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Bret Easton Ellis

Bret Easton Ellis Books

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American Psycho

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Less Than Zero

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Lunar Park

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The Informers

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Glamorama

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The Shards

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White

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Related Quotes

“People are afraid to merge on freeways in Los Angeles. This is the first thing I hear when I come back to the city. Blair picks me up from LAX and mutters this under her breath as she drives up the onramp. She says, "People are afraid to merge on freeways in Los Angeles." Though that sentence shouldn't bother me, it stays in my mind for an uncomfortably long time. Nothing else seems to matter. Not the fact that I'm eighteen and it's December and the ride on the plane had been rough and the couple from Santa Barbara, who were sitting across from me in first class, had gotten pretty drunk. Not the mud that had splattered on the legs of my jeans, which felt kind of cold and loose, earlier that day at an airport in New Hampshire. Not the stain on the arm of the wrinkled, damp shirt I wear, a shirt which looked fresh and clean this morning. Not the tear on the neck of my gray argyle vest, which seems vaguely more eastern than before, especially next to Blair's clean tight jeans and her pale-blue shirt. All of this seems irrelevant next to that one sentence. It seems easier to hear that people are afraid to merge than "I'm pretty sure Muriel is anorexic" or the singer on the radio crying out about magnetic waves. Nothing else seems to matter to me but those ten words. Not the warm winds, which seem to propel the car down the empty asphalt freeway, or the faded smell of marijuana which still faintly permeates Blaire's car. All it comes down to is the fact that I'm a boy coming home for a month and meeting someone whom I haven't seen for four months and people are afraid to merge.”

FearIsolationInteraction
Book:Less Than Zero
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“On the plane leaving Tokyo I’m sitting alone in back twisting the knobs on Etch-A-Sketch and Roger is next to me singing “Over the Rainbow” straight into my ear, things changing, falling apart, fading, another year, a few more moves, a hard person who doesn’t give a fuck, a boredom so monumental it humbles, arrangements so fleeting made by people you don’t even know that it requires you to lose any sense of reality you might have once acquired, expectations so unreasonable you become superstitious about ever matching them. Roger offers me a joint and I take a drag and stare out the window and I relax for a moment when the lights of Tokyo, which I never realized is an island, vanish from view but this feeling only lasts a moment because Roger is telling me that other lights in other cities, in other countries, on other planets, are coming into view soon.”

Loneliness
Book:The Informers
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“What you need is a chick from Camden,' Van Patten says, after recovering from McDermott's statement. Oh great,' I say. 'Some chick who thinks it's okay to fuck her brother.' Yeah, but they think AIDS is a new band from England,' Price points out. Where's dinner?' Van Patten asks, absently studying the question scrawled on his napkin. 'Where the fuck are we going?' It's really funny that girls think guys are concerned with that, with diseases and stuff,' Van Patten says, shaking his head. I'm not gonna wear a fucking condom,' McDermott announces. I have read this article I've Xeroxed,' Van Patten says, 'and it says our chances of catching that are like zero zero zero zero point half a decimal percentage or something, and this no matter what kind of scumbag, slutbucket, horndog chick we end up boffing.' Guys just cannot get it.' Well, not white guys.”

MenSexAids
Author:Bret Easton Ellis
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“The client had the boudin blanc, the roasted chicken and the cheesecake," he says. "Cheesecake?" I say, confused by this plain, alien-sounding list. "What sauce or fruits were on the roasted chicken? What shapes was it cut into?" "None, Patrick," he says, also confused. "It was… roasted." "And the cheesecake, what flavor? Was it heated?" I say. "Ricotta cheesecake? Goat cheese? Were there flowers or cilantro in it?" "It was just… regular," he says, and then, "Patrick, you're sweating." "What did she have?" I ask, ignoring him. "The client's bimbo." "Well, she had the country salad, the scallops and the lemon tart," Luis says. "The scallops were grilled? Were they sashimi scallops? In a ceviche of sorts?" I'm asking. "Or were they gratinized?" "No, Patrick," Luis says. "They were… broiled." It's silent in the boardroom as I contemplate this, thinking it through before asking, finally, "What's 'broiled,' Luis?" "I'm not sure," he says. "I think it involves… a pan.”

