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Joanne Harris

Joanne Harris Books

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Chocolat

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Vianne

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Blackberry Wine

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Runemarks

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A Narrow Door

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Different Class

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Holy Fools

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Runelight

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“This is an art I can enjoy. There is a kind of sorcery in all cooking; in the choosing of ingredients, the process of mixing, grating, melting, infusing, and flavoring, the recipes taken from ancient books, the traditional utensils- the pestle and mortar with which my mother made her incense turned to a more homely purpose, her spices and aromatics giving up their subtleties to a baser, more sensual magic. And it is partly the transience of it delights me; so much loving preparation, so much art and experience, put into a pleasure that can last only a moment, and which only a few will ever fully appreciate. My mother always viewed my interest with indulgent contempt. To her, food was no pleasure but a tiresome necessity to be worried over, a tax on the price of our freedom. I stole menus from restaurants and looked longingly into patisserie windows. I must have been ten years old- maybe older- before I first tasted real chocolate. But still the fascination endured. I carried recipes in my head like maps. All kinds of recipes: torn from abandoned magazines in busy railway stations, wheedled from people on the road, strange marriages of my own confection. Mother with her cards, her divinations, directed our mad course across Europe. Cookery cards anchored us, placed landmarks on the bleak borders. Paris smells of baking bread and croissants; Marseille of bouillabaisse and grilled garlic. Berlin was Eisbrei with sauerkraut and Kartoffelsalat, Rome was the ice cream I ate without paying in a tiny restaurant beside the river.”

PassionCookingRecipesEuropeanVianne Rocher
Book:Chocolat
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“And then I saw it. My father's wood: thick by then with twenty years' growth, but still not fully mature. A half-grown wood of oak trees around that little clearing, which, with my new perspective, I could see made the shape of a heart. I stared down at the clearing. The heart was unmistakable; tapered at the base with the strawberry field in the centre; a stand of trees to form the cleft. How long had it taken my father, I thought, to plan the formation, to plant out the trees? How many calculations had he made to create this God's-eye view? I thought of the years I had been at school; the years I had felt his absence. I remembered the contempt I'd felt at his little hobby. And finally I understood what he'd tried to say to me on the night of my wedding. 'Love is the thing that only God sees.' I'd wondered at the time what he meant. My father seldom spoke of love; rarely showed affection. Perhaps that was Tante Anna's influence, or maybe the few words he'd had were all spent on Naomi. But here it was at last, I saw: the heart-shaped meadow in the wood, a silent testament to grief; a last, enduring promise. Love is the thing that only God sees. I suppose you'd say that's because he sees into our hearts. Well, if he ever looks in mine, he'll see no more than I've told you. Confession may be good for the soul. But love is even better. Love redeems us even when we think ourselves irredeemable. I never really loved my wife- not in the way that she deserved. My children and I were never close. Perhaps that was my fault, after all. But Mimi- yes, I loved Mimi. And I loved Rosette Rocher, who was so very like her. One day I hope Rosette will see the heart-shaped meadow in the wood, and know that love surrounds her, whether see can see it or not. And you, Reynaud. I hope one day you can feel what only God sees, but which grows from the hearts of people like us: the flawed; the scarred; the broken. I hope you find it one day, Reynaud. Till then, look after Rosette for me. Make sure she knows my story. Tell her to take care of my wood. And keep picking the strawberries.”

LoveGodMeadowRosette RocherHeartshapedmemoir
Book:The Strawberry Thief
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“لوبورین با لحنی صبورانه که برای او نامعمول بود گفت:(( اوه، چرا، می فهمی. تو می دونی اون آدم بی ارزشیه، می دونی هیچی براش مهم نیست، و این که بلاخره یک روزی بهت خیانت می کنه. اما با این حال می خوای باورش داشته باشی. اون مثل مجسمه هائیه که توی کلیساها می بینی، تماما طلایی و درخشنده در ظاهر و از داخل فقط گچ.”

