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“Japan suffered terribly from the atomic bomb but never adopted a pose of moral superiority, implying: 'We would never have done it!' The Japanese know perfectly well they would have used it had they had it. They accept the idea that war is war; they give no quarter and accept none. Total war, they recognize, knows no Queensberry Rules. If you develop a devastating new weapon during a total war, you use it; you do not put it into the War Museum.”

“Now, in answer to the question would we use force in the Middle East. I don't know...I hope not. We have no plans to, it is conceivable, I guess. It would be almost as bad as the seven days in May. You conjure up a situation where there is another oil embargo, and the people in this country are not only inconvenienced and uncomfortable, but suffer.”

“There's a real difference between venture capitalism and vulture capitalism. Venture capitalism we like. Vulture capitalism, no. And the fact of the matter is that he's going to have to face up to this at some time or another, and South Carolina is as good a place to draw that line in the sand as any.”

“We know the product is going to stink. We know that because we live in the world, and we know that everything stinks. We all believe, Hey, maybe this one wont stink. We are a hopeful species. Stupid but hopeful. But were happy in that moment between the commercial and the purchase. And I think spending your life trying to dupe innocent people out of hard-won earnings to buy useless, low-quality, misrepresented items and services is an excellent use of your energy.”

“Look at the things around you, the immediate world around you. If you are alive, it will mean something to you, and if you care enough about photography, and if you know how to use it, you will want to photograph that meaningness. If you let other people's vision get between the world and your own, you will achieve that extremely common and worthless thing, a pictorial photograph.”

“That the happiness of man may still remain imperfect, as wants in this place are easily supplied, new wants likewise are easily created; every man, in surveying the shops of London, sees numberless instruments and conveniencies, of which, while he did not know them, he never felt the need; and yet, when use has made them familiar, wonders how life could be supported without them. Thus it comes to pass, that our desires always increase with our possessions; the knowledge that something remains yet unenjoyed, impairs our enjoyment of the good before us.”

“The scientist is not much given to talking of the riddle of the universe. "Riddle" is not a scientific term. The conception of a riddle is "something which can he solved." And hence the scientist does not use that popular phrase. We don't know the why of anything. On that matter we are no further advanced than was the cavedweller. The scientist is contented if he can contribute something toward the knowledge of what is and how it is.”

“When the Son on the Cross promises paradise in his company to the good thief, when he promises the future feast in Heaven to the Apostles, when he speaks of the kingdom of the Father, he is always pointing toward eternity. However brief and close to the earth his words sound, they echo throughout infinite eternity and permeate the faith of his followers with their eternal content. He knows what he speaks of, what he brings with him and what he promises; and he can convey it to those who know it not. The very words he uses are designed to awaken in them a new sense: the sense of the eternal.”

“Nature never gives to a living thing capacities not particularly meant for its benefit and use. If Nature gives to us capacities to believe that we have a Creator whom we never saw, of whom we have no direct proof, who is kind and good and tender beyond all that we know of kindness and goodness and tenderness on earth, it is because the endowment of capacities to conceive a Being must be for our benefit and use; it would not be for our benefit and use if it were a lie.”

“The language I have learnt these forty years, My native English, now I must forgo; And now my tongue's use is to me no more Than an unstringed viol or a harp, Or like a cunning instrument cased up Or, being open, put into his hands That knows no touch to tune the harmony.”

“I work from the people that interest me, and that I care about, in rooms that I live in and know. I use the people to invent my pictures, and I can work more freely when they are there.”