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Theatre Quotes

“Call "Girls in Dehradun (918859831218) Dehradun "Call 'girls are best in their work Jakhan Dehradun Uttarakhand "Call "Girls in Dehradun Dehradun "Call 'girls are best in their work Jakhan Dehradun Uttarakhand "Call "Girls in Dehradun (918859831218) Dehradun "Call 'girls are best in their work Jakhan Dehradun Uttarakhand "Call "Girls in Dehradun Dehradun "Call 'girls are best in their work Jakhan Dehradun Uttarakhand”

ChildrenFictionComedyHumourHorrorTheatre
Author:Oscar Wilde
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“La vie n'est pas un monologue théâtral. Les grands discours ne mènent nulle part, c'est juste un act s'ils ne conduisent pas pas à pas, à commencer à agir, s'il n'y a aucune action dessus. Ne confondez pas être solidaire et solitaire.”

ActionTheatreDiscourseActVieBonheurMonologueSolitaireAgirSolidaire
Book:L'ABC du bonheur et bonne humeur: Conseils pour une vie pleine de joie et briser les barrières qui vous séparent d'obtenir ce travail si rêvé
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“BERNARDA.— Las mujeres en la iglesia no deben mirar más hombre que al oficiante, y a ése porque tiene faldas. Volver la cabeza es buscar el calor de la pana. MUJER 1.— (En voz baja) ¡Vieja lagarta recocida! LA PONCIA.— (Entre dientes) ¡Sarmentosa por calentura de varón! BERNARDA.— (Dando un golpe de bastón en el suelo) ¡Alabado sea Dios! TODAS.— (Santiguándose) Sea por siempre bendito y alabado.”

ReligionHonorTheaterTheatreMourningHonourSpainEspañaTeatroTheatre PlaysSpanish Literature30sLa Casa De Bernarda Alba
Book:La casa de Bernarda Alba
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“Life is like theatre. Each new day is a new scene with new acts and roles to portray. The sets always change. You come across new dialogue and lines to exchange between others. Scripts are improvised. But the beauty in it is that everyday, you are constantly learning who you are and how others around you are. Express yourself and empathize. It's okay to wear a mask every now and then but remember that you'll eventually meet fellow thespians who will find a way to break down your walls and barriers. Remember another thing: this isn't a dress rehearsal. And God is your ultimate Director. Let Him write your script and call the cuts. Allow Him to provide you with the applause that truly matters. Let Him open up your heart to real self discovery. He is the best playwright that never dies. He lives. And so do you when you learn to let go and step on the stage of life.”

LifeGodSpiritualFaithActingConfidenceTheatreMeaning Of LifeThespians
Author:Melody Joy
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“Shakespeare's strengths and there are many include his unique ability to vastly improve pre-existing plots and turn them profoundly dark and tragic or lightly comedic and romantic at will. There is also The Bard's lyrical, complex dialogue encoded with hidden meaning that works both in context and out, his towering, unforgettable characterisations, and the variety and depth of his female characters.”

TheaterTheatrePlaywrightShakespeareWilliam ShakespearePlaysBardShakespeareanShakespearean TragedyShakespearean Women
Author:Stewart Stafford
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“He put a fresh sheet in and, after spending a few moments wishing he were doing something quite different, typed: Gregory: But this is really qutie farcical. Like all the other lines of dialogue he had so far evolved, it struck him as not only in need of instant replacement, but as requiring a longish paragraph of negative stage direction in the faint hope of getting it said ordinarily, and not ordinarily in inverted commas, either. Experimentally, he typed: (Say this without raising your chin or opening your eyes wide or tilting your face or putting on that look of vague affront you use when you think you are "underlining the emergence of a new balance of forces in the scheme of the action" like the producer told you or letting your mind focus more than you can help on sentences like "Mr. Recktham managed to breathe some life into the wooden and conventional part of Gregory" or putting any more expression into it than as if you were reading aloud something you thought was pretty boring (and not as if you were doing an imitation of someone on a stage reading aloud something he thought was pretty boring, either) or hesitating before or after "quite" or saying "fusskle" instead of "farcical".) Breathing heavily, Bowen now x-ed out his original line of dialogue and typed: Gregory: You're just pulling my leg.”

