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Simplicity Quotes

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Simplicity Quotes

“BEING LATE From where do simplicity and ease In the movement of heavenly bodies derive? It is precision. Sun is never late to rise upon the Earth, Moon is never late to cause the tides, Earth is never late to greet the Sun and the Moon; Thus, accidents are not accidents But precise arrivals at the wrong right time. Love is almost never simple; Too often, feelings arrive too soon, Waiting for thoughts that often come too late. I wanted, too, to be simple and precise Like the Sun, Like the Moon, Like the Earth But the Earth was booked Billions of years in advance; Designed to meet all desires, All arrivals, all sunrises, all sunsets, All departures, So I will have to be a little bit late.”

“This attitude finds a late but still abundantly clear expression in the conventions of the classical court theatre, in which the actor, quite regardless of the demands of stage deception, addresses the audience directly, apostrophizes it, as it were, with every word and gesture, and not only avoids ‘turning his back’ on the audience but emphasizes by every possible means that the whole proceeding is a pure fiction, an entertainment conducted in accordance with previously agreed rules. The naturalistic theatre forms the transition to the absolute opposite of this ‘frontal’ art, namely the film, which, with its mobilization of the audience, leading them to the events instead of leading and presenting the events to them, and attempting to represent the action in such a way as to suggest that the actors have been caught red-handed, by chance and by surprise, reduces the fictions and conventions of the theatre to a minimum. With its robust illusionism, its forthright and indiscreet directness, its violent attack on the audience, it expresses a democratic conception of art, held by liberal, anti-authoritarian societies, just as clearly as the whole of the courtly and aristocratic art—by its mere emphasis of the stage, the footlights, the frame and the socle—is the unmistakable expression of a highly artificial, specially commissioned occasion, from which it is obvious that the patron is an initiated connoisseur who does not need to be deceived.”

“She maneuvered a cart through the produce section, which featured boxes of fruits as gifts, amping up the volume and variety this time of year. She packed several Asian pears in a plastic tear-off bag, then moved on to the most perfect Fuyu persimmons, smooth, orange, and firm. She had always been embarrassed when her mother had given people such odd practical "Korean gifts" - the boxes of apples or even laundry detergent - when in reality, outside of America, these objects might have some rich symbolic relevance that perhaps Margot didn't understand. If she thought of the labor and resources that went into each piece of fruit - the water, the light, the earth, the training and harvesting of each plant - a box of apples could be special, a sacred thing. Perhaps in this land of plenty, of myth and wide-open spaces, trucks and factories, mass production, we lost track of that: the miracle of an object as simple as a pear, nutritious and sweet, created by something as beautiful as a tree.”

“The PSR gives rise to ontological mathematics, which is just the exploration of all the different ways in which x = 0 can be explored, and x can be any expression at all, provided it can ultimately be reduced to zero. There are infinite mathematical tautologies, all of which are consistent with the PSR and Occam’s razor. Nothing can be simpler in hypothesis than requiring everything to equal zero, and nothing could be richer in phenomena than this strict requirement since there are infinite ways to generate mathematical expressions that equal zero. So, the law of ultimate simplicity leads, inevitably, to endless variety ... all thanks to mathematics and the equals sign. There is no contradiction whatsoever between total simplicity and infinite variety ... that’s exactly why math is so powerful, and can produce the incredibly varied universe we live in ... all of which is simply “nothing” expressed in different ways. Is that not the ultimate miracle? But it’s not a miracle at all. It is the direct consequence of the PSR, hence is the most rational thing of all.”

“To write about him is to write about Greatness. To discuss him is to discuss Intellectual Brilliance. To think of him is to think of Modesty, Simplicity and Lucidity. To remember him is to remember Nationalism at its finest hour. He was not one of those who merely achieved greatness nor certainly one of those upon whom greatness was thrust-he was in fact born great.”

“In Maie get a weede hooke, a crotch and a glove, And weed out such weedes as the corne doth not love. Slack never they weeding, for dearth nor for cheape, The corne shall reward it er ever ye reape. [Found in Helen Nearing, ‘Wise Words on the Good Life’, 1980.”

