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Shadow Quotes

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Shadow Quotes

“Everybody naturally wants to abide in that highest frequency of the heart, and it is often through intimate relationships that we are able to fully know this divine love within ourselves. These close relationships provide us not only with the experience of the highest joy and love in life, but also offer the opportunity for profound self-awareness, because each relationship mirrors both our bright attributes and our shadow sides.”

“I think that the thing is, all those years of creating music or trying to express something of a dark shadow, an existential angst that I have felt most of my life and still feel today, to not be overwhelmed by it. Music, in a way, is a great vehicle, a means by which one can express all these somewhat contradictory feelings.”

“The best history is but like the art of Rembrandt; it casts a vivid light on certain selected causes, on those which were best and greatest; it leaves all the rest in shadow and unseen.”

“Popular music had never had lyrical sophistication of this type [like Bob Dylan]; wit, to be sure, but "Darkness at the break of noon/Shadows even the silver spoon/The handmade blade, the child's balloon/Eclipses both the sun and moon/To understand you know too soon/ There is no sense in trying"? No.”

“Now the roles have been reversed, because the Hillary [Clinton] campaign is livid that they lost, and they think they lost because [Donald] Trump sent out bird whistles, dog whistles, whatever, to the white supremacists out there, and the white supremacists are the ones that came out of the shadows, not the illegal immigrants, the white supremacists came out of the shadows and they got their hoses and they got their whatever else and they started beating up on Democrats and poor Hillary.”

“[My picture A Portrait of the Artist as a Shadow of His Former Self ] was a way of demonstrating that there was a broad range of possibilities and fairly unlimited utility for a black figure that didn't have to comprise its blackness in order to preserve a place in the field of representation.”

“If you look at the image [ Portrait of the Artist as a Shadow of His Former Self ], it treads on a kind of popular stereotypical image of the black figure, in both its flatness and slightly comic edge. To take that image as a starting point and to render it in a proto-classical medium, like egg tempera, and then use a repertoire of classical compositional devices to make the picture was a way of setting up an engagement with art history.”

“My grandmother's grandparents were slaves. My grandmother Big Mama would tell me about the stories she heard as a child growing up in the shadows of a North Carolina plantation. It's only been in my lifetime that blacks have had the right to vote, live in certain areas or hold certain jobs. It is with this black history that I write about the financial challenges African-Americans still have.”