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Writing Quotes

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Writing Quotes

“I did a thing called 24 Hour Plays, a thing they do every year on Broadway. A bunch of playwrights and actors get together, you write a play and you act it out in 24 hours, literally. People pay and the money goes to charity. So I did one - I was horrible. I was bad. I was terrified. And I was like, "Oh, I gotta do this again." Because I know I can do it.”

“Maybe in the back of my mind I was kind of wishing that I would become a rock star, kind of wishing that I would reach enough people who would be willing to pay me for the music, that I would actually be able to live off of just writing the songs that I wanted to write. But I don't think I really admitted to myself that that was my goal.”

“Along with a lot of other things, becoming a Bob Dylan fan made me a writer. I was never interested in figuring out what the songs meant. I was interested in figuring out my response to them, and other people's responses. I wanted to get closer to the music than I could by listening to it - I wanted to get inside of it, behind it, and writing about it through it, inside of it, behind it, was my way of doing that.”

“If you spend enough time reading or writing, you find a voice, but you also find certain tastes. You find certain writers who when they write, it makes your own brain voice like a tuning fork, and you just resonate with them. And when that happens, reading those writers ... becomes a source of unbelievable joy. It’s like eating candy for the soul. And I sometimes have a hard time understanding how people who don’t have that in their lives make it through the day.”

“What do prisoners do? Write, of course; even if they have to use blood as ink, as the Marquis de Sade did. The reasons they write, the exquisitely frustrating restrictions of their autonomy and the fact that no one listens to their cries, are all the reasons that mentally ill people, and even many normal people write. We write to escape our prisons.”

“Prague is not, strictly speaking, travel writing but it is, among other things, an excellent example of what travel writing is becoming, if indeed it hasn't already done so. . . . People are no longer so easily satisfied by the mere travel impressions of some outsider much like themselves. Instead they gravitate towards writers who actually have lived not simply in, but inside, a location for an extended period, as one lives inside one's clothes.”

“I am through generalizing about ideas apart from men who generate them. I am through writing books about the dead, or writing books about the living to the unborn (tucked away as Literature) or writing books about the unborn to the living (whiffed away as prophecy). I put up my life on advertising the living to the living, on making men of genius known to the people and interpreted to their time, that the time in which I live, may live face to face with its men of vision and that they may live face to face with one another.”

“When I'm writing for a book, it's much more reflective process. I have certain things that may not translate well to the stage, but, when they're on the page, people can really get into them. My first two books were aiming to be funnier, but the third was more about deep exploration. Things about being a parent and growing older that I thought would be perfect for a book.”

“Early in his life Mr. [Ezra] Pound met with strong, continued, and unintelligent opposition. If people keep opposing you when you are right, you think them fools; and after a time, right or wrong, you think them fools simply because they oppose you. Similarly, you write true things or good things, and end by thinking things true or good simply because you write them”

“A successful poem says what a poet wants to say, and more, with particular finality. The remarks he makes about his poems are incidental when the poem is good, or embarrassing or absurd when it is bad and he is not permitted to say how the good poem is good, and may never know how the bad poem is bad. It is better to write about other people's poetry.”

“Underneath all his writing there is the settled determination to use certain words, to take certain attitudes, to produce a certain atmosphere; what he is seeing or thinking or feeling has hardly any influence on the way he writes. The reader can reply, ironically, "That's what it means to have a style"; but few people have so much of one, or one so obdurate that you can say of it, "It is a style that no subject can change.”

“What really worries me is that those who are in positions of power are not really affected by what we are writing. In the moral dialogue you want to start, you really want to involve the leaders. People ask me: "Why were you so bold as to publish A Man of the People? How did you think the Government was going to take it? You didn't know there was going to be a coup?" I said rather flippantly that nobody was going to read it anyway, so I wasn't likely to be fired from my official position. It's a distressing thought that we cannot engage our leaders in the kind of moral debate we need.”

“When I go beyond a certain range it's outside of my direct horizon therefore I've got to rely on the writings and personal communications given to me by other people that I know.... I've got to try to piece together some tentative information picture of what the whole thing is like, but I'm aware that it becomes more and more speculative as it becomes more and more second, third, fourth hand. And this applies to absolutely everyone.”