“In Maie get a weede hooke, a crotch and a glove, And weed out such weedes as the corne doth not love. Slack never thy weeding, for dearth nor for cheape, The corne shall reward it er ever ye reape. [Thomas Tusser, ‘Five hundred points of husbandry: directing what corn, grass, is proper to be sown: what trees to be planted: how land is to be improved: with with whatever is fit to be done for the benefit of the farmer in every month of the year’ (1557).]”

“The more people do, the more society develops, the more problems arise. The increasing desolation of nature, the exhaustion of resources, the uneasiness and disintegration of the human spirit, all have been brought about by humanity's trying to accomplish something. Originally there was no reason to progress, and nothing that had to be done. We have come to the point at which there is no other way than to bring about a "movement" not to bring anything about.”

“I've never felt that I was making any of this up—not the name, Earthseed, not any of it. I mean, I've never felt that it was anything other than real: discovery rather than invention, exploration rather than creation. I wish I could believe it was all supernatural and that I'm getting messages from God. But then, I don't believe in that kind of God. All I do is observe and take notes, trying to put things down in ways that are as powerful, as simple, and as direct as I feel them. (p 78)”

“In the process of decluttering things in my life, I was peeling off the layers of my past that no longer mattered to my present life. But as I did that shedding, memories and emotions arose. I sometimes felt sadness as I removed reminders of a failed marriage or the loss of a loved one. I grieved lost dreams and deceased people and pets. If I looked for it, I also experienced gratitude for the good times and the love that once was. Eventually, I felt lighter after I worked my way through a particular emotional zone that exposed remnants of unhealed parts of my life.”

“(...) assim como é preciso evitar uma sobrecarga de ornamentações na arquitetura, nas artes discursivas é preciso evitar sobretudo os floreios retóricos desnecessários, todas as amplificações inúteis e, acima de tudo, o que há de supérfluo na expressão, dedicando-se a um estilo casto. Tudo o que é dispensável tem um efeito desvantajoso. A lei da simplicidade e da ingenuidade, já que essas qualidades combinam com o que há de mais sublime, vale para todas as belas-artes.”

“True eloquence is irresistible. It charms by its images of beauty, it enforces an argument by its vehement simplicity. Orators whose speeches are "full of sound and fury, signifying nothing," only prevail where truth is not understood, for knowledge and simplicity are the foundation of all true eloquence. Eloquence abounds in beautiful and natural images, sublime but simple conceptions, in passionate but plain words. Burning words appeal to the emotions as well as to the intellect; they stir the soul and touch the heart.”

“[Isaiah] Berlin was aware that when people feel lost in the complicated labyrinth of life, with its unsolvable tensions and paradoxes, they attempt to save themselves by trying to simplify and reduce reality to a few manageable patterns and clear ideas. Yet, they can never change the fact that life is a mixture of complexity and perplexity, and the more possibilities we are confronted with, the more perplexed and challenged we are likely to be.”

“BY DISPOSITION OF ANGELS Messengers much like ourselves? Explain it. Steadfastness the darkness makes explicit? Something heard most clearly when not near it? Above particularities, these unparticularities praise cannot violate. One has seen, in such steadiness never deflected, how by darkness a star is perfected. Star that does not ask me if I see it? Fir that would not wish me to uproot it? Speech that does not ask me if I hear it? Mysteries expound mysteries. Steadier than steady, star dazzling me, live and elate, no need to say, how like some we have known; too like her, too like him, and a-quiver forever.”

