror angled at the foot of my bed. Twisted reflections bouncing off into infinity. Obsessed with my image, the myriad of distored figurines who danced in front of me in rapid succession, every feature exaggerated, every slight imperfection a new delicacy.”

“You're looking at the reflection of perfection. You're looking at the man who gets all your attention. You're looking at the man with the biggest arm. At the man, with the greatest charm, the man in Chicago who will do harm to the guy three doors down. Whatcha gonna do, when you know who? How ya gonna deal, with the man of steel? How ya gonna react to Sonnen's attack?”

“Michael Jackson is an extremely productive ethnographer, a serious reader of phenomenological and existential philosophy, and a remarkable writer at a level that one rarely sees in anthropology. Lifeworlds, unsurprisingly, is no exception. The several essays included here fit into an impressive whole that set out a compelling case for a type of ethnography of which Jackson is one of the masters. The writing is strong and the critical reflections impressive. This book defines an approach to anthropology that is resonant enough to challenge the leading models of our time.”

“A comparably capacious embrace of beauty and pleasure - an embrace that somehow extends to death as well as life, to dissolution as well as creation - characterizes Montaigne's restless reflections on matter in motion, Cervantes's chronicle of his mad knight, Michelangelo's depiction of flayed skin, Leonardo's sketches of whirlpools, Caravaggio's loving attention to the dirty soles of Christ's feet.”

“We usually recognize a beginning. Endings are more difficult to detect. Most often, they are realized only after reflection. Silence. We are seldom conscious when silence begins—it is only afterward that we realize what we have been a part of. In the night journeys of Canada geese, it is the silence that propels them. Thomas Merton writes, “Silence is the strength of our interior life.… If we fill our lives with silence, then we will live in hope.”

“It is always the first and last steps that are the hardest to take. We walk away and try not to turn back, or we stand just outside the gates, terrified to find what's waiting for us now that we've returned. In between, we stumble blindly from one place and life to the next. We try to do the best we can. There are moments like this, however, when we are neither coming nor going, and all we have to do is sit and look back on the life we have made.”

“The real wonder is that so many difficulties should have been surmounted [in the federal convention], and surmounted with a unanimity almost as unprecedented as it must have been unexpected. It is impossible for any man of candor to reflect on this circumstance without partaking of the astonishment. It is impossible for the man of pious reflection not to perceive in it a finger of that Almighty hand which has been so frequently and signally extended to our relief in the critical stages of the revolution.”

“In this state one enriches everything out of one's own fullness: whatever one sees, whatever wills is seen swelled, taut, strong, overloaded with strength. A man in this state transforms things until they mirror his power—until they are reflections of his perfection. This having to transform into perfection is—art.”

“Art is not ideology. It is completely impossible to explain art on the basis of the homological relation that it is supposed to maintain with the real of history. The aesthetic process decentres the specular relation with which ideology perpetuates its closed infinity. The aesthetic effect is certainly imaginary; but this imaginary is not the reflection of the real, since it is the real of this reflection.”

“We saw Time's varied traces Were deep on every hand - Indeed, upon the people, More marked than on the land. The bands that once with firmness Could grasp the axe and blade, Now move with trembling motion, By strength of nerve decayed. The change in form and feature And furrows on the cheek Of Time's increasing volume, In plain, round numbers speak. And thus, as in a mirror's Reflection, we were told, With stereotyped impressions, The fact of growing old.”

“Literally, no man ever sees himself as others see him. No photograph or reflection ever gives us the same slant on ourselves that others see. It has often been proved on the witness stand that no two people ever see the same accident precisely the same way. We see through different eyes and from different angles. But if we could see things as other people see them, we could come closer to knowing why they do what they do and why they say what they say.”

“Failure is all a matter of perspective. Think of all the people you admire. I guarantee you they all failed at one time or another. The key is to recognize setbacks for what they really are-entry points for learning, not validation that you aren't good enough. After a disappointment analyze your actions, get feedback from friends, and take inventory of what you could do better next time. This type of self-reflection and improvement will ultimately make success inevitable.”

“No one who has seen a baby sinking back satiated from the breast and falling asleep with flushed cheeks and a blissful smile can escape the reflection that this picture persists as a prototype of the expression of sexual satisfaction in later life.”

“No one seriously doubts Socrates' maxim: The unexamined life isn't worth living. Self-assessment and attempts at self-improvement are essential aspects of "the good life." Yes, we should engage in ruthless self-reflection and harsh scrutiny, but we should simultaneously acknowledge that such introspection will, at best, only result in a partial view of our minds at work. Complete objectivity is not an option.”