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“The reality of life on sidewalks is it was a lot easier to imagine grandeur than to actualize it. There was no ceremony to any given second. There were patches of gray concrete. Moving machines. People who looked impossible to interrupt. So much unconquerable space in the air. It was as if an alien species dropped a smoke bomb poisoned with monotony and anywhere a man goes, he suffocates in idleness along with every element in his immediate universe. The most important event to take place was the red crosswalk signal switching to green pedestrian travel. The closest chance of romance was playing at 5:30 p.m. in the theatre. Happiness was making it to one’s destination without embarrassment. Nothing appears achievable to a singular, puny ghost who is not aided by alcohol, a camera team, or a cheering crowd—only more sidewalk and sky.”

“No one cares about anyone else’s life, but their own, bro. That’s the thing. We’re just selfish," said Raphael. “Some surprise us though. Those unique ones who interest us— they do something new with their body. They mean words differently. They bring us in. The people who amaze us are how we know that the selfishness inside us all along was never selfishness. We were only far from certain people.”

“And after some months, the exposure to beauty and wealth took a toll on his mind. He could not pinpoint it at first. Andrei thought human change came from decisions, but actually it came from observation. The brain was a special piano whose song history was never forgotten; one wrong key could destroy the instrument and necessitate years of healing. For Andrei, the multitude of wealthy guests, their walks, accommodation requests, secrets, women, and jewels had achieved his natural lust for luxury ten times over and turned him into a complete ghost.”

“Consequently, her need for a boy who could treat her well, understand her, and hold her true, was exceedingly high. This need became so important to her and because of this citadel, she grew fearful whenever someone came close. Chelsea failed herself once more and felt as if her towers were so high in the air, she could never jump down. And it was growing taller and taller—and her life was getting shorter and shorter— and she still had no one and no one.”

“It was hard to invest in a person when one saw how things passed. Take the ball player, for example, who dedicates his life, gets injured, and then watches the sport proceed without him. He sits on his leather couch, watching better athletes run across his television screen, younger ones on renovated fields. And he, who sacrificed his sweat, youth, and sanity to the sport and knew coaches, teammates, and even janitors at the stadium like brothers—is forced to still live afterward. His teammates said kind words before a match, hugged him after a goal, but now seem to be focused on new seasons and new goals. He gets left behind. Did none of it mean anything? He cries for the fast world to stop and says, “Slow down. This pains me. We were just here. I used to joke with you. We said we loved each other. Wait for me. Will you just wait for me?” Those hands he shook after a victory could not care for the weeping, broken-footed man hiding in the shadows of his home, once lit by the sun, once the life of the party. When Andrei walked into a job now, or even met someone for the first time, he thought: How long will it take you to forget me?”

“Sometimes, Andrei would feel like the moon. When he dined in solitude, when he masturbated to the couple at the hotel, or when he finished a book he could tell no one around him about, he felt singular and unaccompanied, like the stupid, radiating circle stuck in the sky. His soul would glow softly, through the darkness, deadened, but there, as if solemnly leaving a light on for anyone to come join him. Andrei would feel so far away from everyone else, like a floating object in space, lost in orbit, that no hand worried about, remembered, or attempted to retrieve.”

“People had tried to reel Raphael in from his silence. Their attempts were precisely why he felt so uncomfortable. He did not want to be saved or included. He liked to listen. When he asked a question, it was because he wanted to know the answer. But then they turned it around to ask, “What about you?” and this bothered Raphael, who believed the speaker only returned the question out of manners and so was never a real inquiry. Raphael would be pressured to respond and endure the painful seconds of saying something someone did not want to hear. He would trace their faltering eyes, then his words would crumble into sand, and his listener would never notice because they were not interested in the first place.”

“Pornography did not serve him either. Andrei used to have his personal kinks and fetishes, but after a while, nothing could get him off. For a long time, the only videos he would search were the ones titled: “Who is she?” The only thing that vitalized his self-play was the prospect of some woman on the earth no one knew of and could not find. There was something infinite to these tapes, not the appearance of the girls, but the agitating dissatisfaction and momentary access of a not-so-innocent stranger who men innocently lost forever. It consisted of poorly recorded videos, posted from a smartphone or webcam, and a desperate number of melancholy comments trying to search for the mystery woman. There were plenty of these recordings. But it broke Andrei even more when eventually he knew all the girls no one knew.”

“He thrust his pelvis against his mattress, humping his pillow and thinking of no particular woman or memory, but merely the idea of being touched by someone—anyone. It was a sort of sorrowful pornography, masturbating to the day he would never need to masturbate. He closed his eyes and released on his sheets two fluids of desperation: semen of a lonely man and tears of a lonelier one.”

“The best lover you could ever have will sit on this very bench 270 years from now. You two will never meet. And will never know you’ll never meet. They are, however, currently sitting with you because if you two did meet, you’d spend your time sitting as you are now. Because returning to that bench every afternoon, happily single, was like spending a day with every soul who wants to sit there too.”