RomanceNovelHuman NatureHistorical FictionMagical Realismرمانعشقطبیعت انسانداستان تاریخیرئالیسم جادویی
Book:Holy Fools
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“I can almost see it now, in red and yellow lettering; as if the events of the past eight years have been neatly and prettily folded away, leaving no rough edges, no blanks, just the gloss of recovered time. And it smells of the Americas; the court of Montezuma; spiced, in golden goblets and mixed with wine and pomegranate juice. And it smells of cream and cardamom; of sacrificial bonfires; of temples and of palaces; of vanilla and tonka and mocha and rose. The scent is overwhelming; it rushes through me like the wind; it sweeps me off my feet like love- Will you stay, Vianne? Will you stay?”

HomeChocolateSmellsShop
Book:Peaches for Father Francis
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“Joe had always pretended indifference to flowers. He preferred fruit trees, herbs and vegetables, things to be picked and harvested, stored, dried, pickled, bottled, pulped, made into wine. But there were always flowers in his garden all thee same. Planted as if on an afterthought: dahlias, poppies, lavender, hollyhocks. Roses twined among the tomatoes. Sweet peas among the bean poles. Part of it was camouflage, of course. Part of it a lure for bees. But the truth was that Joe liked flowers, and was reluctant even to pull weeds. Jay would not have seen the rose garden if he had not known where to look. The wall against which the roses had once been trained had been partly knocked down, leaving an irregular section of brick about fifteen feet long. Greenery had shot up it, almost reaching the top, creating a dense thicket in which he hardly recognized the roses themselves. With the shears he clipped a few briars free and revealed a single large red rose almost touching the ground. "Old rose," remarked Joe, peering closer. "Best kind for cookin'. You should try makin' some rose petal jam. Champion." Jay wielded the shears again, pulling the tendrils away from the bush. He could see more rosebuds now, tight and green away from the sun. The scent from the open flower was light and earthy.”

FlowersRosesRose Garden
Book:Blackberry Wine
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“In return, Joe taught Jay more about the garden. Slowly the boy learned to tell lavender from rosemary from hyssop from sage. He learned to taste soil- a pinch between the finger and thumb slipped under the tongue, like a man testing fine tobacco- to determine its acidity. He learned how to calm a headache with crushed lavender, or a stomachache with peppermint. He learned to prepare skullcap tea and chamomile to aid sleep. He learned to plant marigolds in the potato patch to discourage parasites and to pick nettles from the top to make ale and to fork the sign against the evil eye if ever a magpie flew past.”

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Book:Blackberry Wine
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“Long ago, and far away, the Butterfly King met the Moth Queen. They were very different. She was nocturnal and he loved the sun; she was fierce and warlike, and he was a gentle dreamer. And they were both from different worlds. He was from a land of towers, and trains, and roads, and airplanes; she was from a land of dreams, and silent wings, and falling leaves. But Love has always found a way of defying boundaries. And after warring for a time, and making their share of mistakes, and overcoming many dangers and obstacles, they were at last united in love, and thus united their people. And with the help of the Spider Mage and his web, they passed through the Honeycomb, and led the way back to the Kingdom all who chose to follow them there. There, they were crowned, and made their pledge-- she in a garland of autumn leaves, he in a circlet of spider silk-- to rule the Kingdom wisely; to fight against injustice and fear; to honor their love, and to guard it well, and to tend it, and give it time to grow. And if she was not always moderate in the way she expressed herself, and if he was sometimes a little naïve, this surprised no one, and was only to be expected. But between them, they ruled both wisely and well; with passion and moderation. And when their children were born, she taught them how to stand their ground and how to fight for what they loved; and he taught them how to see their world and appreciate its beauty.”

