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Surface Quotes

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Surface Quotes

“All art is at once surface and symbol. Those who go beneath the surface do so at their peril. Those who read the symbol do so at their peril. It is the spectator, and not life, that art really mirrors. Diversity of opinion about a work of art shows that the work is new, complex, and vital. When critics disagree, the artist is in accord with himself.”

“A ceiling fixture that places a floating assembly of large pebbles below a simple modern aluminum disc. These in turn reflect each other, bouncing light between their taught bio-morphic surfaces and reflecting the environment around them. During the day, the piece acts as a sculptural object reflecting the dynamics of natural light and movement of people around them.”

“I seek what lies beneath surface beauty. What interests me are intimate human complexities - the darkness as well as the light. I cannot will this kind of transcendent communication into existence. I have to be open and truly present, and if I am lucky, grace descends. My best photographs are an honest collaboration, and when the viewer also connects, I feel the circle is complete.”

“I proved that I can win the Grand Slams. I proved that I can last four and a half hours and come out on top against one of the strongest guys physically that tennis had probably seen especially on this surface. So they would probably be the things that I would say I have learned tonight: To not doubt myself physically and mentally from now on.”

“A lot of people seem to think that art or photography is about the way things look, or the surface of things. That's not what it's about for me. It's really about relationships and feelings...it's really hard for me to do commercial work because people kind of want me to do a Nan Goldin. They don't understand that it's not about a style or a look or a setup. It's about emotional obsession and empathy.”

“If I have learned one thing from life, it is that race is the engine that drives the political Left. When all else fails, that segment of America goes to the default position of using race to achieve its objectives. In the courtrooms, on college campuses, and, most especially, in our politics, race is a central theme. Where it does not naturally rise to the surface, there are those who will manufacture and amplify it.”

“One of the things that makes it so challenging is that we're constructing the Station hundreds of miles above the surface of the Earth and we're doing it one piece at a time For the International Space Station we do not have the privilege of assuming the Space Station is on the ground before we take it up one piece at a time. So we have to be very clever about the testing that we do and the training that we do to make sure that each mission is successful, and that each piece and each mission goes just as it's planned.”

“I take the seashell from my jeans pocket and rub my fingers across its silken, indented surface, shallow as my own open hand. This chalice, subtly shaped by some divine intelligence to allow water to flow in and out with ease, is what I aspire to become: a vessel through which feelings can pour in and spill right out again, without all the grasping and holding that obstructs the flow. Can I be as serene and simple as this bleached shell, rubbed smooth by wind and water, receiving and releasing, filling and emptying and filling again, eternally receptive to the currents of life?”

“Sweating bullets to line up the Bible with our exhausting expectations, to make the Bible something it’s not meant to be, isn’t a pious act of faith, even if it looks that way on the surface. It’s actually thinly masked fear of losing control and certainty, a mirror of an inner disquiet, a warning signal that deep down we do not really trust God at all.”

“With impeccable timing and a fine instinct for the telling detail, Francesca Abbate evokes the plenitudes and the deprivations of human habitation, the nurturing richness of landscape, and the soul-wound wrought by casual defacement. Abbate has a superb capacity for distillation and a mastery of poetic line, and her diction is remarkably flexible, accommodating both the demotic and the lyrical. Her poems are as consistent in quality as they are varied in pacing, surface, and tone. A fine first book.”

“Water in swimming pools changes its look more than in any other form its colour can be man-made and its dancing rhythms reflect not only the sky but, because of its transparency, the depth of the water as well. If the water surface is almost still and there is a strong sun, then dancing lines with the colours of the spectrum appear everywhere.”

“If one accepts the 24th and 104th Psalms as scriptural norms, then surface mining and other forms of earth destruction are perversions. If we take the Gospels seriously, how can we not see industrial warfare - with its inevitable massacre of innocents - as a most shocking perversion? By the standard of all scriptures, neglect of the poor, of widows and orphans, of the sick, the homeless, the insane, is an abominable perversion.”

“The surface of the quieted river, as I think now, is like a window looking into another world that is like this one except that it is quiet. Its quietness makes it seem perfect. The ripples are like the slates of a blind of a shutter through which we see imperfectly what is perfect. Though that other world can be seen only momentarily, it looks everlasting. As the ripples become more agitated, the window darkens and the other world is hidden.the surface of the river is like a living soul, which is easy to disturb, is often disturbed, but, growing calm, shows what it was, is, and will be.”

“Industrial societies turn their citizens into image-junkies; it is the most irresistible form of mental pollution. Poignant longings for beauty, for an end to probing below the surface, for a redemption and celebration of the body of the world. Ultimately, having an experience becomes identical with taking a photograph of it.”