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Liane Moriarty

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“And maybe it was more than that. Maybe it was actually an unspoken instant agreement between the four women on the balcony: No woman should pay for the accidental death of this particular man. Maybe it was an involuntary, atavistic response to thousands of years of violence against women. Maybe it was for every rape, every brutal backhanded slap, every other Perry that had come before this one.”

“Jane had tried that with Mothers Group and failed. She just couldn't relate to those bright, chatty women and their bubbly conversations about husbands who weren't "stepping up" and renovations that weren't finished before the baby was born and that hilarious time they were so busy and tired they left the house without putting on any makeup! (Jane, who was wearing no makeup at the time, and never wore makeup, had kept her face blank and benign, while she inwardly shouted: What the fuck?)”

“When he was a kid, it used to feel like his parents disappeared when the got drunk. As the levels of their glasses went down, he could sense them pulling away from him, as if they were together on the same boat, slowly pulling away from the shore where Oliver was left stranded, still himself, still boring, sensible Oliver, and he'd think, Please don't go, stay here with me, because his real mother was funny and his real father was smart, but they always went. First his dad got stupid and his mum got giggly, and then his mum got nasty and his dad got angry, and so it went until there was no point staying and Oliver went to watch movies in his bedroom. He'd had his own VCR in his bedroom. He'd had a privileged upbringing, had never wanted for anything.”

“Just before she was about to hit send she deleted the kisses. In case the therapist thought she was leading him on. Then she thought of all the actual kissing they'd done last night. Ridiculous. She may just as well kiss him in a text message. She made it three kisses and went to hit send, but then she wondered if it would seem overly romantic, and changed it back to one kiss, but that seemed stingy, compared to his two, as if he was trying to make a point She made a 'tch' sounded, added back in the second kiss and hit send.”

“Something snapped," said Madeline. She saw Perry's hand shining back in its graceful, practiced arc. She heard Bonnie's guttural voice. It occurred to her that there were so many levels of evil in the world. Small evils like her own malicious words. Like not inviting a child to a party. Bigger evils like walking out on your wife and newborn baby or sleeping with your child's nanny. And then there was the sort of evil which Madeline had no experience: cruelty in hotel rooms and violence in suburban homes and little girls sold like merchandise, shattering innocent hearts.”

“It is a very pretty beach. We're not really beach people, and obviously no one wants to see this in a bikini!" She made a face of pure loathing and gestured at her perfectly ordinary body, which Madeline judged to be about the same size as her own. "I don't see why not," said Madeline. She had no patience for this sort of talk. It drove her to distraction the way women wanted to bond over self-hatred.”

“She meant that they'd never used words like "separation" and "divorce" even in their worst screaming matches. They yelled things like, "You're infuriating!" "You don't think!" "You are the most annoying woman in the history of annoying women!" "I hate you!" "I hate you more!" and they always, always used the word "always," even though Clementine's mother had said you should never use that word in an argument with your spouse, as in, for example, "You always forget to refill the water jug!" (But Sam did always forget. It was accurate.)”