Food
Book:American Psycho
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“... Because the writer resented that she had turned to me I became the handsome and dazed narrator, incapable of love or kindness. That's how I became the damaged party boy who wandered through the wreckage, blood streaming from his nose, asking questions that never required answers. That's how I became the boy who never understood how anything worked. That's how I became the boy who wouldn't save a friend. That's how I became the boy who couldn't love the girl.”

FictionJealousyResentment
Book:Imperial Bedrooms
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“The Dave Matthews Band’s “Crash into Me” played over the montage, not that the lyrics had anything to do with the images the song was played over but it was “haunting”, it was “moody”, it was “summing things up”, it gave the footage an “emotional resonance” that I guess we were incapable of capturing ourselves. At first my feelings were basically so what? But then I suggested other music: “Hurt” by Nine Inch Nails, but I was told that the rights were sky-high and that the song was “too ominous” for this sequence; Nada Surf’s “Popular” had “too many minor chords”, it didn’t fit the “mood of the piece,” it was – again – “too ominous.” When I told them I seriously did not think things could get any more fucking ominous than they already were, I was told, “Things get very much more ominous, Victor,” and then I was left alone.”

MusicSoundtrack
Book:Glamorama
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“…there is an idea of a Patrick Bateman, some kind of abstraction, but there is no real me, only an entity, something illusory, and though I can hide my cold gaze and you can shake my hand and feel flesh gripping yours and maybe you can even sense our lifestyles are probably comparable: I simply am not there. It is hard for me to make sense on any given level. Myself is fabricated, an aberration. I am a noncontingent human being. My personality is sketchy and unformed, my heartlessness goes deep and is persistent. My conscience, my pity, my hopes disappeared a long time ago (probably at Harvard) if they ever did exist. There are no more barriers to cross. All I have in common with the uncontrollable and the insane, the vicious and the evil, all the mayhem I have caused and my utter indifference toward it, I have now surpassed. I still, though, hold on to one single bleak truth: no one is safe, nothing is redeemed. Yet I am blameless. Each model of human behavior must be assumed to have some validity. Is evil something you are? Or is it something you do? My pain is constant and sharp and I do not hope for a better world for anyone. In fact, I want my pain to be inflicted on others. I want no one to escape. But even after admitting this—and I have countless times, in just about every act I’ve committed—and coming face-to-face with these truths, there is no catharsis. I gain no deeper knowledge about myself, no new understanding can be extracted from my telling. There has been no reason for me to tell you any of this. This confession has meant nothing….”

American PsychoEllis
Book:American Psycho
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“ABANDON ALL HOPE YE WHO ENTER HERE is scrawled in blood red lettering on the side of the Chemical Bank near the corner of Eleventh and First and is in print large enough to be seen from the backseat of the cab as it lurches forward in the traffic leaving Wall Street and just as Timothy Price notices the words a bus pulls up, the advertisement for Les Miserables on its side blocking his view, but Price who is with Piece and Piece and twenty-six doesn't seem to care because he tells the driver he will give him five dollars to turn up the radio, "Be My Baby" on WYNN, and the driver, black, not American, does so.”

American PsychoBret Easton EllisBlood Red Lettering
Book:American Psycho
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“Sex is mathematics. Individuality no longer an issue. What does intelligence signify? Define reason. Desire -- meaningless. Intellect is not a cure. Justice is dead. Fear, recrimination, innocence, sympathizing, guilt, waste, failure, grief, were things, emotions, that no one really felt any more. Reflection is useless, the world is senseless. Evil is its only permanence. God is not alive. Love cannot be trusted. Surface, surface, surface was all that anyone found meaning in...this was civilization as I saw it, colossal and jagged...”