“Andrei perched on the rooftop of the cinema and looked out at Westwood’s nightlife bustling before him. He was mounted on the single, cream, stoned gargoyle built above in the corner of the theatre. He and his gothic animal breathed under the cold moon. Yes. He always felt like the moon—generally unnoticed by the world, that never minds—and navigated richly through his life alone and uninterrupted, like a ghost. Truth is an unobvious color. Those who attempt truth will never make billboards or conversations but usually sift in the background in awkward veritas.”

“We sat down to eat, right?” continued Gonzales. “And so... yeah, we sat down to eat and then we talked about chairs. Chairs! That drove our conversation gooooood. And none of us wanted to talk about it, but we smiled and made the best of it. Said a bunch of smart things about chairs—and French café chairs, and shopping for one, and sofas and her thoughts on the proper cushioning. And it was very engaging, but why didn’t any of us cut the crap and say, ‘I don’t care about chairs. I want to— I don’t know—roll around in the grass with you!’ We just spend the whole couple of hours able to grasp each other’s ideas and respond perfectly, but it’s so careful that we don’t get anywhere. I don’t know why that happens. We got love all up in our heads, man. We articulate who we are, but we don’t show people. She and I are just clever. There’s no chemistry in being clever. I mean, why interview on dates man? It’s not like anyone’s gonna tell the truth. Better to lay down with her, like cubs, really be with her, and see if we want to hold each other or not. But you can’t ask someone to do that, huh?” said Gonzales, defeated.”

“It was a situation sincere hearts find themselves in of raw, dirty discomfort they cannot share. A day-to- day, on-the-ground, actual trouble of skin and reality—like flat tires, psychotic parents, immobilized brothers—a pain that the restless world would have no patience for and so was kept secret in the shadows of tragedy along with lost people, lost things, and real life.”

“Why are you leaving Los Angeles?' asked Andrei. 'Something about the city. People don’t want to see each other. Everything’s too far away. A bunch of reasons. On sidewalks everyone avoids each other; it’s weird to go up to someone. Most of all, the weather’s a lie. Too much sun, and then everyone acts like the sun. You know what I mean? There’s so much to do, but no one to do it with.”

“My antidote is to constantly create a world for me and stick to it. I don’t go out much. When I do, people start planting thoughts in my head that I don’t want. I would go home and think their thoughts. Bad seeds... unimportant seeds and I lose my streak of knowing what’s true. That’s where I’m at. I’ve this need to be sensitive to my inner voice. And what feeds that are movies I like... the book I’m reading... some paintings. Instead, when I am with others, my mind is occupied with repetitious jokes, and their envy, and ego. My antidote is the equivalent of a cozy castle of reality—protecting things and people I choose," she said. "A customized balance of my favorite worlds.”

“Some people only needed you for transactions. Don’t let sweet personalities fool you into thinking they’ll hold your hand if it’s got blood on it. If one day, you lost a leg, your boss wouldn’t close the store branch for you. If you lost a home, your old classmates wouldn’t lend you theirs. If you decided to give up, your circle will say you made the right decision. No one’s going to save you, but they love meeting you. And so suddenly, when you lose, the whole world turns on you. A freak— as if alienation was only one amputation, one home, one failure away.”

“A lonely shivering afterward awaits your last sentence, like the wind that blows on the last man standing in a war, heaving on a battlefield no one will remember. Creation isn’t hard. Sleeping in two places at once is hard. Once you create, someone else holds you—on their desk. In the backseat. On their phones. Between their palms. Behold eternal agitation. Writers embark on a revolutionary idea only to be congratulated by katydids. Hearts spill on 8.5x11’s, scratching away their disguise, and then return to lunchtime feeling less than an inch themselves. How do you expect to survive?”

“He had tried so hard that day. Andrei looked toward the smoke, searching for a face, and found none. He knew there was no reward for his life. It would continue to be excruciating for him to venture into the world with stakes and yet receive no friendly consolation. No audience. There were only things and him. The state of aloneness was the condition comets came with. Oh, what a hand could do! A friend! A touch on the shoulder! But this loud torment of silence would serve as the rhythm of a much larger song that played in him—the tune of ceaseless risk. The song commences at the first streak of undertaking. And the lyrics of progress are never congratulated. How could others toast to a victory they did not understand? That they could not see?”

“And this ghost believed he was in the last phase of life. He considered his anesthesia an inevitable chapter of a human being. After a certain amount of naked bodies, blood on the walls, and vomit on the floor, the color white will look gray. Once he surrendered to gray, the uncaring world proved his worldview. He walked the sunny streets and knew no passerby would ever save him from his rainstorm. He could cry all the way to work and back unstopped. The unconcern of the world confirmed to him that he was a ghost, not only because he was deadened from the hotel, but because when he left and stepped outside it, he knew, indisputably, everyone else was dead to everyone else. To be alive is to play the role of ghost.”