True LoveButterflyHappily Ever AfterTeachingsMothKing And QueenEpilogue
Book:The Moonlight Market
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“And running through his story, from adolescence to adulthood, always by moonlight, but bright as the sun, there was Charissa. But this was a different Charissa to the one he thought he knew; that fierce and cynical Moth girl, loyal only to herself. Here was Charissa as a girl, hopeful and filled with laughter. Here, as an adolescent, wise one moment, childish the next. Here, she glanced out from the pages as an adult, a lover, a friend; dancing in the firelight, poised against the starry sky. Here, she was trusting, loving, unmasked, gentle and filled with confidences. Here, by the light of the full moon, she was not only beautiful, she was by far the most beautiful woman Tom had ever seen. And now Tom Argent realized what he should have guessed before, what he should have seen in her eyes while he had been dazzled by someone else. She was the girl on the bridge, the one who had kissed him so tenderly. Hers was the shine he had recognized, reflected in Vanessa. She had been the memory contained in the flower seller's gift, the flower that only blossoms once, like innocence--- Like true love.”

True LoveMothsMemories Of LoveCharissa
Book:The Moonlight Market
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“In the semi-darkness, Tom thought he saw faces-- or were they masks?-- that seemed to be covered in feathers or fur. And there was a summery scent of sun-ripened fruit; of night-blooming flowers; of new-baked bread; and frying mushrooms, and bilberry wine, and sandalwood, and cedar, and musk; and fresh-laundered sheets all wild from the wind. Now he could hear music, too; the sound of flutes and fiddles and distant voices raised in song; the soft, persistent rhythms of drums; the distant chirp of silver bells.”

MusicUrban FantasyMarketplaceMagical RealismScents
Book:The Moonlight Market
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“The soft wind from the south-west calls in a voice like my mother's. Italy, it whispers. Greece. Corsica, Sardinia. Its name is Sirocco, Levante, Ostrale, and sometimes even Khamaseen, and it promises magic, and freedom, and love. But that cold, clean wind from the north-north-east has a chilly charm of its own: its name is Mistral, and it calls to me in a voice I think I know; a voice I first heard when I opened the map and saw the village with my name. The voice of an unknown future. Vianne or Mother? Which will it be?”

MotherChoicesWindsMistralVianne
Book:Vianne
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“Are you with Vanessa?' said Tom. He wasn't sure why he'd asked that, but there was something about them that reminded him of Vanessa's friends. Something vaguely theatrical; a shout of color against the grime. A shine, which was more than the warmth of their skin or the luminous quality of their eyes. Just as Charissa and her friend had seemed to be creatures of the night, these people were the opposite. Light seemed to radiate from them somehow, reflecting against the sooty stones. The little girl smiled. 'I'm Swallowtail. This is Argus. We're friends of Vanessa's. We'll take you to her.' And, catching Tom's hand in hers, she and Argus led him through the silent streets of King's Cross, towards his doom and his heart's desire.”

Urban FantasyButterflies
Book:The Moonlight Market
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“The young Prince arrived in this world, lost and very frightened. The thread he had followed was broken, and he had no means of spinning another. His friend, the Spider Mage, was too far away to hear his cries, and this world of cruelty and noise was too much for him. Even the air was unbreathable. And so he crept into World Below, and wept to himself in the darkness. As he wept, his grief was so great that he broke into a cloud of butterflies and moths, each one a fragment of himself, that scattered into the darkness of the tunnels beneath the city. Some of them found their way to the light. Others stayed in the darkness. Some slept. And they became two separate groups-- one living underground, one in the light, both yearning for the world they had left, and for the chance to be whole again.”

FragmentsButterfliesMothsLost Prince
Book:The Moonlight Market
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“Tom followed her gaze. Above them, the narrow ribbon of sky was starting to show the first signs of dawn. Out of the London smoke, it came-- blush pink, absinthe green, ice blue, lemon yellow--- 'That isn't the dawn,' said Tom. And now through the colors, Tom thought he could see figures and patterns against the sky: patterns like magic lantern shapes against a screen of vibrant silk. The Daylight Folk.”