SatireAmerican PsychoBret Easton Ellis
Author:Bret Easton Ellis
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“What do you think I do?” And frisky too. “A model?” She shrugs. “An actor?” “No,” I say. “Flattering, but no.” “Well?” “I’m into, oh, murders and executions mostly. It depends.” I shrug. “Do you like it?” she asks, unfazed. “Um… It depends. Why?” I take a bit of sorbet. “Well, most guys I know who work in mergers and acquisitions don’t really like it,” she says. “That’s not what I said,” I say, adding a forced smiled, finishing my J&B. “Oh, forget it.”

American PsychoPatrick Bateman
Book:American Psycho
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“It wasn't until the show was almost over that I figured out what it was: the crack above my David Onica that I had asked the doorman to tell the superintendent to fix. On my way out this morning, I stopped at the front desk, about to complain to the doorman, when I was confronted with a NEW doorman, my age but balding and homely and FAT. Three glazed jelly doughnuts AND two steaming cups of extra-dark HOT CHOCOLATE lay on the desk in front of him beside a copy of the Post opened to the comics and it struck me that I was infinitely better-looking, more successful and richer than this poor bastard would ever be and so with a passing rush of sympathy I smiled and nodded a curt though not impolite good morning without lodging a complaint.”

SuperficialityAmerican Psycho
Book:American Psycho
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“On The Patty Winters Show this morning the topic was Toddler- Murderers. In the studio audience were parents of children who'd been kidnapped, tortured and murdered, while on stage a panel of psychiatrists and pediatricians were trying to help them cope - somewhat futilely I might add, and much to my delight - with their confusion and anger. But what really cracked me up was - via satellite on a lone TV monitor - three convicted Toddler-Murderers on death row who due to fairly complicated legal loopholes were now seeking parole and would probably get it.”

American PsychoThe Patty Winters Show
Book:American Psycho
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“The Patty Winters Show I taped this morning hasn't been watched yet. It's sixty minutes about women who've had mastectomies, which at seven-thirty, over breakfast, before the office, I couldn't bear to sit through, but after today - hanging out at the office, where the air-conditioning broke down, a tedious lunch with Cunningham at Odeon, my fucking Chinese cleaners unable to get bloodstains out of another Soprani jacket, four videotapes overdue that ended up costing me a fortune, a twenty-minute wait at the Stairmasters - I've adapted; these events have toughened me and I'm prepared to deal with this particular topic.”

American PsychoThe Patty Winters Show
Book:American Psycho
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“Nothing was affirmative, the term 'generosity of spirit,' applied to nothing, was a cliche, was some kind of bad joke. Sex is mathematics. Individuality no longer an issue. What does intelligence signify? Define reason. Desire--meaningless. Intellect is not a cure. Justice is dead. Fear, recrimination, innocence, sympathy, guilt, waste, failure, grief, were things, emotions, that no one really felt anymore. Reflection is useless, the world is senseless. Evil is its only permanence. God is not alive. Love cannot be trusted. Surface, surface, surface was all that anyone found meaning in...this was civilization as I saw it, colossal and jagged...”

Banality Of Evil
Book:American Psycho
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“About a week ago I was sitting in L.A.'s chicest nightclub with a few friends and the DJ was playing Yaz and Bowie and the videos were on and I was on my third gin and tonic and I realized that no matter where I am it's always the same. Camden, New York, L.A., Palm Springs - it really doesn't seem to matter. Maybe this should be disturbing but it's really not. I find it kind of comforting.”

