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Scripts Quotes

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Scripts Quotes

“Comedians dissect jokes all the time. Comedians are beautiful structuralists. But ultimately it's an athletic endeavor. You have to be able to just hit the backhand. You can't think about all the pieces of it. You can't think about your swing. You just have to do it. Reading someone else's deconstruction of what I do, all it does is put me in my head. On nights when the show goes particularly well, I am not aware of its fluidity. A lot of nights I'm just worried that I'm not going to be as good as the script in front of me.”

“great artists can be uncertain. Of course they are while strugggling to find solutions. Tolstoi's scripts are almost indecipherable. Emily Dickinson provided four or more alternates for every word; Beethoven wrestled with endings to the point of exhaustion; in our day Jerome Robbins and his lack of decision are a byword in the dance profession. But all of these knew very well what they did not want, and what they did not want was the current coin, the well-worn usage. What they wanted was something newly experienced, and therefore unknown and hard to attain.”

“Be undeniably good. When people ask me how do you make it in show business or whatever, what I always tell them & nobody ever takes note of it 'cause it's not the answer they wanted to hear-what they want to hear is here's how you get an agent, here's how you write a script, here's how you do this-but I always say, “Be so good they can't ignore you.” If somebody's thinking, “How can I be really good?” people are going to come to you. It's much easier doing it that way than going to cocktail parties.”

“You have to understand that people feel threatened by a writer. It's very curious. He knows something they don't know. He knows how to write, and that's a subtle, disturbing quality he has. Some directors without even knowing it, resent the writer in the same way Bob Hope might resent the fact he ain't funny without twelve guys writing the jokes. The director knows the script he is carrying around on the set every day was written by someone, and that's just not something that all directors easily digest.”

“I don't have any one way to tell a story. I don't have any rule book of how it's supposed to be done. But I've always said that if a story would be more emotionally involving told, beginning, middle, and end, I'll tell it that way. I won't jigsaw it, just to show what a clever boy I am. I don't do anything in my script just to be clever.”

“David Fincher is probably the best comprehensive director in terms of being a manger of a process that must drive forward. He has such confident command of cinema language and visual language and script and performance. He knows more about f-stops than any cameraman, he knows more about lighting than any gaffer, he is a wonderful writer, and he can give you a good line reading. Under pressure, he is the kind of guy who you will just dive in with and trust and follow because his vision is so intense.”