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Serious Quotes

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Serious Quotes

“ZANY, n. A popular character in old Italian plays, who imitated with ludicrous incompetence the _buffone_, or clown, and was therefore the ape of an ape; for the clown himself imitated the serious characters of the play. The zany was progenitor to the specialist in humor, as we to-day have the unhappiness to know him. In the zany we see an example of creation; in the humorist, of transmission. Another excellent specimen of the modern zany is the curate, who apes the rector, who apes the bishop, who apes the archbishop, who apes the devil.”

“I very easily decide in certain situations that I'm an outsider. That's just my own craziness. I think that I have sympathy for those characters who are like that, but I love it when the humor comes from a character who is serious about his situation - only the way he's thinking about it is all wrong, or the ways he's solving his problems are never going to work.”

“That is who Barack Obama is - a person of admirable character - and that is who he has remained for me over these last four years. I have not agreed with his every decision, but never once have I seen him break his cool, lose his composure, or abandon his insightful perspective - even during the most serious and/or absurd national disasters.”

“How many serious family quarrels, marriages out of spite, and alterations of wills, might have been prevented by a gentle dose of blue pill!-What awful instances of chronic dyspepsia in the characters of Hamlet and Othello! Banish dyspepsia and spirituous liquors from society, and you have no crime, or at least so little that you would not consider it worth mentioning.”

“Since the moment of the United Nations' inception, untold energies have been expended by governments not only toward the exclusion of persons of principle and distinction from the organization's leading positions, but toward the installation of men whose character and affiliations would as far as possible preclude any serious challenge to governmental sovereignty.”

“Serious skeptics, true believers, and seekers of every stripe will want to read Mitch Horowitz's vibrant, probing, and richly researched account of the impact of the positive-thinking movement on every aspect of American life today. Filled with a cast of remarkable characters and many lively tales, One Simple Idea is a readable, responsible examination of the limits and possibilities of mind-power as a source of constructive transformation.”

“It's a serious character weakness to think you can get something of value for little or nothing, to believe that life will flood you with abundance when you won't commit yourself to delivering your best contribution in exchange. In fact, it's a safe bet that you'll subconsciously sabotage yourself from being in such a place for long. You won't allow yourself to receive what you don't feel you've earned. To receive life's bounty, you must know without a doubt that you deserve it.”

“The confusion between temperament and character has had serious consequences for ethical theory. Preferences with regard to differences in temperament are mere matters of subjective taste. But differences in character are ethically of the most fundamental importance.”

“Even when I was on Curb Your Enthusiasm I wasn't this "over-the-top" crazy character. It was still kind of play it straight but it was funny because the situation was funny. That's kind of how I portrayed things and I like dramas; I like to be able to - because in dramas you can laugh and joke and still be serious, be real. I like the realism of them.”

“Remember to build each other up, to strengthen and sustain, to keep companionship lovely and alive. Remember dignity and respect; understanding; not expecting perfection; a sense of humor and a sense of what is sacred and serious; common purposes, common convictions, and the character to stay with a bargain, to keep a covenant - in these are the making of a good and solid marriage.”

“Really the one thing that Pierce told me and that I've taken with me is to have fun doing it. As much as we dive into some serious characters and some serious situations and all that, you've got to enjoy it and remember that you're here to make entertainment and to make people have a nice time when they watch the movie. To me that was something I really took away.”

“I don't believe, in a show like ours, that you really want to see character growth. That's just my opinion. Maybe to a small degree, but nothing serious. To that end, it doesn't have the same importance that it would have, if you were on an hour-long show. I think an audience gets really hungry for a character to grow and change on an hour-long show, and I think I would be more antsy.”

“I love Ron Howard, he's a wonderful director, incredibly prepared. But I have to criticize my performance in that movie. It all took place in one day. My character was having a bad day, so she's having a bad day throughout the whole movie. But this was a comedy, and I think I was too serious, too dense. Yes, I think that describes my failure there.”

“It's easy to put [serious threats] aside, and the media don't talk about them. Other things are more important. How am I going to put food on the table tomorrow? That's what I've got to worry about, and so on. It's very serious, but it's hard to bring out the enormity of these issues, when they do not have the dramatic character of something you can show in the movies, with a nuclear weapons falling and everything disappears.”

“I love musicals but it's very, very different. It's really just a different form than serious drama, and has very different rules and a completely different set of characters and requirements and ambitions. It maybe shouldn't be as separate as it is, but it's got a different history. In terms of serious drama, I think you'd have to say that you could break it down essentially into the narrative realist tradition and experimental theater.”

“It was fun figuring out the science of the world as much as we wanted to figure out, and then playing fast and loose in other places. Which we do with our show in general. One of the things we love about the BoJack Horseman show is that we can always fall back on, "It's a ridiculous cartoon." And it is! It's a serious, relationship-based grounded character tragedy, but it is also a ridiculous cartoon.”

“I seek a diverse spectrum of roles. If I just was in a large-budget feature for a younger audience, then I want to find a smaller, more character-driven piece that might be for a more mature audience. Or if I'm playing a goofier character, then maybe I want to go play a serious, psychopathic character. But at the same time, it's usually a case-by-case basis where I'm judging the merit of a role by the script I'm given, and it usually has less to do with the larger framework and more to do with how the part personally appeals to me in that moment.”

“I would like to play some character that's somewhat dramatic. I don't see myself ever becoming that serious, or it sounds weird, but I don't see myself doing something that's really dramatic but somewhat dramatic. I would like to do something that's more real and doesn't have to be laugh out loud funny. I always like whatever I'm involved in... whether it be funny or whether it be somewhat like... I'm not gonna try to get people to really cry.”