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Streets Quotes

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Streets Quotes

“Success to me is self-determined, the life I live today, to come from a kid strung out on angel dust, homeless, at some points sleeping in the street. No money, not knowing where the next meal was coming from. No sex, no relationships, people that didn't love me, didn't care about me, to where I am today... that's successful. When I signed my record deal I always wanted to be respected by my peers for my ability and my skill level.”

“I was in Manhattan during 9/11, and that was really the only thing that I related to as far as a disaster on a grand scale. It was really interesting to see on that day and in the weeks afterwards how people came together, and what people were able to do for each other, and what I found myself feeling and thinking and doing for the people around me, whether it was strangers on the street or my own family. It was really an experience that you can't fake.”

“The average ordinary person, in the worst slums of America, someone who might even hate the law and disagree with the government, they would do something about that [abandoned child]. But in Afghanistan, people hardly have the means to take care of themselves, let alone a random child on the street.”

“Everything is 'colossalized' - events, fortunes, accidents, climate, conversation, ambitions - everything is in the extreme ... They can't even have a tram run off a line, which in England or France might kill one or two people, without its making a holocaust of half a street full. ... The thing which surprises me is they should still employ animals of normal size; one would expect to see elephants and mammoths drawing the hansoms and carts!”

“We have to make the first move ourselves rather than expecting it to come from the phenomenal world or from other people. If we are meditating at home and we happen to live in the middle of the High Street, we cannot stop the traffic just because we want peace and quiet. But we can stop ourselves, we can accept the noise. The noise also contains silence. We must put ourselves into it and expect nothing from outside, just as Buddha did. And we must accept whatever situation arises.”

“In a pure anonymous encounter you find a world alive and full of character. In New York, the street adventures are incredible. There are a thousand stories in a single block. You see the stories in people's faces. You hear the songs immediately. Here, in Los Angeles, there are fewer characters because they are all inside automobiles.”

“... war reporting is still essentially the same - someone has to go there and see what is happening. You can't get that information without going to places where people are being shot at, and others are shooting at you. The real difficulty is having enough faith in humanity to believe that enough people, be they government, military or the man on the street, will care when your file reaches the printed page, the website or the TV screen.”

“I always loved writing songs - writing for myself and demo-ing songs, really with no intention of ever letting anyone else hear them. Finally the Foo Fighters stuff happened when I just went to the studio down the street from my house and recorded some stuff in about five or six days, and all these people wanted to release it as an album. I wanted to release it on my own, with no photos and no names on it.”

“I’m not doing anything wrong, I’m not obstructing anyone’s access. When I have a crowd I make sure that the crowd makes room for people. I’m an artist who cares about the cultural fabric of New York City. I care about New York as a harbor for street culture - and I care about street culture as a base-level populist diffusion of ideas. And I believe in making those ideas accessible to everyone.”

“We in US need active intelligence: people being on the streets, people being able to stop and ask questions of individuals that they suspect to put it together. Why wouldn't we be wanting to get some information that could actually prevent a terrorist attack, especially since we have so many individuals fighting that have passports coming back and spreading jihad.”

“As an author, I don't really think too much about being a celebrity. It's not like being a movie star or a TV star. It's not as if people recognize me when I walk down the street. That hardly ever happens, and it's just as well. But it is great when people know my books, when I walk through an airport and see them in the bookstore, or when I see someone reading a book on a plane or on a train, and it's something I've written. That's a wonderful feeling.”

“I can remember when I first got to los Angeles . I didn't have a car, I didn't have any money. I was walking the streets, you know, trying to get from place to place on foot almost. Sometimes, you know, you say, how am I ever going to get from here to there? There are a lot of people still having that dream and not being able to get there. So you never know. The idea is to keep on tap dancing, though.”

“When I went to Afghanistan in 2003, I walked into a war zone. Entire neighborhoods had been demolished. There were an overwhelming number of widows and orphans and people who had been physically and emotionally damaged; every 10-year-old kid on the street knew how to dismantle a Kalashnikov in under a minute. I would flip through math textbooks intended for third grade, fourth grade, and they would include word problems such as, "If you have 100 grenades and 20 mujahideen, how many grenades per mujahideen do you get?" War has infiltrated every facet of life.”

“I think we need to find a way to provide people with a reason that the average man on the street can grasp and embrace, that would cause him to move away from the centuries-old idea of the individual and individualism, and move toward a different concept of what it means to be human in a collective society. Unless he has that reason, unless he has a fundamental reason to do that, it's going to be very difficult to cause him to make that shift, in my view.”

“Expectations are usually predicated on the idea that the everyday things that happen to ordinary people shouldn't happen to you. People hold the idea of being ordinary in absolute contempt, so when they face an illness, poverty, or any kind of catastrophe, they say, 'I can't believe this happened to me.' And who did you think it was going to happen to - the woman across the street?”

“Our society is monstrously disjunctive, at once so efficient in war and so inefficient in caring for the welfare of its members. It is frightening to see people rooting in garbage pails on streets, living in cardboard crates under bridges, while their government wages war. Even when there is an emergency in a household, decent parents do not forget to feed the children.”

“There was a cinema called The Orient outside the community centre where we rehearsed in Six Ways, and whenever it showed a horror film the queue would go all the way down the street and around the corner. 'Isn't it strange how people will pay money to frighten themselves?' I remember Tony [Iommi] saying one day. 'Maybe we should stop doing blues and write scary music instead.'”