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Theatre Quotes

Browse 1773 quotes about Theatre.

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Theatre Quotes

“Museums just seem to have this borrowed cachet—if I want to seem cultural, I will design something cultural. I resist the idea that culture is only opera houses or theatres. Culture is your entire life around you: toilets, the bus, the kerb or the dump where you drag your waste. Culture has come to mean the arts, but it’s swimming pools as well.”

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Author:Thomas Heatherwick
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“If every auditorium were razed to the ground, theatre would still survive, because the hunger in each of us to act and be acted to, is genetic. This intense hunger even crosses the threshold of sleep. For we direct, perform and witness performances every night - theatre cannot die before the last dream has been dreamt.”

IfsHas BeensStillsDreamLastsNightDiesSleepCrossesDirectPerformancesHungerTheatreIntenseWitnessEvery NightThresholdAuditoriums
Author:Declan Donnellan
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“What I have always found most beautiful in the theatre, in my childhood, and still today, is lustre--a beautiful object, luminous, crystalline, complex, circular, symmetrical. However, I do not absolutely deny the value of dramatic literature. Only, I should like the actors to be mounted on high pattens, to wear masks more expressive than the human face, and to speak through megaphones.”

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Book:Baudelaire, His Prose and Poetry
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“My wife was an opera singer, you know. She bellowed her way through Wagner as a Valkyrie. I married her and made her give up the theatre, to my eternal cost. She was to go on acting for myself alone. A performance at his own expense, lasting for more than twenty years, tends to wear out your spectator.”

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Book:The Waltz of the Toreadors
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“The Theatre of the Absurd ... can be seen as the reflection of what seems to be the attitude most genuinely representative of our own time.  The hallmark of this attitude is its sense that the certitudes and unshakable basic assumptions of former ages have been swept away, that they have been tested and found wanting, that they have been discredited as cheap and somewhat childish illusions.”

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Author:Martin Esslin
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“The Theatre of the Absurd has renounced arguing about the absurdity of the human condition; it merely presents it in being - that is, in terms of concrete stage images. This is the difference between the approach of the philosopher and that of the poet; the difference, to take an example from another sphere, between the idea of God in the works of Thomas Aquinas or Spinoza and the intuition of God in those of St. John of the Cross or Meister Eckhart - the difference between theory and experience.”

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Book:The Theatre of the Absurd
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“I believe this thought, of the possibility of death - if calmly realised, and steadily faced would be one of the best possible tests as to our going to any scene of amusement being right or wrong. If the thought of sudden death acquires, for you, a special horror when imagined as happening in a theatre, then be very sure the theatre is harmful for you, however harmless it may be for others; and that you are incurring a deadly peril in going.”

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Book:Sylvie and Bruno
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“Can it be possible that all human sympathies can thrive, and all human powers be exercised, and all human joys increase, if we live with all our might with the thirty or forty people next to us, telegraphing kindly to all other people, to be sure? Can it be possible that our passion for large cities, and large parties, and large theatres, and large churches, develops no faith nor hope nor love which would not find aliment and exercise in a little "world of our own"?”

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Book:Works
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“Cedar, and pine, and fir, and branching palm, A sylvan scene, and as the ranks ascend Shade above shade, a woody theatre Of stateliest view.”

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Book:The First Six Books of Milton's Paradise Lost, Rendered Into Grammatical Construction ... With Notes ... To which are Prefixed Remarks on Ellipsis and Transposition ... By J. Buchanan
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“Only in the theatre was it possible to see the performers and to be warmed by their personal charm, to respond to their efforts and to feel their response to the applause and appreciative laughter of the audience. It had an intimate quality; audience and actors conspired to make a little oasis of happiness and mirth within the walls of the theatre. Try as we will, we cannot be intimate with a shadow on a screen, nor a voice from a box.”

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Author:Robertson Davies
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“Great drama, drama that may reach the alchemical level, must have dimension and its relevance will take care of itself. Writing about AIDS rather than the cocktail set, or possibly the fairy kingdom, will not guarantee importance. . . . The old comment that all periods of time are at an equal distance from eternity says much, and pondering on it will lead to alchemical theatre while relevance becomes old hat.”

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Book:Happy Alchemy: On the Pleasures of Music and the Theatre
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“The landscape, like Los Angeles itself, is transitional. Impermanence haunts the city, with its mushroom industries--the aircraft perpetually becoming obsolete, the oil which must one day be exhausted, the movies which fill America's theatres for six months and are forgotten. Many of its houses--especially the grander ones--have a curiously disturbing atmosphere, a kind of psychological dankness which smells of anxiety, overdrafts, uneasy lust, whisky, divorce and lies.”

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Author:Christopher Isherwood
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“The condition of the theater is always an accurate measure of the cultural health of a nation. A play always exists in the present tense (if it is a valuable one), and its music -- its special noise -- is always contemporary. The most valuable function of the theater as an art form is to tell us who we are, and the health of the theater is determined by how much of that we want to know.”

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Book:Stretching My Mind: The Collected Essays of Edward Albee
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“Any play that makes an audience think out of the box, that makes connections to life and names our pain and by doing so makes our pain subject to thinking and the process of understanding, is doing something inherently political. By promoting understanding, by putting experience in context, by making connections between the normal and the rational, theatre is an act of anti-terrorism. It stimulates courage and a survival spirit. In that sense of political, there are a lot of serious plays doing their work in the world.”

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Author:John Lahr
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“Most of the people dishing out judgment have no working experience of the theatre, have not written a professional play, a sketch, or even a joke; have never worked in a theatre, taken an acting class, or published any extended piece of work. They are creative virgins; everything they know about theatre is book-learned and second-hand.”

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Author:John Lahr
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“The Theatre of Cruelty has been created in order to restore to the theatre a passionate and convulsive conception of life, and it is in this sense of violent rigour and extreme condensation of scenic elements that the cruelty on which it is based must be understood. This cruelty, which will be bloody when necessary but not systematically so, can thus be identified with a kind of severe moral purity which is not afraid to pay life the price it must be paid.”

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Book:The Theater and Its Double
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“It is no small honour that God for our sake has so magnificently adorned the world, in order that we may not only be spectators of this beauteous theatre, but also enjoy the multiplied abundance and variety of good things which are presented to us in it.”

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Book:John Calvin's Commentaries On The Psalms 93 - 119 (Annotated Edition)
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