ColorsButterflies
Book:The Moonlight Market
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“You were always the King of Much Too Late.' 'And you were always the Queen of my heart,' said Burnet, and held out his arms to her. For a second, Vanessa said nothing. Her angry profile was turned away; her dark hair shimmered silver. Burnet put his arms around her, and for a moment, she turned her face into the curve of his shoulder... Then the air gave a giant sob, as if rushing in to fill a space, and the interlaced pair dispersed into dazzling fragments. Millions of butterflies and moths exploded into the turbulence, fluttering madly to escape; bright wings torching the London smoke into a cacophony of colors. Golden-winged and orange-tipped; peacock-eyed and painted; speckled, stippled, spotted; striped; fretting the kaleidoscope air. And then, they slowly began to dissolve like smoke into the atmosphere.”

ButterfliesMothsKing And QueenReunited Lovers
Book:The Moonlight Market
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“This story isn't over.' He pulled again at the loose thread, winding it around his thumb. The thread was long and silvery, like a thread of moonlight. Spider's skillful fingers teased and pulled on the delicate thread. And as they did so, the Daylight Folk gradually became aware of the cloud of butterflies and moths returning. Softly, they settled onto the stones and terracotta tiles of the roof. Softly, they settled onto the stones of the parapet where Spider sat. Softly, they clustered and blossomed and bloomed, hanging like grapes in the luminous air-- and soon the onlookers started to see a figure-- no, two figures-- taking shape among them. For a moment, it was impossible to see more than an outline. But as the shapes became clearer, the Daylight Folk were able to see a man and a woman, hand in hand. Their faces were almost familiar, and yet not quite the same as before: the woman small-featured and freckle-faced; the man dark-haired and soulful. Each of them was staring at the other in amazement. 'Tom?' said Charissa. 'Charissa?' said Tom.”

ButterfliesMothsKing And QueenNew Leaders
Book:The Moonlight Market
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“He had become aware of the eyes of the Daylight Folk on him. Hopeful, expectant, suspicious or dazed, they watched him from the parapet and from the crenellations of the Natural History Museum, their wings spread like banners against the sky. And now he could see the Midnight Folk, too, drawn by whatever mystery had been at work on these rooftops: Atlas, and Luna, and Diamondback, and Cinnabar. For a moment, Cinnabar stood aloof on the parapet. Then Brimstone held out his hand to her, and she went to join him. My people, Tom thought to himself, and put up his hand to cover a smile. It was ridiculous, of course, and yet it felt so natural. As natural as being in love. As natural as flying. Spider pulled at the silver thread again. Between his fingers, Tom now saw an intricate cat's cradle of light that seemed to extend in multiple directions. 'With this, you can go anywhere,' said Spider, lifting the cradle of light. 'You could stay here, in London Before. You could go back to the London you know. Or you could reclaim your Kingdom, and lead your people home. Your choice.' He passed the cat's cradle over Tom's head. As it touched him, the net of light settled over Tom's shoulders, becoming a kind of mantle: golden, soft as spider silk, light as woven thistledown. He made the same gesture over Charissa, and she too was draped in gossamer. And with the mantle came a scent of green woods and of summertime; of distant spices, unnamed blooms, and blackberries, and honeycomb.”

SubjectsButterfliesMothsScentsCats CradleKing And QueenMantle
Book:The Moonlight Market
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“The Mage's powers were almost gone, and his web, which had once spanned the worlds, had shrunk to little more than rags. And yet he clung to the hope that somehow the lost Prince could be found; his Aspect made whole, his inheritance restored. Using his web of dreams, he found fragments of the Prince that had been forgotten and overlooked, cocooned in the darkness of London Beyond. And he placed each one of these cocoons with a human family, good folk oblivious to their origin, unmindful of their destiny. Thus were these royal hatchlings kept far away from the two warring tribes until it was time for their coming of age, and for the plan that the Spider Mage had formed to be put into action.”

