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“There was a moment of extraordinary humbleness and humility and pride, as well, with my father when he turned to me - and I think it was after I played Salieri in "Amadeus" at university. And he said, You're better than I ever was or ever could be, you should do this for profession. You'd have a good time.”

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“There's a huge amount of footage of Julian [ Assange] online, but he's usually in presentation or defending mode, talking about his cause, or the revelations which Wikileaks have brought about. There's none of Assange relaxing or in private mode. There's none of the personality I tried to give him behind closed doors [in The Fifth Estate ].”

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“I had to imagine myself into certain aspects of [Julian Assange] character for our version of events. That involved extrapolating based on clues in his biography, his public persona, photographs, and other accounts of him by people who encountered him during that extraordinary period from 2007 to 2010 that we charted in the film [The Fifth Estate]. So, it involved a lot of research but, sadly, no contact with the man himself.”

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“I know that might sound perverse because I played Julian Assange but, honestly, I don't think it would be fair for me to judge the man. I realize that makes me a bit of a hypocrite because I was portraying him a certain way, but we were always open to the fact that this was an interpretation, not any kind of exact evidence of who the man was.”

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“My assessment of Julian Assange is a professional one, really, of what he's managed to achieve, and the idea that he came up with, which set the world alight and continues to inspire others like Snowden [NSA leaker Edward Snowden], about the secret goings-on that are done in our name with our tax dollars on behalf of big business or politics. He launched the revolutionary idea that citizens can start to claim back a paradigm for questioning power structures and those in authority through an anonymous, whistle-blowing website.”

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“I am also full of admiration for Chelsea Manning [formerly PFC Bradley Manning]. Regardless of which side of the argument you're on, he stood up for something he felt wasn't right. That was an extraordinarily brave thing to do, and I think he was unfairly punished for it. It's a really big deal what he did, and he did it for the betterment of all us, including the soldiers on the ground, as well as the civilians caught up in those conflicts.”

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“The story [in 12 Years a Slave] serves as a metaphor for the fear of having your family taken away, and for being abused in such a horrific way. I lost it a lot of times watching that film, particularly when seeing the grace of the man when he finally makes it back home aged, changed, forever brutalized, and yet he apologizes to his family for his long absence. That was such a profoundly moving moment capturing the triumph of dignity over the disgraceful behavior of those involved in the slave trade.”

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“[Role of Dr.Strange] gives me an excuse as an actor to be learning with my character, which is something you can do authentically - I'm not a martial arts expert, I'm certainly no sorcerer, so all these things, the movement of the body, the physicality, the changes he goes through mentally and physically, obviously we're not shooting in sequence, but it's a great part.”

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“I've never done a lead role in a film this big [like Doctor Strange], in a franchise this big. One of the reasons was, I wanted to know what the toy box was like. And it's just insane, the amount of facility that everyone gets, but the amount of artistry and craft that's brought to every aspect of filmmaking. I mean, you go to your first costume fitting and it's one of thirty. It's a myriad, but it's for a reason. There are so many incredible costumes in this.”

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“I really discovered [Dr.Strange] through hearing about this film and first meeting Scott [Derrickson] and getting into it and just opening up and saying, "Okay, this is, like all comics, very much of its era," and my first question was, 'How do you make this film? Why do you make this film now?' and the answers were so enticing that I was like, "I'm in."”

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“I was very nervous about doing the Entertainment Weekly cover, because I thought, "Okay, this is the first taste, this is the first visual moment." By then I obviously knew a lot of the more iconic moments in his comic history, but still it's me. It's not a drawing, it's not an artist; it's me and I'm kinda frightened, but it seemed to go down.”

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“[Doctor Strange] is still quite cocky by the end of the film. No, I'd say the major curve for him is that he learns that it's not all about him, that there's a greater good. But what he thinks he was doing as a neurosurgeon, that was good because it benefitted people's health was really just a furtherment of his attempts to control death and control his own fate and other people's, but that's still driven by the ego.”

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“The guy [Doctor Strange], he's like most of us, he's uncorrupted flesh from the beginning of his life, he's somebody who's not marked with original sin or any kind of crap like that. He's somebody who's come into this world and had experiences that have shaped him to the point that we first meet him. There's always got to be leverage. I think there is some clear explanation of that within this film, but potentially further down the line...for more of that to come out as well.”

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“[Doctor Strange] is difficult, he's arrogant, but he's kind of brilliant and charming and you'd think, "Yeah, I'd want him on my head if I needed brain surgery." He's good enough to warrant his arrogance and he respects other people but not when he thinks he's right and he'll just do what he deems needs to be done when he knows or feels that he's right and the problem from humility's point of view is that he is right, he's really really good at his job.”

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