TheaterTheatrePlaywrightScript WritingWriters BlockPlaywritingBritish Humour
Book:I Like It Here
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“Que les poètes morts laissent la place aux autres. Et nous pourrions tout de même voir que c'est notre vénération devant ce qui a été déjà fait, si beau et si valable que ce soit, qui nous pétrifie, qui nous stabilise et nous empêche de prendre contact avec la force qui est dessous, que l'on appelle l'énergie pensante, la force vitale, le déterminisme des échanges, les menstrues de la lune ou tout ce qu'on voudra.”

InspirationalInspirationPoetryTheaterTheatreFrenchEssayWrittingArtaud
Book:The Theater and Its Double
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“Thi enhver Skribent kand nu agere Comoedie Skriver og ingen frygter at see sit Arbeide spildt, i hvor mavert, elendigt og ilde sammenhængende det end er naar han tager den Præcaution at det endes med Sang og Dantz, hvilket man og seer at vor Alders Autores nøye i agttage. Man seer heraf, at en forderved Smag ogsaa har sin Nytte i Verden, og at det, som jeg derom skiemteviis har skrevet udi mine Moralske Tanker er ikke gandske ugrundet.”

TheatrePlaywrightComediesBread And Circus
Book:Epistler
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“Ingen kand dømme om et Skuespill, uden den der haver udstuderet et Theatrum, og af Erfarenhed mærket, hvad Virkning en Comoedie giør paa Skue-Pladsen: Og, naar saa er, kand man ikke meget reflectere paa deres Domme, der sidde hiemme og criticere udi deres Skriver-Stuer, uden at have seet et Skuespills Forestilning; thi de samme kand ikke dømme uden om Stilen, om Moralske Sententzer, og et Stykkes Regularitet, da Erfarenhed lærer, at en Comoedie, som efter alle Academiske Regler er indretted, dog ingen Comoedie er. Thi mangt et Skuespill, som ved Læsning synes at være af ingen Betydelse, haver den fortreffeligste Virkning paa Skue-Pladsen. Et Skuespils Vægt og Gyldighed grunder sig derfor ikke paa lærde Journalisters Critiqver, men paa Tilskuernes Applausu: naar jeg siger Tilskuerne, meener jeg alleene saadanne, som have en naturlig og ufordærved Smag.”

DramaTheatreCritiquePlaywritingComedies
Author:Ludvig Holberg
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“Porque, não importa o que diga, a linha sobre a qual caminhava, de recta que talvez fosse, tinha passado a curva desde que me viu, e eu apercebi-me do momento exacto em que me viu pelo momento exacto em que o seu caminho se tornou curvo, e não uma curva que o afastasse de mim, mas uma curva para vir ter comigo, senão nunca nos teríamos encontrado, mas teria antes afastado ainda mais de mim, porque você estava à andar à velocidade de alguém que caminha de um ponto para outro; e eu nunca o teria apanhado porque eu só caminho lentamente, calmamente, quase imóvel, com o passo de alguém que não vai de um ponto para o outro mas que, num lugar imutável, espreita quem passa à sua frente e espera que modifique ligeiramente o seu percurso. E se eu digo que fez uma curva, e como sem dúvida há-de dizer que era um desvio para me evitar, ao que eu afirmarei, em resposta, que foi um movimento para se aproximar, sem dúvida que isso é assim porque no fim de contas você não se desviou, que qualquer linha recta só existe em relação a um plano, que nós nos movemos segundo dois planos distintos, e que no fim de contas só existe o facto que você olhou para mim e que eu interceptei esse olhar ou o inverso, e que, à partida, de absoluta que era, a linha segundo a qual você se movia tornou-se relativa e complexa, nem recta nem curva, mas fatal.”

TheatreDealTeatroLineClient
Book:Dans la solitude des champs de coton
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“The Greeks believed that it was a citizen's duty to watch a play. It was a kind of work in that it required attention, judgement, patience, all the social virtues." "And the Greek were conquered by the more practical Romans, Arthur." "Indeed, the Romans built their bridges, but they also spent many centuries wishing they were Greeks. And they, after all, were conquered by the barbarians, or by their own corrupt and small spirits.”