AspectFragmentsSpiderCocoonHatchlingLost Prince
Book:The Moonlight Market
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“Tom Argent had once loved fairy tales. When he was very young, he had loved to read about princes, and kings, and queens, and fairies, and goblins, and magic. He even liked to pretend that he was the son of a fairy queen, or a pirate king, who had been adopted by humans, and one day would claim his kingdom. His parents had grown concerned at this. They had never hidden the fact that Tom was adopted, and they knew that all children liked to pretend. But Tom's imagination was especially vivid. He loved his parents very much, but they were afraid that this daydreaming might lead him to reject them one day. And so, they had both gone out of their way to discourage his love of fairy tales. Whenever they saw him with his books, they would tell him: 'Stories aren't real. Magic is just an illusion. Fairies don't exist, Tom. Only trust what you can see.' Then, on his seventh birthday, they had given Tom a camera, and the books of fairy tales had vanished swiftly and silently overnight, to be replaced by magazines devoted to different types of lens, in which the young Tom Argent had found another kind of magic. But looking at these images of the mysterious girl, he felt as if he had returned to the world of those long-ago storybooks, and it felt both exciting and wonderful, and deeply, darkly dangerous.”

AdoptedForeshadowingMain CharacterLost PrinceBackground Story
Book:The Moonlight Market
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“But Tom was no believer in fairy tales and miracles. He could walk through a bluebell wood and not see a single fairy--- not that there were any bluebell woods in London, but there were parks with ancient trees, and markets filled with spices and fruits from countries a thousand miles away, and people of all races and types, and cobbled alleys that echoed with ghosts, and ships that only appeared by night, and secret plague pits under the ground.”

LondonMain CharacterSightlessLost PrinceReality And Fiction
Book:The Moonlight Market
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“I am re-inventing myself, writing my own story; changing my name to fit the course that I have chosen for myself. The old woman called me Vianne Rocher. Not Rochas, but Rocher, like the chocolate. This seems meaningful, somehow. As if that village on the Baïse and the chocolaterie on Allée du Pieu might both be part of my future. And before I settle anywhere, I need to learn how to be Vianne.”

Purpose In LifeBook TitleReinventing YourselfMain CharacterVianne Rocher
Book:Vianne
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“She lives, but is not lively; awaiting the change of the seasons. A summer child, the old lady said. Summer children are filled with light. But my child will be born in March. A windswept, change-of-the-seasons child; sunny one day, in darkness the next. I feel that in her; that fugitive gleam, like sunlight on the ocean. And in my dreams I see her; always at five or six years old. Her hair is a tumbled candyfloss cloud. Her name comes in endless variants of my mother's name, Jeanne: Anne, Annette, Jeanette, Johanne, Jolène, Annie--- Anouk.”

DaughterChange Of SeasonsAnouk Rocher
Book:Vianne
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“There she goes. How strange she is: my winter child; my changeling. Wild as an armful of birds, she flies everywhere in an instant. There is no keeping her inside, no making her sit quietly. She has never been like other girls, never like other children. Rosette is a force of nature, like the jackdaws that sit on the steeple and laugh, like a fall of unseasonal snow, like the blossom on the wind.”

AutisticWild ChildRosette Rocher
Book:The Strawberry Thief
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“My sour cherry liqueur is especially popular, though I feel a little guilty that I cannot remember the cherry's name. The secret is to leave the stones in. Layer cherries and sugar one on the other in a widemouthed glass jar, covering each layer gradually with clear spirit (kirsch is best, but you can use vodka or even Armagnac) up to half the jar's capacity. Top up with spirit and wait. Every month, turn the jar carefully to release any accumulated sugar. In three years' time the spirit has bled the cherries white, itself stained deep red now, penetrating even to the stone and the tiny almond inside it, becoming pungent, evocative, a scent of autumn past. Serve in tiny liqueur glasses, with a spoon to scoop out the cherry, and leave it in the mouth until the macerated fruit dissolves under the tongue. Pierce the stone with the point of a tooth to release the liqueur trapped inside and leave it for along time in the mouth, playing it with the tip of the tongue, rolling it under, over, like a single prayer bead. Try to remember the time of its ripening, that summer, that hot autumn, the time the well ran dry, the time we had the wasp's nests, time past, lost, found again in the hard place at the heart of the fruit...”

