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Gutters Quotes

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Gutters Quotes

“Don't soil your pretty little shoes The gutter's deep and red Climb up climb up and ride along with me the tumbrel driver said But she never said a word never turned her head Don't soil your pretty little pants I only go one way Climb up climb up and ride along with me There's no gold coach today But she never said a word never turned her head”

“Many spiritual people are involved in a radical denial of what is happening. They want to transcend it, get rid of it, get out of it, get away from it. There's nothing wrong with that feeling, but the approach doesn't work because it's escapism in spiritual clothing. It's wearing spiritual clothing and spiritual concepts, but it is really no different than a drunk in the gutter who doesn't want to feel the pain anymore. When you abide and accept everything completely and fully, you automatically go beyond.”

“As musicians it's often difficult. You go to a dinner party and most people treat you like some kind of exotic animal and in a way like you don't have any problems and that it's all fantastic and glamorous and that you wake up in the morning, you kick the groupies out of bed, you roll onto the floor onto a needle, right, which fills you with a lovely substance, you roll into the gutter and you stare at the moon and out comes beautiful poetry. The fact of the matter is that that's nonsense. It's a lot of hard work.”

“Now it has appeared to me unfair that humanity should be engaged perpetually in calling all those things bad which have been good enough to make other things better, in everlastingly kicking down the ladder by which it has climbed. It has appeared to me that progress should be something else besides a continual parricide; therefore I have investigated the dust-heaps of humanity, and found a treasure in all of them. I have found that humanity is not incidentally engaged, but eternally and systematically engaged, in throwing gold into the gutter and diamonds into the sea.”

“The philosophers of industrialism, from Bacon to Bentham, from Smith to Marx, insisted that the improvement of man's condition was the highest requirement of morality. But in what did the improvement consist? The answer seemed so obvious to them that they did not bother to justify it: the expansion and fulfillment of the material wants of man, and the spread of these benefits, from the few who had once preempted them, to the many who had so long lived on the scraps Dives had thrown into the gutter.”

“There are, broadly speaking, two types of drinkers. There is the man whom we all know, stupid, unimaginative, whose brain is bitten numbly by numb maggots; who walks generously with wide-spread, tentative legs, falls frequently in the gutter, and who sees, in the extremity of his ecstasy, blue mice and pink elephants.... The other type of drinker has imagination, vision. Even when most pleasantly jingled he walks straight and naturally, never staggers nor falls, and knows just where he is and what he is doing. It is not his body but his brain that is drunken.”

“The minute I sit down and think 'Okay, this must be KID SAFE!' my Muse develops Tourrette's and goes to lunch with Clive Barker, and my mind plunges into the gutter and I draw an appalling blank on anything that is not violent, gory, profanity laden, or depraved. So I think the only way I can ever do kid's books if I plan not to do kid's books. If that makes any sense.”

“The dog writhing in the gutter, its back broken by a passing car, knows what it is to be alive. So too with the aged elk of the far north woods, slowly dying in the bitter cold of winter. The asphalt upon which the dog lies knows no pain. The snow upon which the elk has collapsed knows not the cold. But living beings do.”

“The magic of comics is that there are three people involved in any comic: There is whoever is writing it, and whoever is drawing it, and then there's whoever is reading it, because the really important things in comics are occurring in the panel gutters, they're occurring between panels as the person reading the comics is moving you through, is creating a film in their heads.”

“Question the Chestnuts. Chestnuts: the new name for boobs? No. NO. Why would you even say that? Get your mind out of the gutter. No, by "chestnuts" I mean, "those old pieces of writing advice that you hear as common refrain." 'Write what you know.' 'Adverbs give Baby Jesus hemorrhoids.' 'If you write a prologue, an orphan loses his sight.' All the "old saws" need to be put on the chopping block.”

“We are all in the gutter, but some of us are looking at the stars.”