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Scripts Quotes

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Scripts Quotes

“I was really unfit last year, so I worked out for a long time, then spent time by myself in Oregon. For about two months the only person I saw was my trainer. Every day I did a lot of running and I just didn’t want to talk to anyone for two months. So when I started talking again, it was like you would communicate wrongly, like you wouldn’t really remember how to speak. That was one of the key things as well as just reading the book, reading the script a million times, just figuring things out.”

“When you read the [Twilight series], it's like saying 'Edward Cullen is so beautiful I creamed myself'. I mean every line is like that. He's the most ridiculous person who's so amazing at everything. I think a lot of actors tried to play that aspect. I just couldn't do it. And the more I read the script, the more I hated this guy, so that's how I played him, as a manic-depressive who hates himself. Plus, he's a 108-year old virgin, so there's clearly some issues there”

“When you leave here today and commence the next stage of your life, you can follow someone else's script, try to make choices that will make other people happy, avoid discomfort, do what is expected, and copy the status quo. Or you can look at all that you have accomplished today and use it as fuel to venture forth and write your own story. If you do, amazing things will take shape.”

“Here's what I didn't know when I was starting out that I now know…I thought when you were starting out it was really hard to write because you hadn't broken in yet, you hadn't really hit your stride yet. What I found out paradoxically is that the next script you write doesn't get easier because you wrote one before…each one gets harder by a factor of 10.”

“With a good script a good director can produce a masterpiece; with the same script a mediocre director can make a passable film. But with a bad script even a good director can’t possibly make a good film. For truly cinematic expression, the camera and the microphone must be able to cross both fire and water. That is what makes a real movie. The script must be something that has the power to do this.”

“Something that you should take particular notice of is the fact that the best scripts have very few explanatory passages. Adding explanation to the descriptive passages of a screenplay is the most dangerous trap you can fall into. It’s easy to explain the psychological state of a character at a particular moment, but it’s very difficult to describe it through the delicate nuances of action and dialogue. Yet it is not impossible.”