FlavorHow ToCherryLiqueur
Book:Five Quarters of the Orange
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“But when I reached Xocolatl, my heart beating ferociously, I found the display window brightly lit, with fairy lights on the window-ledge and along the shelves of chocolates. Cellophane-wrapped and gleaming like a pirate's buried treasure, they seemed to glow with a precious light, those gilded piles of mendiants, and truffles, rose creams and santons de Margot, while above them rose the centerpiece; a statuette of the Bonne Mère, much larger than the ones in the shop, one hand raised in benediction, the other holding the infant Christ, and robed in darkest chocolate. And all around the dishes and jars were origami animals; little angular butterflies and cranes and fish and rabbits in multicolored paper. I detected the hand of Grandmother Li: imagined those clever old hands at work, folding the pretty papers.”

ChocolatesOrigamiCommunity OutreachConfectionsChristmas Decorations
Book:Vianne
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“What's your favorite?' I must have looked confused. That's my trick; no one ever asks me which chocolate I prefer. 'Let me guess,' said the man in black, and, looking over the display, seemed to consider the chocolates, the candied fruits, the nougatines. Lingered for a moment over the green tea truffles; the salted pralines. Then he looked up, and his sea-blue eyes were filled with crazed reflections. 'You didn't like chocolate at first,' he said. 'You never used to eat it. But now, you're starting to understand. Its power to awaken the past; its dark and troubled history. The stories it tells about itself. It's many re-inventions. Ah. Here we are.' He paused at a tray of chocolate-dipped cherries, still with the stalks attached, and said. 'These, I think, Vianne Rocher. Dark chocolate, not always your favorite, but here, with cherries, it evokes something almost magical. Bite through the bitter chocolate shell to the brandied fruit inside. Hold the little stone on the tongue. Roll it gently around your mouth, like a long-kept secret.' He smiled, and I found myself liking him in spite of the coldness in my heart: the Man in Black has a kind of charm that I would never have suspected. I said: 'You may be right, monsieur. Yours is---' A gilded thread in the air. A little bastide on the Garonne. Not Vianne, but somewhere close; light, like the bloom on an apricot, a sky like the edge of forever---- I said, in a slightly trembling voice: 'Apricot hearts. They're your favorite.”

CherriesChocolatesPreferencesApricots
Book:Vianne
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“We made close to forty boxes today. Fifteen truffles (still selling well), but also a batch of coconut squares, some sour cherry gobstoppers, some bitter-coated orange peel, some violet creams, and a hundred or so lunes de miel, those little discs of chocolate made to look like the waxing moon, with her profile etched in white against the dark face. It's such a delight to choose a box, to linger over the shape- will it be heart shaped, round, or square? To select the chocolates with care; to see them nestled between the folds of crunchy mulberry-colored paper; to smell the mingled perfumes of cream, caramel, vanilla, and dark rum; to choose a ribbon; to pick out a wrapping; to add flowers or paper hearts; to hear the silky whisssh of rice paper against the lid-”

BoxesInventorySweetsChocolatesGift Wrapped
Book:The Girl with No Shadow
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“I look into the chocolaterie. It looks warm in there, almost intimate. Candles are burning on the tables; the Advent window is lit with a rose glow. It smells of orange and clove from the pomander hanging above the door; of pine from the tree; of the mulled wine that we are serving alongside our spiced hot chocolate; and of fresh gingerbread straight out of the oven. It draws them in- three or four at a time- regulars and strangers and tourists alike. They stop at the window, catch the scent, and in they come, looking a little dazed, perhaps, at the many scents and colors and all their favorites in their little glass boxes- bitter orange cracknel; mendiants du roi; hot chili squares; peach brandy truffle; white chocolate angel; lavender brittle- all whispering inaudibly- Try me. Taste me. Test me.”

ScentsChocolatesChristmas Party
Book:The Girl with No Shadow
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