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Don Winslow

Don Winslow Books

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The Force

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Corruption

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“the Times says there's a heroin epidemic, Malone thinks, which is only an epidemic of course because now white people are dying. Whites started to get opium-based pills from their physicians: oxycodone, vicodin... But, it was expensive and doctors were reluctant to prescribe too much for exactly the fear of addiction. So the white folks went to the open market and the pills became a street drug. It was all very nice and civilized until the Sinoloa cartel down in Mexico made a corporate decision that it could undersell the big American pharmaceutical companies by raising production of its heroin thereby reducing price. As an incentive, they also increased its potency. The addicted white Americans found that Mexican ... heroin was cheaper and stronger than the pills, and started shooting it into their veins and overdosing. Malone literally saw it happening. He and his team busted more bridge-and-tunnel junkies, suburban housewives and upper Eastside madonnas than they could count....”

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Book:The Force
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“He feels ennui depression adrift in his life. Purposeless, perhaps because —dig a well in the Sudan and thejanjaweed come in and shoot the people anyway —buy mosquito nets and the boys you save grow up to —rape women —set up cottage industries in Myanmar and the army —steals them and uses the women as slaves and Ben is starting to be afraid that he is starting to share Chon’s opinion of the human species that people are basically shit.”

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Author:Don Winslow
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“Billions of dollars, trying unsuccessfully to keep drugs out of the world’s most porous border? One-tenth of the anti-drug budget going into education and treatment, nine-tenths of those billions into interdiction? And not enough money from anywhere going into the root causes of the drug problem itself. And the billions spent keeping drug offenders locked up in prison, the cells now so crowded we have to give early release to murderers. Not to mention the fact that two-thirds of all the “non-drug” offenses in America are committed by people high on dope or alcohol. And our solutions are the same futile non-solutions—build more prisons, hire more police, spend more and more billions of dollars not curing the symptoms while we ignore the disease. Most people in my area who want to kick drugs can’t afford to get into a treatment program unless they have blue-chip health insurance, which most of them don’t. And there’s a six-month-to-two-year waiting list to get a bed in a subsidized treatment program. We’re spending almost $2 billion poisoning cocaine crops and kids over here, while there’s no money at home to help someone who wants to get off drugs. It’s insanity.”

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Book:The Power of the Dog
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“A lot of times, writers are told write as big as you can, and that's not untrue. But at times I think it's better to write as small as you can, to start scenes with little personal details or people who are doing average every day human things. That, to me, lets the average reader into that person's life. "Yeah I eat breakfast. I take a shower."”

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Author:Don Winslow
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“I have sat with the mothers who have lost addicted sons. I have sat with families of kids who have been killed in drug-related gang violence. I have been to the prisons. I have seen the effects. At some point in time, I felt I had to do something other than write a novel about it, that I needed to try to make some sort of contribution, at least try to make some sort of difference in the real world.”

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Author:Don Winslow
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“American cops didn't create that atmosphere, they're the ones though who have to live with it on a daily basis. These are generalisations; you can't make generalisations about hundreds of thousands of people. The New York Police Department, for instance, has 38,000 police officers in it. But most cops, when I talk to them, desperately care about the victims of gun violence. They see it, they experience it.”

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“American cops are the ones who are in the emergency rooms. They're the ones who go to the morgues. They're the ones who have to go tell the families that their son is not coming back, their husband, their wife, is not coming home that night. So when we talk about guns and gun violence and police, let's understand that as well. No one wants guns off the streets more than cops because cops are killed by those guns.”

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Author:Don Winslow
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“I was researching some of the modern-day figures that The Sopranos were moulded on. So many iconic Sopranos moments. James Gandolfini and Edie Falco had an incredible scene together in the kitchen of that house that looked like it was about to explode. That was an iconic series that changed the way we did television. It is also an extremely realistic portrayal of the mafia. Much more so than The Godfather. The Godfather, one of the greatest films ever, but let's face it, a romanticized version of the mob.”

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Author:Don Winslow
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“What happened with the opioid epidemic is the Mexican cartels made a very deliberate, corporate decision to undercut the price of opioids. What they discovered was they could increase production, increase potency and decrease the price, and sell it for a third of what the Big Pharma could, or street dealers could, for Big Pharma pills. North America, and to a slightly lesser extent Europe, is being flooded with this Mexican heroin as a direct result of the attempt to undercut American pharmaceutical companies.”

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Author:Don Winslow
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“I'm a jazz guy and a Bruce Springsteen guy. So I wanted something more current, and edgier, and angrier. So I asked my kid to educate me about hip hop; he has an encyclopedic knowledge of it. And he did so. I found it to be much richer than I would've thought. I think some of the poetry in it is really spectacular. I threw rap into the book. I think I mentioned Kendrick Lamar. I'm really into Tupac these days. I love Nas, N.W.A.”

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Author:Don Winslow
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“With a 660-page book, you don't read every sentence aloud. I am terrified for the poor guy doing the audio book. But I do because I think we hear them aloud even if it's not an audio book. The other goofy thing I do is I examine the shape of the words but not the words themselves. Then I ask myself, "Does it look like what it is?" If it's a sequence where I want to grab the reader and not let the reader go then it needs to look dense. But at times I want the reader to focus on a certain word or a certain image and pause there.”

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