“In the days of Prismatic Color not in the days of Adam and Eve, but when Adam was alone; when there was no smoke and color was fine, not with the refinement of early civilization art, but because of its originality; with nothing to modify it but the mist that went up, obliqueness was a variation of the perpendicular, plain to see and to account for: it is no longer that; nor did the blue-red-yellow band of incandescence that was color keep its stripe”

“ROSEMARY Beauty and Beauty’s son and rosemary— Venus and Love, her son, to speak plainly— born of the sea supposedly, at Christmas each, in company, braids a garland of festivity. Not always rosemary— since the flight to Egypt, blooming differently. With lancelike leaf, green but silver underneath, its flowers—white originally— turned blue. The herb of memory, imitating the blue robe of Mary, is not too legendary to flower both as symbol and as pungency. Springing from stones beside the sea, the height of Christ when thirty-three— it feeds on dew and to the bee “hath a dumb language”; is in reality a kind of Christmas-tree.”

“TO A GIRAFFE If it is unpermissible, in fact fatal to be personal and undesirable to be literal—detrimental as well if the eye is not innocent-does it mean that one can live only on top leaves that are small reachable only by a beast that is tall?— of which the giraffe is the best example— the unconversational animal. When plagued by the psychological, a creature can be unbearable that could have been irresistible; or to be exact, exceptional since less conversational than some emotionally-tied-in-knots animal. After all consolations of the metaphysical can be profound. In Homer, existence is flawed; transcendence, conditional; “the journey from sin to redemption, perpetual.”

“TO VICTOR HUGO OF MY CROW PLUTO “Even when the bird is walking we know that it has wings.”—VICTOR HUGO Of: my crow Pluto, the true Plato, azzurronegro green-blue rainbow — Victor Hugo, it is true we know that the crow “has wings,” however pigeon-toe- inturned on grass. We do. (adagio) Vivorosso “corvo,” although con dizionario io parlo Italiano— this pseudo Esperanto which, savio ucello you speak too — my vow and motto (botto e totto) io giuro è questo credo: lucro è peso morto. And so dear crow— gioièllo mio— I have to let you go; a bel bosco generoso, tuttuto vagabondo, s erafino uvaceo Sunto, oltremarino verecondo Plato, addio. (((((Impromptu equivalents for esperanto madinusa (made in U.S.A.) for those who might not resent them. azzurro-negro: blue-black vivorosso: lively con dizionario: with dictionary savio ucello: knowing bird botto e totto: vow and motto io giuro: I swear è questo credo: is this credo lucro è peso morto: profit is a dead weight gioièllo mio: my jewel a bel bosco: to lovely woods tuttuto vagabondo: complete gypsy serafino uvaceo: grape-black seraph sunto: in short verecondo: modest))))”

“You can never get enough generality. The more general solution the better. The solution to existence is the most general solution of all, the solution least infected by particularity. That is its defining quality. The entire way of thinking mathematically – in terms of simplicity, generality, tautology, elegance, beauty, stability, the eternal, the necessary, coherence, the analytic, the a priori – is totally different from the way a scientist thinks, which is always mired in particularity, inelegance, ugliness, the temporal, the contingent, the ad hoc, the arbitrary, the heuristic, the speculative; in Feynman’s crude guessing game.”

“This [sand-dollar hunting] had become one of our rituals together, and though she would search for other varieties of shells when I was out of town or unable to see her, she would wait until I appeared on her front porch before setting off to extract these mute delicate coins from their settings in the sand. At first, we had collected only the larger specimens, but gradually as we learned what was rare and to be truly prized, we began to gather only the smallest sand dollars for our collection. Our trophies were sometimes as small as thumbnails and as fragile as contact lenses. Annie Kate collected the tiniest relics, round and cruciform and white as bone china when dried of sea water, and placed them in a glass-and-copper cricket box in her bedroom. Often we would sit together and admire the modest splendor of our accumulation. At times it looked like the coinage of a shy, diminutive species of angel. Our quest to find the smallest sand dollar became a competition between us, and as the months passed and Annie Kate grew larger with the child, the brittle, desiccated animals we unearthed from the sand became smaller and smaller. It was all a matter of training the eye to expect less.”

“Contrary to the indoctrinated notion that reducing existence to the essentials is for half-wits and losers in this golden age of technological ‘progress,’ simplicity isn’t simplistic—or at least it doesn’t have to be.”