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Surface Quotes

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Surface Quotes

“...I started photographing myself, and found that I could see portions of myself that I had never seen before. Since I face just my face in the mirror, I know pretty much what it's like. When I see a side-view I'm not used to it, and find it peculiar... So, photographing myself and discovering unknown territories of my surface self causes an interesting psychological confrontation.”

“When I finally had the chance to make my childhood dream a reality - as a co-founder and chairman of Moon Express - my goal was to broaden participation in lunar exploration, and connect the common person to its results. We plan to send robotic rovers - not humans - to the Moon to search for precious metals and rare minerals on the Moon's surface.”

“Gravity is so strong that space is bent round onto itself, making it rather like the surface of the earth. If one keeps traveling in a certain direction on the surface of the earth, one never comes up against an impassable barrier or falls over the edge, but eventually comes back to where one started.”

“Think of the old cliché about ‘the mind being an excellent servant but a terrible master.’ This, like many clichés, so lame and unexciting on the surface, actually expresses a great and terrible truth. It is not the least bit coincidental that adults who commit suicide with firearms almost always shoot themselves in: the head.”

“It's likely that CO2 has some warming effect, but real proof of that hypothesis is tricky. You have to confirm by observation exactly how the CO2 changes the situation at different altitudes in the atmosphere and in different regions of the world. For example, CO2 is supposed to warm the upper air faster than the surface, but the measurements don't show that happening. When the CO2 effect is eventually pinned down, it will probably turn out to be weaker and much less worrisome than predicted by the global warming theorists.”

“Referring to professor Muller's Berkely Earth Surface Temperature Project, "The Best project's treatment of science and of the public has been shoddy. That so many so-called reporters in the mainstream media should have been so uncritical and accepting of what was clearly misrepresentation is shocking. Once again they have been found to be supporters and advocates for a particular point of view when they should have been critical commentators and journalists. Climate science is important. It deserves better.”

“. . . an absurd problem came to the surface: 'How COULD God permit that (crucifixion of Jesus Christ)!' . . . the deranged reason of the little community found quite a frightfully absurd answer: God gave his Son for forgiveness, as a SACRIFICE . . . The SACRIFICE FOR GUILT, and just in its most repugnant and barbarous form - the sacrifice of the innocent for the sins of the guilty! What horrifying heathenism!”

“Clever people, people who are cunning, do not know what love is because their minds are so sharp, because they are so clever, because they are so superficial - which means to be on the surface, and love is not a thing that exists on the surface.”

“Usually when I draw, I try to be in a contemplative mood. I try to keep my mind as empty, vacant and tranquil as possible. The outer mind is like the surface of the sea. On the surface, the sea is full of waves and surges; it is all restlessness. But when we dive deep below, the same sea is all peace, calmness and quiet, and there we find the source of creativity.”

“Be as delicate as possible. If communication accomplishes something on the gross but damages something on the level of feeling then it is a spiritual loss! The feeling is more important for life. Nourishment of the feeling level is the basis for growth of the spiritual holistic value. Delicate behaviour on the surface should be such as to nourish, uphold and enhance the Transcendental value where feelings merge into a common source.”

“I have never seen the sea quiet round Treasure Island. The sun might blaze overhead, the air be without a breath, the surface smooth and blue, but still these great rollers would be running along all the external coast, thundering and thundering by day and night; and I scarce believe there is one spot in the island where a man would be out of earshot of their noise.”

“What I find is that many times when I work with chance, with indeterminacy, I am more open to experience, less prone to a fixed process, and I think it creates a very important challenge. It creates a way of writing that is, in a way, flatter or smooth, a surface conducive to release, to movement. And in this way, the form of writing gets delightfully melded with the process of the writing.”

“Storytelling is more like a skin. You start with the outermost layer, what it's going to look like, then you kind of get deeper into it. What's actually going on beneath the surface is not really dictated by or related to the surface genre. It's more about what's going to happen between the characters and what's taking place in the story.”

“One of the metaphors of the book is the carpet. Not just the flying carpet, but the carpet as a woven surface in which many repetitions and motifs recur and mirror one another. This is very much reflected within the stories: they have borders within borders, repeated motifs which change. They have their feet in oral conventions, and for the mnemonics, the storyteller needs to have a structure in order to remember the stories.”

“I see the carpet reflecting that narratological structure of the storytelling, with Scheherazade as the outside frame story on the outside, with the stories woven on the inside. It's also demonstrative of the infinity of it, with no beginning and no end. The carpet is also a kind of metonym for cinema, this idea that the flat surface carries a terrific depth of imaginative field while remaining totally flat.”