CamdenPalm SpringsNightclubL A
Book:The Informers
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“and the girl and I get into her car and drive off into the hills and we go to her room and I take off my clothes and lie on her bed and she goes into the bathroom and I wait a couple of minutes and then she finally comes out, a towel wrapped around her, and sits on the bed and I put my hands on her shoulders, and she says stop it and, after I let her go, she tells me to lean against the headboard and I do and then she takes off the towel and she's naked and she reaches into the drawer by her bed and brings out a tube of Bain De Soleil and she hands it to me and then she reaches into the drawer and brings out a pair of Wayfarer sunglasses and she tells me to put them on and I do. And she takes the tube of suntan lotion form me and squeezes some onto her fingers and then touches herself and motions for me to do the same, and I do. After a while I stop and reach over to her and she stops me and says no, and then places my hand back on myself and her hand begins again and after this goes on for a while I tell her that I'm going to come and she tells me to hold on a minute and that she's almost there and she begins to move her hand faster, spreading her legs wider, leaning back against the pillows, and I take the sunglasses off and she tells me to put them back on and I put them back on and it stings when I come and then I guess she comes too. Bowie's on the stereo and she gets up, flushed, and turns the stereo off and turns on MTV. I lie there, naked, sunglasses still on and she hands me a box of Kleenex. I wipe myself off then look through a Vogue that's lying by the side of the bed. She puts a robe on and stares at me. I can hear thunder in the distance and it begins to rain harder. She lights a cigarette and I start to dress ....”

L A
Book:Less Than Zero
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“He wasn't, I realized when I read those scenes concerning Blair and myself, close to any of us-- except of course to Blair, and really not even to her. He was simply someone who floated through our lives and didn't seem to care how flatly he perceived everyone or that he'd shared our secret failures with the world, showcasing the youthful indifference, the gleaming nihilism, glamorizing the horror of it all. But there was no point in being angry with him.”

WritingFictionJealousyResentment
Book:Imperial Bedrooms
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“But the thing I remember most about the screening in October twenty years ago was the moment Julian grasped my hand that had gone numb on the armrest separating our seats. He did this because in the book Julian Wells lived but in the movie's new scenario he had to die. He had to be punished for all of his sins. That's what the movie demanded. (Later, as a screenwriter, I learned it's what all movies demanded.) When this scene occurred, in the last ten minutes, Julian looked at me in the darkness, stunned. "I died," he whispered. "They killed me off." I waited a bit before sighing, "But you're still here." Julian turned back to the screen and soon the movie ended, the credits rolling over the palm trees as I (improbably) take Blair back to my college while Roy Orbison wails a song about how life fades away.”

WritingMoralityScreenplays
Book:Imperial Bedrooms
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“[I]t seems that everyone has fallen under the thrall of this idea that we’re all writers and dramatists now, that each of us has a special voice and something very important to say, usually about a feeling we have, and all this gets expressed in the black maw of social media billions of times a day. Usually this feeling is outrage, because outrage gets attention, outrage gets clicks, outrage can make your voice heard above the deafening din of voices squalling over one another in this nightmarish new culture—and the outrage is often tied to a lunacy demanding human perfection, spotless citizens, clean and likable comrades, and requiring thousands of apologies daily. Advocating while creating your own drama and your brand is where the game is now. And if you don’t follow the new corporate rules accordingly you are banished, exiled, erased from history.”

WritingStoryOutrageHot TakesGrievances Studies
Book:White
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“Things changing, failing apart, fading, another year, a few more moves, a hard person who doesn't give a fuck, a boredom so monumental it humbles, arrangements so fleeting made by people you don't even know that it requires you to lose any sense of reality you might have once acquired, expectations so unreasonable you become superstitious about ever matching them.”

JapanBryanEllisBretEastonThe Informers
Book:Water from the Sun and Discovering Japan
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“It's a powerful statement and one that Whitney sings with a grandeur that approaches the sublime. Its universal message crosses all boundaries and instills one with the hope that it's not too late for us to better ourselves, to act kinder. Since it's impossible in the world we live in to empathize with others, we can always empathize with ourselves. It's an important message, crucial really, and it's beautifully stated in this album.”

RevelationMoment Of ClarityBateman
Book:American Psycho
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“I stopped at the front desk, about to complain to the doorman, when I was confronted with a NEW doorman, my age but balding and homely and FAT. Three glazed jelly doughnuts AND two steaming cups of extra-dark HOT chocolate opened to the comics and it struck me that I was infinitely better-looking, more successful and richer than this poor bastard would ever be and so with a passing rush of sympathy I smiled and nodded a curt though not impolite good morning without lodging a complaint.”

SuperficialityBateman
Book:American Psycho
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