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“Does it get any better than sleeping next to you on a cold rainy night? Watching myself in your eyes and the way I shine in there. Hearing the drizzle and getting weaker every time the breeze touches our bare skin. Every time you smile, these little butterflies with their wings on fire, flies inside my heart and I constantly fail to cage these feelings in mere words. All I need at that moment is you inside my arms. And to stay a prisoner inside your eyes, for an eternity.”

“No two persons can learn something and experience it in the same way.”

“There’s a larger point to be made here than my own obtuseness, which is the fragility, beauty, and at the same time resilience of any communication. An inchoate impulse forms into a feeling that resembles but can never match the dreamy intensity of the original impulse. This feeling then articulates itself, but the words at best approximate a shadow of the feeling. I speak or write these words, and of course the person who receives them brings to that receiving his or her own connotations: Cinnamon, for example, may conjure different memories and may mean something different for you than for me. These words may then settle into feelings, leading finally, perhaps, to some impulse on your part. With so many layers of interpretation, it's no wonder we so often misunderstand each other. And this is between two people who speak the same language. How much more difficult understanding can be, then, when the people do not share a common cultural background, or native tongue? How much more than this may we misunderstand when we then hear a dog speak, or a tree or stone?”

“For the merest moment I couldn't breathe. Something inside me quivered, some oud string plucked by his words, and if I breathed it would stop. He did not know the truth of me, yet he had perceived something true about me that no one else had ever noticed. And in spite of that—or perhaps because of it—he believed me good, believed me worth taking seriously, and his belief, for one vertiginous moment, made me want to be better than I was.”

“I keep thinking about the fragmented quality of human awareness: You take your blindness for granted most of the time then suddenly it stuns you: how little you see as you plunge ahead from minute to minute, day to day, year to year - vision cut down to the arc of a flickering flashlight, never sure how your words and acts are affecting someone else because you never really see that someone as he is. I know we should find even the most serene life unendurable were we to possess to any real degree those extrasensory perceptions which our grandmothers believed in...”

“I open my eyes. I want to know: what is in the abyss of a kiss? Are stars born in these black caves that house bated breaths and unspoken words? Do our souls crawl on these tender cheeks to greet one another by ivory gates? What happens when we kiss? Where do you go? Don’t tell me. For I have lost my desire to know. Kiss me so that I forget myself. I close my eyes and fall in the abyss.”

“And when we finally stood up and turned to face the world, I could feel something climbing through me. I could feel it on its hands and knees inside me, rising up, rising up - and I smiled. I smiled, thinking, The hunger, because I knew it all too well. The hunger. The desire. Then, slowly, as we walked on, I felt the beauty of it, and I could taste it, like words inside my mouth.”

“I spent days and nights staring at the blank page, searching the deepest corners of my mind: who have I been, what have I seen, what did I learn? I thought about all the nights I've spent outside, all the times I laid down to cry and how I took a deep breath every morning and decided to simply go on. Because what else is there to do? Decide that this is it? I quit, I'm done? Oh if I could find words to justify those feelings I've carried. I could write the thickest of books with explosions of emotions from a young girl's lost heart. I could make you see, make you hear, make you feel, at least a tiny fragment of what's out there.”