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“The media has been trying to undermine Donald Trump from the moment he got into the race, and he has triumphed over them at every turn - and they can't stand that, either. And they've realized they alone don't have the power to get rid of Trump. So now it's join forces with the deep state, the sabotage going on with the Obama army that is working in quiet and invisibility within the shadow government, if you will. And even that is not distancing Trump's supporters from him. They know full well what's happening, and they're infuriated by it, and they're furious.”

“I really wanted to be allowed to the [writer's] table. So it makes me happy to be at the table. It sounds a little shallow, but if I imagine the shadow life, where I didn't get that chance, and all the ways my negative inclinations would have bloomed if I hadn't gotten the attention, but also the creative outlet ... I'm not actually that happy. I have multiplicities. My happiness blooms and it wilts.”

“That's a point that Dan Ellsberg has made for years. He said it's kind of like if you and I go into a grocery store to rob it, and I have a gun. The guy may give you the money in the cash register. I'm using the gun even if I don't shoot. Well that's nuclear weapons - essential to post-war deterrence - they cast a shadow over everything.”

“We all make choices. Believe me, I would like to write the hit of the world. It's not like I have any desire to be in the shadows. My vision isn't marketing. Some people want to sell 6 million albums. There's nothing wrong with that. It's just not what I do. I'd rather look at a piece of work and say it's great rather than it's successful.”

“It was exciting to work with director Jennifer Baichwal, who made Manufactured Landscapes and others, on the film of Payback: Debt and the Shadow Side of Wealth. It's called, simply, PAYBACK. Jennifer didn't want to do a transliteration of the book, a kind of illustrated version, but to go into the core of the book: owing and being owed, paying and paying back, on all sorts of levels. So she found real-life, visceral stories that embodied the themes of the book.”

“The film [Payback: Debt and the Shadow Side of Wealth] opens with an Albanian blood feud and goes on to delve into, for instance, prison systems, underpaid tomato pickers, the gulf oil spill. It's all woven together in a sensuous, oblique way that's not the same as the single-message kind of documentary we're used to, with an "answer" at the end. It's more like an exploration. Sort of like what you do with Birth of a Nation.”

“The Hindu, the Oriental, says that the physical is but the shadow of the Eternal, of the Truth; and he says 'In order to understand the Truth, I must let the shadow go, and not concern myself with it, but with the understanding of the Eternal.' So he does not concern himself with the physical. He is more concerned with the quality of mind and heart. Hence there is disease, there is disorder, and there is chaos and neglect and the gradual running down of the physical.”

“As matters now stand, the veto seems inappropriate, given the absence of any deep ideological split between major states, and definitely constrains the war-prevention mission of the UN. Similarly, the present permanent five are out of touch with geopolitical realities, and constitute a remnant of a West-centric world order, casting a shadow of illegitimacy across the activities of the most important organ of global policymaking in the UN System.”

“If I am acting out in any particular way that is harmful to myself - without a shadow of doubt, there is a feeling suppressed under wanting that second candy bar. Often, it is that little voice I haven't paid attention to. It's generally not the adult voice. If I take a moment to address that and figure out what that is, the desire for the candy bar seems to dissipate.”

“You can't anticipate history. It's only when you look back you see what the Romans did, and what various other empires did, what the British Empire did. We're now beginning to see the long shadow that it created, so one must be hopeful and say that what's going on in Asia, that what's going on in the Middle East, that all these various areas of conflict, that they will pass and move onto another area. But it would seem that the natural order of things is there is this cyclic behavior of destruction followed by a calm period.”

“In a way, America's the shadow of everything I do, everywhere I go, everything I carry, no matter if I travel to the ends of the earth. And I live frequently on the spine of the continent, near the Great Divide. Then there's the side of it being the real energy center for a truly post-postmodernist poetry mind, which is also archaic, because we can still be close to the land.”

“If it is bin Laden, he's a very intelligent guy. He's been planning his war for a long time. I remember the last time I met him in 1997 in Afghanistan. And bin Laden said to me "From this mountain, Mr. Robert, upon which you are sitting, we beat the Russian army and helped break the Soviet Union. And I pray to God that he allows us to turn America into a shadow of itself." When I saw the pictures of New York without the World Trade Center, New York looked like a shadow of itself.”

