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Rhyme Quotes

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Rhyme Quotes

“FiXXX ur Recep+ion I never bother with the broken antennas Reception comes through clearly for those not jealous Love life alone; don't buy extra large umbrellas We can hold hands if you can pick up what i put down- motherfucker, don't make a sound Loud with ac+ion will my real dark prince please stand up... Avoidance-void bores me to death; living dead girl Beat 'round the bush I'm not UR around the way girl Slam dance; slam words passion's a thing- give it a whirl We can ignite if you can get down burn; shut me up motherfucker, and don't give up Fight for your right what's your message; no ads disrupt”

“Our Prophet ﷺ showed KINDNESS while he was treated with hostility, He showed LOVE and COMPASSION to everyone, even to his enemy. Sent by the MOST MERCIFUL to the world as a MERCY, He is the BEST of creation, the most noble man, Described by his wife as a WALKING QUR’AN. Follow his SUNNAH as best as you can...”

“Allah is CLOSER to you than your jugular vein, He knows your DEEPEST thoughts; he feels your pain. Any problems, RAISE your hands to Allah and complain, The most compassionate, the one who LOVES you greatly. Allah is more MERCIFUL than a mother is to her baby, HOLD on to the QUR’AN and the SUNNAH tightly. A guiding LIGHT, shining brightly...”

“Muhammad ﷺ is for us, an EXAMPLE and GUIDE, The GREATEST Prophet, in him we take pride. Spread GOODNESS wherever you go, but make sure, That in your heart, your intentions remain PURE. Take yourself to account, before you’re accounted for, So that in this life and the next, you’ll be successful forevermore.”

“The number one mistake in rhyming texts is when the rhyme overwhelms the story rather than serving the story. The monotony of a 32-page story all told in the same rhythm can wear a reader down after a few pages. As an editor, I often start these submissions thinking, “Okay, let’s see if this can be sustained . . .” and after a few stanzas say, “Oh please stop. I can’t do this anymore.” The sing-song-y-ness of “dah-duh dah-duh dah-duh, dah-dah” in line after line pummels a reader with sameness. It also encourages authors to make terrible word choices: odd or forced descriptions or line endings because that last word HAS. TO. RHYME. My test: Extract a line out of your rhyming text and ask yourself if you’d write it the same way if it DIDN’T have to rhyme. If the answer is no, it’s a bad line. The rhyming has to feel effortless." Frances Gilbert On Rhyming Picture Books in Goodreads "The number one mistake in rhyming texts is when the rhyme overwhelms the story rather than serving the story. The monotony of a 32-page story all told in the same rhythm can wear a reader down after a few pages. As an editor, I often start these submissions thinking, “Okay, let’s see if this can be sustained . . .” and after a few stanzas say, “Oh please stop. I can’t do this anymore.” The sing-song-y-ness of “dah-duh dah-duh dah-duh, dah-dah” in line after line pummels a reader with sameness. It also encourages authors to make terrible word choices: odd or forced descriptions or line endings because that last word HAS. TO. RHYME. My test: Extract a line out of your rhyming text and ask yourself if you’d write it the same way if it DIDN’T have to rhyme. If the answer is no, it’s a bad line. The rhyming has to feel effortless." Frances Gilbert On Rhyming Picture Books in Goodreads "The number one mistake in rhyming texts is when the rhyme overwhelms the story rather than serving the story. The monotony of a 32-page story all told in the same rhythm can wear a reader down after a few pages. As an editor, I often start these submissions thinking, “Okay, let’s see if this can be sustained . . .” and after a few stanzas say, “Oh please stop. I can’t do this anymore.” The sing-song-y-ness of “dah-duh dah-duh dah-duh, dah-dah” in line after line pummels a reader with sameness. It also encourages authors to make terrible word choices: odd or forced descriptions or line endings because that last word HAS. TO. RHYME. My test: Extract a line out of your rhyming text and ask yourself if you’d write it the same way if it DIDN’T have to rhyme. If the answer is no, it’s a bad line. The rhyming has to feel effortless." Frances Gilbert On Rhyming Picture Books in Goodreads "The number one mistake in rhyming texts is when the rhyme overwhelms the story rather than serving the story. The monotony of a 32-page story all told in the same rhythm can wear a reader down after a few pages. As an editor, I often start these submissions thinking, “Okay, let’s see if this can be sustained . . .” and after a few stanzas say, “Oh please stop. I can’t do this anymore.” The sing-song-y-ness of “dah-duh dah-duh dah-duh, dah-dah” in line after line pummels a reader with sameness. It also encourages authors to make terrible word choices: odd or forced descriptions or line endings because that last word HAS. TO. RHYME. My test: Extract a line out of your rhyming text and ask yourself if you’d write it the same way if it DIDN’T have to rhyme. If the answer is no, it’s a bad line. The rhyming has to feel effortless." Frances Gilbert On Rhyming Picture Books in Goodreads "The number one mistake in rhyming texts is when the rhyme overwhelms the story rather than serving the story. The monotony of a 32-page story all told in the same rhythm can wear a reader down after a few pages. As an editor, I often start these submissions thinking, “Okay, let’s see if this can be sustained . . .” and after a few stanzas say, “Oh please stop. I can’t do this anymore.” =”

“विपद: सन्तु ता: शश्वत्तत्र तत्र जगद्गुरो। भवतो दर्शनं यत्स्यादपुनर्भवदर्शनम्॥८॥ Master of Universe I pray for calamities, So I do remember You ever constantly, Remembering You means freedom be, From cycle of births and death finally. - 201 -”

