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Scripts Quotes

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Scripts Quotes

“I don't want to do only movies that I'm in. I definitely want to start to branch out and do TV and stuff that I'm not in and really make a good run at it as a production. I'm probably going to take a break from acting after a little while because I've enjoyed the developmental process so much. It helps you as an actor to learn story and to learn how to really nurture a script and work with a writer so you're not sitting there having to write it yourself and give notes.”

“Chris [ Nolan] and I have a strange way of working from the non-movie process, where after all these conversations and reading the script and more conversations, Chris went out and shot the films and the first thing he did, he wouldn't show it to me until I had written the music - not out of meanness, or anything, it just sort of seemed an interesting idea to see if there was some synchronicity and letting me use my imagination to the fullest instead of being constricted by cuts and images.”

“With films, I just scribble a couple of notes for a scene. You don't have to do any writing at all, you just have your notes for the scene, which are written with the actors and the camera in mind. The actual script is a necessity for casting and budgeting, but the end product often doesn't bear much resemblance to the script--at least in my case.”

“The world is your oyster when you are successful. That was when I was getting scripts. I was planning for this. I like this business. Parts of it I love, and I didn't want it to just end. The further you get away from your success, the less your phone rings. The next thing you know, it's 20 years later and you're in a mall going, "Remember when Al and I used to do something like this.”

“There's a screen direction in the script for the pilot where it says, 'Jim Harper, mid-20s, enters,' and it said something to the effect of: 'He's confident without being cocky. He has no idea that he could be considered attractive, because he saw All The President's Men when he was thirteen and never looked up.' It was just a great little gem of a screen direction, and I felt immediately from just that, that I had a good idea of how to play this guy.”

“I know my comfort zone and I know what my strong points are and my first love was always music. I'm a huge cinema fan. I was taking my time; I got offered a lot of scripts and things along the way but until Burlesque showed up at my doorstep, it really spoke to me. I have a collection of burlesque books at home that I've had for years. I've always been intrigued and fascinated with the topic, the beauty and the art of it and the comedic value of it. I think it's just a beautiful, empowering thing for women.”

“When I started, the scripts weren't as good, and you'd have to have a huge burst of energy to go, "Sheesh, how am I going to? This stuff's no good." So you'd have to improvise something or create something or try to work with the ware and try to figure out, how do you make this visually and orally acceptable, entertaining? Nowadays, the scripts are just so much better, that you don't have to feel that way. You feel like the script's coming to you, you can just relax. You don't have to drive the boat.”

“I honestly believe, and I've said it many times, that the universal stems from the specific and I can't walk around with a performance and ask everyone how they feel about it, but if noble is an opinion that people have I'll accept that. I've been asked many times why I don't play bad guys, or heavies, and I would do it, absolutely, in a second, just haven't been offered any so... if anybody has a script out there tonight I'm more than willing.”

“The whole movie thing has never been a source of great pride for me, in that Burt Reynolds, who starred in the picture, butchered the original script I had written for the late Steve McQueen, and the result, while a massive moneymaker, was lashed by the critics. But like the old joke about Pierre the Bridge Builder, The Cannonball Run is indelibly inscribed on my so-called career portfolio, and few conversations with strangers pass without the subject of the picture arising.”

“Fifteen years ago I knew I had to settle into being a mom and give them a normal life, which I never had. I was always traveling. I had tours. I wanted my kids to settle down, and we kind of did it together.... It was a bumpy transition. There was no director telling me what to do. No script, but I really enjoyed it. I even became president of the PTA. Doing the laundry was a meditative experience. Now, when I start to get nervous and stressed, I go in and start to fold towels.”

“History is opaque. You see what comes out, not the script that produces events, [...] The generator of historical events is different from the events themselves, much as the minds of the gods cannot be read just by witnessing their deeds.”

“When the first emperor wanted to unify the country, one of the major policies was to create one system of written signs. By force, brutal force, he eliminated all the other scripts. One script became the official script. All the others were banned. And those who used other scripts were punished severely. And then the meanings of all the characters, over the centuries, had to be kept uniform as a part of the political apparatus. So from the very beginning the written word was a powerful political tool.”

“I've written so many things over the years that I don't want to go back to being just a scriptwriter. I'm in what I consider to be the enviable position of all I have to do is come up with the idea and write an outline that makes it seem like it's a viable idea that will interest people, and then other people write the scripts -- and I become the executive producer or the producer, depending on how much involvement I have, and I get a creative credit and then move on to the next project.”

“Aside from a couple of signature flourishes, there's nothing to mark Paycheck as the product of acclaimed action director John Woo. In fact, there's little about this movie that makes it worth anyone's time and money. With a script that waffles between being hilariously absurd and insultingly stupid, and action scenes that won't cause anyone's pulse to skip a beat, Paycheck is less appealing than a lump of coal in a Christmas stocking.”