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Shadow Quotes

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Shadow Quotes

“Most of us were not afraid of death, only of the act of dying; and there were times when we overcame even this fear. At such moments we were free-men without shadows, dismissed from the ranks of the mortal; it was the most complete experience of freedom that can be granted a man.”

“Truth and fact are old-fashioned and out-of-date, my friends, fit only for the dull and vulgar to live by. Appearance, not reality, is what the clever dog grasps at in these clever days. We spurn the dull-brown solid earth; we build our lives and homes in the fair-seeming rainbow-land of shadow and chimera.”

“In excited conversation we have glimpses of the universe, hints of power native to the soul, far-darting lights and shadows of an Andes landscape, such as we can hardly attain in lone meditation. Here are oracles sometimes profusely given, to which the memory goes back in barren hours.”

“Our first duty to liberty is to keep our own. But it is also our duty - as Europeans - to keep alive in the Eastern as well as the Western half of our continent those ideas of human dignity which Europe gave to the world. Let us therefore resolve to keep the lamps of freedom burning bright so that all who look to the West from the shadows of the East need not doubt that we remain true to those human and spiritual values that lie at the heart of European civilization.”

“All previous crimes of the Russian empire had been committed under the cover of a discreet shadow. The deportation of a million Lithuanians, the murder of hundreds of thousands of Poles, the liquidation of the Crimean Tatars remain in our memory, but no photographic documentation exists; sooner or later they will therefore be proclaimed as fabrications.”

“... Nothing resembles reality less than the photograph. Nothing resembles substance less than its shadow. To convey the meaning of something substantial you have to use not a shadow but a sign, not the limitation but the image. The image is a new and different reality, and of course it does not convey an impression of some object, but the mind of the subject; and that is something else again.”

“I've grown fonder for Hillary Clinton since she ran for the presidency. I think that it's emblematic of the Rolling Stones song, you can't always get what you want, i.e., the grail. Sometimes you get what you need. And whatever she's gotten over the last couple of years, being humbled or be it being humbled and see the proletariat come to bat for her, getting outside of the bubble, getting out of this man's shadow, not quite getting the job she wants but a great wonk job.”

“We are finally living in Plato's cave, if we consider how those who were imprisoned within the cave - who could do nothing but watch those shadows passing on the back wall - were convinced that those shadows were their one and only reality. I see a profound similarity to all this in the epoch we're now living in. We no longer live simply through images: we live through images that don't even exist, which are the result not of physical projection but of pure virtuality.”

“We're talking about an extremely prolific poet and songwriter and lyricist. That stuff comes off the top of her head. She [Joni Mitchell] will write exactly what she lives. If she puts some money in the soda machine, she'll write about putting money in the soda machine. "Dry Cleaner from Des Moines," on the Shadows & Light album, was about sitting next to a dry cleaner from Des Moines, playing a slot machine.”

“As a relentless gatherer of moments, I find that my favorite images, although grounded in the present, are like spirits shaped by memories. They whisper of fairy tales, poetry, and other lives, as each gesture connects with another and raises yet another from the dead. Shadows flicker on film to an inner melody as I navigate, camera at hand and at the speed of light, through unimaginable worlds - desperately trying to make sense of the joy and suffering before it all disappears.”

“And I was very successful at baby photography... Strange isn't it? Because some of my portraits of babies were - I used dramatic lighting, shadow lighting, and I didn't use flash. We didn't have flash in those days, we just had floodlights, and I was photographing babies as I would an object - an inanimate object, for that matter.”