“॥दोहा॥ श्रीगुरु चरन सरोज रज, निज मनु मुकुरु सुधारि। बरनउँ रघुबर बिमल जसु, जो दायकु फल चारि॥ Doha With the dust of guru’s lotus feet having, I cleanse the mirror of my soul sparkling, Raghuvar’s spotless glory I be singing, The four fruits of life it ever is giving. - 303 -”

“Shani Chalisa ॥दोहा॥ Doha जय-जय श्री शनिदेव प्रभु, सुनहु विनय महराज। करहुं कृपा हे रवि तनय, राखहु जन की लाज॥ Shani Maharaj, glory to you with sincerity, Listen to my prayers I request humbly, Bestow your grace and protect me fully, Keep respect and honour of your devotees. - 341 -”

“संकट मोचन हनुमानाष्टक मत्तगयन्द छन्द बाल समय रबि भक्षि लियो तब तीनहुँ लोक भयो अँधियारो। ताहि सों त्रास भयो जग को यह संकट काहु सों जात न टारो। देवन आनि करी बिनती तब छाँड़ि दियो रबि कष्ट निवारो। को नहिं जानत है जग में कपि संकटमोचन नाम तिहारो॥१॥ When as a child you lapped the sun, darkness on triple world fell, The worlds so got into trouble and a crisis that none could dispel, Gods then prayed to you to spare the sun and you did so quell, Who doesn’t know in this world your name `Problem Solver’ bells? - 294 -”

“All the while they were talking the half-remembered rhyme kept running through Winston’s head. Oranges and lemons, say the bells of St. Clement’s, You owe me three farthings, say the bells of St. Martin’s! It was curious, but when you said it to yourself you had the illusion of actually hearing bells, the bells of a lost London that still existed somewhere or other, disguised and forgotten. From one ghostly steeple after another he seemed to hear them pealing forth. Yet so far as he could remember he had never in real life heard church bells ringing.”

“Some people imagine that rhyme interferes with the rational processes of thought by obliging us to distort what we originally had in mind. But are rational processes so important? In many of us, even in poets, they can be dull and predictable. An interruption, a few detours and unexpected turns, might make a trip with them less routine. The necessity of finding a rhyme may jolt the mind out of its ruts, force it to turn wildly across the fields in some more exhilarating direction. Force it out of the world of reason into the world of mystery, magic, and imagination, in which relationships between sounds may be as exciting as a Great Idea.”

“We also composed using what we called vowel movement - very important for songwriters. The sounds that work. Many times you don't know what the word is, but you know the word has got to contain this vowel, this sound. You can write something that'll look really good on paper, but it doesn't contain the right sound. You start to build the consonants around the vowels. There's a place to go ooh and there's a place to go daah. And if you get it wrong, it sounds like crap. It's not necessarily that it rhymes with anything at the moment, and you've got to look for the rhyming word too, but you know there's a particular vowel involved.”

“I think, secretly, that my poems actually do rhyme. It’s just that the rhyme is what I would call ‘conceptual,’ that is, not made of sounds, but of ideas that accomplish what the sounds do in formal poetry: to connect elements that one wouldn’t have expected, and to make the reader or listener, even if just for a moment, feel the complexity and disorder of life, and at the same time what Wallace Stevens called the ‘obscurity of an order, a whole.”

“Effortless AND creative. Listen to the “Hamilton” soundtrack. I know it’s a high bar, but learn from how Lin-Manuel Miranda wrote an entire musical in tight, creative rhyme full of variety and rhythm changes and surprises and cleverness and word-play delights. Internal rhymes, humorous rhymes, break-outs into a different rhythm altogether. A surprise around every corner. Now imagine if all two hours and forty-five minutes of “Hamilton” had been “dah-duh dah-duh dah-duh, dah-dah.” That’s not a ticket you’d have paid $300 for."  Frances Gilbert On Rhyming Picture Books in Goodreads”

“Fool brother Filip led blind brother Daret deep into the black cave. He knew that inside it, the Queen Crab resided but that didn’t scare him away. Said blind brother Daret to fool brother Filip, does Queen Crab no longer reign? I have heard she is vicious, and likes to eat fishes. It’s best we avoid her domain. Answered fool Filip to his brother small, have I not always kept you safe? I know what I’m doing, for I’m older than you, and I’ll never lead you astray.”

“She's my pride, my winning prize, always a surprise, to look into her eyes, see her free soul, as soap that slips from the grip of control; a stroll through the park on a dark night with stars to spark the sky, heaven with no price tag I realize, love is the same: endless, priceless, full bliss; to have this princess I pinch myself thinking this is a dream, but to my reprise, I can only say I am now, at last, alive.”

“Hear the sledges with the bells, Silver bells! What a world of merriment their melody foretells! How they tinkle, tinkle, tinkle, In the icy air of night, While the stars that oversprinkle All the Heavens seem to twinkle With a crystalline delight: Keeping time, time, time, In a sort of Runic rhyme To the tintinnabulation that so musically wells From the bells, bells, bells, bells, Bells, bells, bells-- From the jingling and the tingling of the bells.”

“Dejection of spirits, which may have prevented many a man from becoming an author, made me one. I find constant employment necessary, and therefore take care to be constantly employed. . . . When I can find no other occupation, I think; and when I think, I am very apt to do it in rhyme.”