“The nightmare of censorship has always cast a shadow over my thoughts. Both under the previous state and under the Islamic state, I have said again and again that, when there is an apparatus for censorship that filters all writing, an apparatus comes into being in every writer's mind that says: "Don't write this, they won't allow it to be published." But the true writer must ignore these murmurings. The true writer must write. In the end, it will be published one day, on the condition that the writer writes the truth and does not dissemble.”

“One of the glories of doing the book So You Want to Be President? was the shifts in tone, where I was able to be humorous and then very serious. And the impeachment page is certainly the best example of that. I didn't have to think too much about how to present this one. I got the idea right away that a good way of showing the shame of President Nixon would be to put him down in the shadows under the Lincoln Monument, with Lincoln sort of glaring down at him from an elevated, better-lit position.”

“I love movies; I grew up loving movies. I've always loved movies. I never thought about making movies until I took art classes and then I started studying different artists. As you study paintings, you see light and shadow, of course - Rembrandt, Eugène Delacroix. You start to understand the relationship between people and art, and images. For me, between movies that I watched and art, it was like, I'd love to make moving art. Moving pictures.”

“I went to film school and studied Alfred Hitchcock. I knew of Alma Reville existence, but had no idea really who she was or how influential she was on him. She stayed in the shadows. Go online, and there are hardly any images or film of her. She really stayed out of the limelight on purpose. She didn't want it, and I think that's one of the reasons that she's really lost in the shadows of Hitchcock's history to a degree.”

“The point of view foreigners will have of the film The Conquest isn't the same as the French public. What will interest American and international audiences is the love story between Nicolas and Cecelia that's a metaphor of today's occidental couple, namely the women in the shadows who carry their husbands into the spotlight, but the man is so absorbed with work so the woman leaves him for another man.”

“The world is always somewhat vicious. I take that as a given, but at various times in various circumstances that fact will be no more than a shadow or an echo behind some poem. Other times it will be more manifest. I try to write myself into articulations of half-felt, half-known feelings, without program. I'm always working toward getting my world and, hopefully, the world outside of me into a version that makes sense of it. Viciousness requires the same precision as love does.”

“One of the things that troubles me the most in life, that upsets all of us, is that we reach this world with the capability to be anything. But then life starts to confine us inside our small realities. And then, the shadow of those other possible lives stays to lurk us and you can't shake it off, since it was so easy, it'd have been so easy to lead another life. We make twenty thousand small choices a day, and maybe one of those choices is the one that will take us to a completely different life. If you stop to think about it, it is vertiginous, hypnotizing and distressing.”

“The mobility of the eye is such a fundamental treasure that we have, and that coexists with sensation. On the dance floor, you are totally in reality, while also experiencing this dream imagery of changing colors and wet surfaces of skin. Sometimes it's the shadow outline in the strobe light, and in another moment it's the closeup of an armpit that you're looking into. I'm not photographing all the time, but it's something that I actually see all the time, and not just on the dance floor.”

“The image is a great reminder how we create our world through interpretations made up of language and symbols. Our language and symbols are always incomplete versions of a greater reality. Here is why inquiry is such a powerful tool when compared to simple advocacy. Inquiry allows us to discover what might be outside the cave instead of arguing about the shadows on the wall.”

“Faced with the potential of mass atrocities and a call for help from the Libyan people, the United States and our friends and allies stopped Gadhafi's forces in their tracks. A coalition that included the United States, NATO and Arab nations persevered to protect Libyan civilians. So this is a momentous day in the history of Libya. The dark shadow of tyranny has been lifted, and with this enormous promise the Libyan people now have a great responsibility: to build an inclusive and tolerant and democratic Libya that stands as the ultimate rebuke to Gadhafi's dictatorship.”

“It's important to view fashion as personal and creative - even for brides. When brides ask me, "What's the best advice you can give me on my wedding day?" I always have the same answer: "Be yourself." Someone's marrying you, they love you for who you are, and they don't want you to be someone else, they want you to be who you are. If you never wear blue eye shadow, why would you put it on on your wedding day? If you wear your hair simply, why would you suddenly dye it a different color and get a big 'do? To me it's about respect and self-understanding and honesty.”

“I think it's likely that the civilizing effect of literature has done most of the work, and still continues to do. Look at Steven Pinker's book, The Better Angels of Our Nature: Why Violence Has Declined. It proves beyond any shadow of doubt that violence has declined dramatically throughout the centuries. There are various reasons for it: the rise of the state, Leviathan, the monopoly of violence, children's rights, animal rights. They're all positive signs.”