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Haruki Murakami Quotes

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Famous Haruki Murakami Quotes

“—Dice que hay una piedra dentro de usted. Una piedra blanca y dura. Grande como el puño de un niño. No sabe de dónde ha venido. —¿Una piedra? —dijo Satsuki. —En la piedra hay algo escrito, pero está en japonés y no puede leerlo. Hay trazados unos pequeños caracteres en tinta negra. Es algo muy antiguo, usted debe de llevar muchos años viviendo con ello en su interior. Debe deshacerse de esa piedra. Si no lo hace, esa piedra permanecerá, ella sola, incluso después de que usted haya muerto y hayan incinerado su cuerpo. (Tailandia)”

“How can I be strong when I do not know my own mind? I am lost." "That's not true. You are not lost. It's just that your own thoughts are being kept from you, or hidden away. But the mind is strong. It survives, even without thought. Even with everything taken away, it holds a seed-- your self. You must believe in your own powers.”

“Maybe I had had an illusion, I thought. I stood there a long time, gazing at the rainswept streets. Once again, I was a twelve-year-old boy staring for hours at the rain. Look at the rain long enough, with no thoughts in your head, and you gradually feel your body falling loose, shaking free of the world of reality. Rain has the power to hypnotize. But this had been no illusion. When I went back into the bar, a glass and an ashtray remained where she had been. A couple of lightly crushed cigarette butts were lined up in the ashtray, a faint trace of lipstick on each. I sat down and closed my eyes. Echoes of music faded away, leaving me alone. In that gentle darkness, the rain continued to fall without a sound.”

“My sickness is a lot worse than you think: it has far deeper roots. And that's why I want you to go on ahead of me if you can. Don't wait for me. Sleep with other girls if you want to. Don't let thoughts of me hold you back. Just do what you want to do. Otherwise, I might end up taking you with me, and that is the one thing I don't want to do. I don't want to interfere with your life. I don't want to interfere with anybody's life. Like I said before, I want you to come to see me every once in a while, and always remember me. That's all I want.”

“A deaf composer's like a cook who's lost his sense of taste. A frog that's lost its webbed feet. A truck driver with his license revoked. That would throw anybody for a loop, don't you think? But Beethoven didn't let it get to him. Sure, he must have been a little depressed at first, but he didn't let misfortune get him down. It was like, Problem? What problem? He composed more than ever and came up with better music than anything he'd ever written. I really admire the guy. Like this Archduke Trio--he was nearly deaf when he wrote it, can you believe it? What I'm trying to say is, it must be tough on you not being able to read, but it's not the end of the world. You might not be able to read, but there are things only you can do. That's what you gotta focus on--your strengths. Like being able to talk with the stone.”

“No matter how much he loved someone, he still couldn't share his life with them. He needed solitary time every day to concentrate, and he couldn't stand it when someone's presence threw off his concentration. If he lived with someone he knew he would end up detesting them. Whether it was his parents, a wife, or children. He feared that above all. He wasn't afraid of loving someone. What he feared was growing to hate someone.”

“And while he sat there on the end of the jetty, he’d let the sound of the waves fill his ears, watch the clouds and schools of tiny sweetfish, take pebbles he’d pocketed on the way and throw them out into the deep. Then when dusk began to settle he would retrace his steps, back to his own world. And on the way home, a loneliness would always claim his heart. He could never quite get a grip on what it was. It just seemed that whatever lay waiting “out there” was all too vast, too overwhelming for him to possibly ever make a dent in.”

“As is true of most people, I imagine, I had experienced a number of turning points in my life, where I could go either left or right. And each time I chose one, right or left. (There were times when there was a clear-cut reason, but most of the time there wasn't. And it wasn't always like I was making a choice, but more like the choice itself chose me.) And now here I was, a first person singular. If I'd chosen a different direction, most likely I wouldn't be here. But still — who is that in the mirror.”

“The doctor loved his wife and child. They were the most wonderful thing that had ever happened to him in his life--especially his daughter for whom his love bordered on obsession. For them, he would have gladly given up his life. Indeed, he had often imagined doing so, and the deaths he had endured for them in his mind seemed the sweetest deaths imaginable. At the same time, however, he would often come home from work and, seeing his wife and daughter there, think to himself, These people are, finally, separate human beings, with whom I have no connection. They were something other, something of which he had no true knowledge, something that existed in a place far away from the doctor himself. And whenever he felt this way, the thought would cross his mind that he himself had chosen neither of these people on his own--which did not prevent him from loving them unconditionally, without the slightest reservation. This was, for the doctor, a great paradox, an insoluble contradiction, a gigantic trap that had been set for him in his life.”

“My peak? Would I even have one? I hardly had had anything you could call a life. A few ripples. some rises and falls. But that's it. Almost nothing. Nothing born of nothing. I'd loved and been loved, but I had nothing to show. It was a singularly plain, featureless landscape. I felt like I was in a video game. A surrogate Pacman, crunching blindly through a labyrinth of dotted lines. The only certainty was my death.”

“You sit at the edge of the world, I am in a crater that's no more. Words without letters Standing in the shadow of the door. The moon shines down on a sleeping lizard, Little fish rain from the sky. Outside the window there are soldiers, steeling themselves to die. (Refrain) Kafka sits in a chair by the shore, Thinking for the pendulum that moves the world, it seems. When your heart is closed, The shadow of the unmoving Sphinx, Becomes a knife that pierces your dreams. The drowning girl's fingers Search for the entrance stone, and more. Lifting the hem of her azure dress, She gazes -- at Kafka on the shore”

“If there is a hard, high wall and an egg that breaks against it, no matter how right the wall or how wrong the egg, I will stand on the side of the egg. Why? Because each of us is an egg, a unique soul enclosed in a fragile egg. Each of us is confronting a high wall. The high wall is the system which forces us to do the things we would not ordinarily see fit to do as individuals . . . We are all human beings, individuals, fragile eggs. We have no hope against the wall: it's too high, too dark, too cold. To fight the wall, we must join our souls together for warmth, strength. We must not let the system control us -- create who we are. It is we who created the system. (Jerusalem Prize acceptance speech, JERUSALEM POST, Feb. 15, 2009)”