HumourTheatreAustraliaTransportationAncient RomePlaysSocial ValuesAncient Greeks1700s
Author:Timberlake Wertenbaker
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“There is a word for people like you, and that word is audience. An audience comes to a theatre perhaps to see something which if they saw it in real life, they may find offensive… Perhaps you’ve come here this evening, because you want to see something you’ve only done in the privacy of your own homes, something perhaps you wished you’d done in the privacy of your own homes or something that you dreamed about doing in the privacy of your own homes. An audience likes to sit in the dark and to watch other people do it. Well, if you’ve paid your money – good luck to you. However, from this end of the telescope things look somewhat different – you all look very small, and very far away and there’s a lot of you. It’s important to remember that there are more of you than of us. So, if it does come to a fight, you will undoubtedly win.”

ArtAudienceTheatrePerforming ArtsVoyeurismVoyeur
Author:Florian Malzacher
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“Estragon: Acaba beraber olmasaydık ikimiz için de daha hayırlı olmaz mıydı? (sahneyi baştan başa geçer, tümseğe oturur.) Aynı yolun yolcuları değiliz aslında. Vladimir: (kızmadan) Orası belli değil. Estragon: Doğru, hiçbir şey belli değil. (Vladimir sahneyi baştan başa geçer, Estragon'un yanına oturur.) Vladimir: Her zaman ayrılabiliriz; bizim için daha iyi olacağına inanıyorsan. Estragon: Artık değmez. (sessizlik) Vladimir: Doğru, artık değmez. (sessizlik) Estragon: Eee, gidelim mi? Vladimir: Evet, gidelim. (Kımıldamazlar.)”

TheatreDialogueVladimirEstragonTheater Of The Absurd
Book:Waiting for Godot
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“ERIC: She looked like Gerry Adams without the beard. BRIDGET: Ok... ERIC: It is of course hard to imagine Gerry Adams without the beard. The Gerry Adams beard is part and parcel of the Gerry Adams persona. It symbolises his revolutionary ardour, his passion for constitutional change. And now as it whitens it cements his status as eminence grise, aging philosopher-king. But without the beard he'd look like she did to me that cold autumnal morning on Cyprus Avenue. Innocent. Irrelevant. Lost.”

TheatreIrelandNorthern IrelandSinn FeinThe NorthNorthern Irish TheatreGerry AdamsIrish Theatre
Book:Cyprus Avenue
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“I was a theatre queen before I had pubes. My teen summer tans were as pale as unwashed muslin and my skin as cool as the air-conditioned theater where I hid. In secret moments, wrapped in musty curtains or old costumes, my heart fluttered with uncontrollable surges of heat, passion, and hope. Some may say a life in the theatre can ruin you. I say it was my salvation. In the days when walking down the street or by a playground might leave me with a bloody nose or a hurled insult that hurt even more, the theatre was my refuge, my shelter.”

TheatreGay Fiction
Book:Finding Tulsa
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“He quickly observed, that good sentences and excellent representations of the follies of mankind met with little regard or applause, whilst sounds, without sense, threw every body into raptures:——but 'twas the fashion of the day to be musically mad, and those who were absurd enough to prefer a rational entertainment to a flimsy opera, were poor insipid beings, without taste or enthusiasm.”

MusicSocietyEntertainmentTheatreOperaUpper Class
Book:Errors of Education
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“The Trinidad Carnival and the calypso are both theatres in and metaphors through which the drama of Trinidad’s social history is encoded and enacted, historically a celebratory mass/mas theatre of contested social space: the domain of the stick fighter, the Wild Indian, the Pierrot Grenade, the Midnight Robber, the chantwel and his descendant, the calypsonian, and the pan man of the emerging steelband movement into the 1960s.”

CultureTraditionTheatreCalypsoCarnivalTrinidad And TobagoWest IndianSteel Pan
Author:Gordon Rohlehr
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