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“Dialogue that is written in dialect is very tiring to read. If you can do it brilliantly, fine. If other writers read your work and rave about your use of dialect, go for it. But be positive that you do it well, because otherwise it is a lot of work to read short stories or novels that are written in dialect. It makes our necks feel funny.”

“I was listening to Jimi Hendrix and Pink Floyd, because that was new music for me. I really hadn't been up on them. I mean, I'd heard of them, but I wasn't up on their music. And I kept listening to Radiohead, and I was like, Man, I want to make hip-hop that feels like Radiohead. I want to make hip-hop that can use guitars and soul and jazz and just fuse it all together.”

“As an exercise in appreciation, try for one hour to feel grateful for every single thing you find yourself doing. When you read, be grateful you can see and read. When you walk, be grateful for the use of your feet. When you talk, be grateful for the ability to communicate with others. For a full hour do not take even the smallest action for granted. Be aware of every detail of what you can do. Anyone who does this daily for even a short time will have a much greater appreciation for everything he does.”

“Objects of Appreciation: Every time you go to use a utensil or instrument, take pleasure and feel gratitude for the fact that you have such an object available. If you focus on this, you'll be able to be lifted many many times each day. Some common examples include: a pen, fork, cup, key, computers, clock, chair, stapler, and eyeglasses.”

“A FRIEND IS A PERSON . . . With whom you can be sincere. . . . To whom you never need to defend yourself. . . . On whom you can depend whether present or absent. . . . With whom you never need pretend. . . . To whom you can reveal yourself without fear of betrayal. . . . Who does not feel she owns you because you are her friend. . . . Who will not selfishly use you because she has your confidence. I WOULD HAVE SUCH A FRIEND. . . AND I WOULD BE SUCH A FRIEND. I DO HAVE SUCH A FRIEND!”

“When I'm naked, I really like to do push-ups. No. I think I really tackle it like everything else. If you're going to commit yourself to playing something, you have to be able to understand it. If you can understand it, then you can do it and go balls out with it. But, I've never been in a position where I've been like, "This doesn't feel right." I wouldn't do it, if it was that. I like the shock value of it. I think that, if you use it correctly, it's pretty effective, as long as I'm lit really, really, really well.”

“Squandering our gifts brings distress to our lives. As it turns out, it's not merely benign or 'too bad' if we don't use the gifts that we've been given; we pay for it with our emotional and physical well-being. When we don't use our talents to cultivate meaningful work, we struggle. We feel disconnected and weighted down by feelings of emptiness, frustration, resentment, shame, disappointment, fear, and even grief.”

“Often people talk about how they feel 'stuck' in a situation. You're never stuck! You may be a little frustrated, you may not have clear answers, but you're not stuck. The minute you represent the situation to yourself as being stuck, though, that's exactly how you'll feel. We must be very careful about the metaphors we allow ourselves to use.”

“I don't want to lose ever. I don't want to lose at anything. I want to make weight faster than the guy that I'm fighting if we both go into the sauna at the same time. When we're doing interviews I want to have quicker wit so that I can make him feel stupid. I want to drink my water faster. And then when we get in the cage I want to beat him up. I don't think people really truly understand the extent that I go to try not to use.”

“There is a universal, intelligent, life force that exists within everyone and everything. It resides within each one of use as a deep wisdom, an inner knowing. We can access this wonderful source of knowledge and wisdom through our intuition, an inner sense that tells us what feels right and true for us at any given moment.”

“I know that if I feel any deprivation or fear [about money], the solution is to give. The solution is to go find some mothers on the streets of San Raphael and give them tens and twenties and mail off another $50 to Doctors Without Borders to use for the refugees in Kosovo. Because I know that giving is the way we can feel abundant. Giving is the way that we fill ourselves up.... For me the way to fill up is through service and sharing and getting myself to give more than I feel comfortable giving.”

“I go through the text making sure I haven't used any big words. If I find any fancy adjectives have crept in, I replace them with small words like 'nice' and 'big'. I've liked these words ever since I was told not to use them in English class at school. After that, I check that the sentences are short so as people won't get confused and I shorten all the chapters so they won't get bored. I can't read anything complicated these days, my attention span is too short. Everyone else probably feels the same.”

“Once the record was mine, I had to use it like a Louisville Slugger. I believed, and still do, that there was a reason why I was chosen to break the record. I feel it's my task to carry on where Jackie Robinson left off, and I only know of one way to go about it. It's the only way I've ever had of dealing with things like fastballs and bigotry -- keep swinging at them.”

“I'm sure there are people in Hollywood, whose main drive in film is to make money, who will feel that any use of the word hijacking or any reference to anything violent or remotely associated with the terrible tragedy that occurred will lose customers for them. And that will be the only criterion that will matter and so they'll force the minions that work for them to remove these things from their movies, or not make movies about that subject.”

“You're gonna die. You're gonna die. And nobody's gonna care which version of the iPhone you used to make something on Twitter, or to go and post about your bowel movement on Facebook. And I'm not even talking about legacy; I'm talking about the fact that I personally feel most alive when I'm making something, and I feel least alive when I'm being led around by some obnoxious use of my attention that I wasn't aware of. To me, that's the thing. You can buy the jogging shoes and you can buy the Runner's World, but until you put them on and walk out the door every day, you're just a fat man.”

“My other hobby, because I just love any job with a gavel, is auctioneer. And I so often have presided over charity auctions in New York that many years ago Sotheby's sent me my own gavel. Now, the Sotheby's gavel is infinitely more elegant--it came in a little velvet bag, with "Sotheby's" inscribed in gold. It hangs in my library. I feel that everyone has occasion to use a gavel at various times everyday, they just don't think of it.”

“We know great Nature's pow'r, Mother of things, whose vast unbounded sway From the deep centre all around extends Wide to the flaming barriers of the world. We feel her power; we strive not to repress (Vainly repress'd, or to deformity) Her lawful growth: ours be the task alone To check her rude excrescencies, to prune Her wanton overgrowth, and where she strays In uncouth shapes, to lead her gently back, With prudent hand, to form and better use.”

“Galen , in the third section of his book, "The Use of the Limbs," says correctly that it would be in vain to expect to see living beings formed of the blood of menstruous women and the semen virile, who will not die, will never feel pain, or will move perpetually, or shine like the sun. This dictum of Galen is part of the following more general proposition: Whatever is formed of matter receives the most perfect form possible in that species of matter; in each individual case the defects are in accordance with that individual matter.”

“What we're going to do is use spring training as sort of a feeling-out process for Phil and Preston and our other outfielders. It gives us a lot of comfort to know that you've got a pure center fielder like Preston. But he's also so athletic, he can come in and play either corner and we'll feel very comfortable with it.”

“In fine arts, when you make a painting, it's just a painting. But if you make a painting in the entertainment industry, it can be an album cover or a t-shirt or a logo. I like that entertainment has this usefulness - that it's ultimately trying to make a bunch of people feel something, and to think about life and be able to use things that were so simple and direct but potentially have a really powerful effect.”